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Compact DJI RS 3 Mini Stabilizes Full-Frame Cameras

DJI's latest powered gimbal supports 4.4-pound payloads so it can work with slimmer full-frame cameras, and also offers vertical mounting support for influencers

 & Jim Fisher Principal Writer, Cameras

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DJI is rounding out its third-generation Ronin gimbal series with its smallest entry yet—the appropriately named RS 3 Mini. The latest gimbal joins the larger RS 3 and RS 3 Pro in the company's line of camera stabilizers, and while it certainly lives up to its Mini moniker, it's a good match for swappable lens cameras with Micro Four Thirds, APS-C, and even full-frame sensors.


Portable, But Fewer Features Than Bigger Ronins

DJI RS 3 Mini folded, without camera

With the RS 3 Mini, DJI has kept the design pretty basic. The 1.9-pound gimbal doesn't add too much weight to your kit, and can still handle popular full-frame camera configs, with support for payloads of of up to 4.4 pounds. The Mini supports mounting for 16:9 or 9:16 recording, so it's a good match for creators working in both traditional video and social media.

You'll want to use a lens that doesn't extend too far out from the camera for the best results. DJI cites the Sony a7 IV and 24-70mm F2.8 GM II as an example of a typical payload. So far we've tried it with the Panasonic Lumix S5 and 20-60mm zoom and found it to be quite easy to get balanced, with effective stabilization in very limited testing.

DJI RS 3 Mini with Panasonic S5 mounted and balanced
DJI RS 3 Mini with Panasonic S5 mounted and balanced

A 1.4-inch color touch screen is there to assist setup and change settings. The RS 3 works with a smartphone app for control and firmware updates too. Like other recent DJI products, there is a hard activation requirement to use the gimbal, so you'll need to own (or have access to) a smartphone during initial setup. Once activated, there's no requirement for a smartphone.

The screen is there to set the follow mode, give balance an assist with a quick motor calibration, and adjust other settings. There's a joystick nearby for thumb control of gimbal pan and tilt. A front control wheel and connection cables are available for camera control. The internal battery is good for up to 10 hours of use between charges, and is topped off via a USB-C port.

DJI RS 3 Mini, RS 3, and RS 3 Pro on table
The DJI RS 3 line goes from big to small with the Mini (left), RS 3 (middle), and Pro (right) versions of the gimbal.

Some of the features you get in the bigger RS 3 and RS 3 Pro are absent, though. The Mini's arms do not automatically close and lock on power down, for one, and you can't add follow focus or zoom control accessories either.


Pricing and Availability

The DJI RS 3 Mini is available worldwide today, and is priced at $369. Watch this space for a review, as well as reviews of the RS 3 ($549) and RS 3 Pro ($869), soon.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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