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Manfrotto 694CX Carbon Fiber 4-Section Monopod

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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The Manfrotto 694CX Carbon Fiber 4-Section Monopod is a lightweight, sturdy monopod that will help you get sharper shots with telephoto lenses. - Manfrotto 694CX Carbon Fiber 4-Section Monopod
4.0 Excellent

The Bottom Line

The Manfrotto 694CX Carbon Fiber 4-Section Monopod is a lightweight, sturdy monopod that will help you get sharper shots with telephoto lenses.
Best Deal£99

Buy It Now

£99

Pros & Cons

    • Lightweight.
    • Sturdy.
    • Carbon fiber construction.
    • 65-inch maximum height.
    • Expensive.
    • Cannot change foot.
    • Need to add a head to use a quick release plate.

A good monopod is a handy accessory for photographers who shoot at telephoto distances and want to be more mobile than a tripod allows. Using a monopod helps you to better steady your camera, so you can get a sharp shot at a longer shutter speed. It's also helpful when shooting with very heavy lenses, as you won't have to support your camera and lens via your arm muscles alone. The Manfrotto 694CX Carbon Fiber 4-Section Monopod ($212 direct) is one of the better ones that I've used, but it's also on the pricey side. Its carbon fiber construction keeps its weight down, but it's still sturdy enough to support 11 pounds. Cold weather shooters often prefer carbon fiber as it isn't as chilly to the touch as aluminum, and the material is less prone to transmitting vibration. 

The 694CX weighs about 1.3 pounds and collapses to 21.3 inches. There are four sections, each of which requires you to open a clip in order to adjust; closing the clip locks that section into place. When fully extended it reaches 65 inches in height; at 5'9", I was able to shoot comfortably at less than full extension when I added the 234RC head ($50) and a Sigma 120-300mm F2.8 DG OS HSM, but if you're significantly taller you'll be more comfortable with a monopod with a bit more extension. You can screw the monopod directly into a tripod socket, but a head with a quick release plate is a handy add-on. If you're on a tight budget, the closest aluminum Manfrotto equivalent, the 681B, is just $78. But it is a little bit heavier at 1.8 pounds, and isn't as comfortable to use in cold weather.

There's a hand strap attached to the top, and the bottom foot is rounded rubber. There's no way to change that out to a spike or add a support base, which may be limiting when shooting on uneven terrain. It is rated to support up to 11 pounds, although the 234RC head is only rated for 5.5 pounds. I used the monopod and head combination with a 7.5-pound lens and a 1.7-pound camera. There were a couple instances where the head's tilting method lurched forward under the weight, but it wasn't a frequent occurrence.

The Manfrotto 694CX Carbon Fiber 4-Section Monopod is expensive, but it's a solid accessory for sports shooters, nature photographers, and others who use telephoto lenses. I was able to get sharp shots with a heavy telezoom at 300mm at speeds as low as 1/60-second; even with optical stabilization. That's a feat. And I managed to shoot all day without killing my arms, which would not be the case if I was hand-holding 9-plus pounds of camera and lens for hours on end. You can find a comparable aluminum monopod for a lot less money, but a half-pound weight difference is noticeable if you're carrying heavy gear.

Final Thoughts

The Manfrotto 694CX Carbon Fiber 4-Section Monopod is a lightweight, sturdy monopod that will help you get sharper shots with telephoto lenses. - Manfrotto 694CX Carbon Fiber 4-Section Monopod

Manfrotto 694CX Carbon Fiber 4-Section Monopod

4.0 Excellent

The Manfrotto 694CX Carbon Fiber 4-Section Monopod is a lightweight, sturdy monopod that will help you get sharper shots with telephoto lenses.

Get It Now
Best Deal£99

Buy It Now

£99

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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