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Fotodiox Fusion Smart AF Adapter (Nikon to Sony)

 & Jim Fisher Principal Writer, Cameras

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The Fotodiox Fusion Smart AF adapts Nikon lenses to Sony mirrorless cameras, with autofocus support, but there are a few bugs to be worked out. - Camera Accessories
3.5 Good

The Bottom Line

The Fotodiox Fusion Smart AF adapts Nikon lenses to Sony mirrorless cameras, with autofocus support, but there are a few bugs to be worked out.

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Pros & Cons

    • Adapts Nikon F lenses to Sony mirrorless cameras.
    • Aperture control for G and E lenses.
    • Autofocus for AF-S and AF-I lenses.
    • No autofocus support for screw-drive lenses.
    • Some operating quirks.

Adapters that allow you to mount Canon lenses to Sony bodies are pretty common, but we've only seen a couple that do the same with Nikon lenses. The Fotodiox Fusion Smart AF Adapter (Nikon to Sony) ($349.95) is one of them. It carries a premium price over the similar Fusion adapter for Canon lenses, but delivers more consistent performance and fills a smaller niche.

Design

The Fusion adapter is a small cylinder with a square bottom that allows it to rest upright and includes a tripod socket thread. It's not removable like the foot found on the similar Fotodiox Fusion adapter for Canon lenses. In a move meant to set it apart from the crowd from a visual perspective, the front mount, which is where you attach Nikon lenses, is finished in gold, and the lens release button is bright red.

Compatibility and Performance

The adapter works with all modern Nikkor lenses with internal focus motors—dubbed AF-S—and some older AF-I lenses as well. It supports electronic aperture control for G and E lenses, neither of which offer physical aperture rings. If you have an older screw-drive autofocus Nikkor lens you can still use it, you just won't get autofocus support. You may want to consider the Techart PRO ($279.00 at Amazon) adapter if you're in that boat. It adds autofocus to manual focus lenses, and accepts Leica M lenses. However, it's a simple matter to add a second adapter to go from Leica M to Nikon F. You just have to be careful to use small, lighter lenses with that sort of combination—prime lenses will be fine, but zooms are out of the question.

I tested the adapter with the AF-S Nikkor 105mm f/1.4E ED ($1,896.00 at Amazon) and the Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary ($849.00 at Amazon) . Both performed quite well in terms of autofocus, with my only issue appearing when trying to use the Sigma at the telephoto end in dim light—my Alpha 7R II ($1,798.00 at Amazon) test body hunted for focus in that situation, but that's not out of the ordinary when using a narrow aperture lens in dim light.

Both AF-S and AF-C focus is supported, and you can adjust focus when recording video. The camera won't automatically adjust for focus when recording video in AF-C like it will with a native lens, but you can trigger it to reacquire focus with a tap of the shutter button. Support for video recording is a big plus, as you can take a lens without image stabilization like the 105mm f/1.4 and shoot handheld 4K footage that's free of jitters thanks to the A7R II's in-body stabilization—that's something you won't get with a Nikon D810 ($1,996.95 at Amazon) .

You'll only get this level of performance with Sony bodies that allow third-party lenses to use on-sensor phase detection, which is the same story as the Sigma MC-11 ($164.00 at Amazon) adapter that we recommend for use with Canon lenses. At this time those models are the Alpha 7R II, the Alpha 7 II ($898.00 at Amazon) , the Alpha 6300 ($589.00 at Amazon) , and the Alpha 6500.

I did encounter some odd behavior from the adapter during testing. In general, using it slows the start up time of the Alpha 7R II. I'd have to wait anywhere from 5 to 10 seconds in order to have the camera ready to take a photo, in contrast to the 1.6 seconds the camera clocked in our lab tests when paired with a native lens. During this duration you're greeted with a black screen.

And there were times when I'd start the camera and exposure on the lens would be way, way off. The Alpha 7R II was being told that the 105mm f/1.4 had a fixed f/90 aperture and was defaulting to insanely long shutter speeds to compensate, which resulted in a completely blown-out white exposure preview. Turning the camera off and on again fixed the issue, but it happened a few times in testing. Let's hope that Fotodiox can get to the bottom of this issue and address it via a firmware update.

Conclusions

Adapting Nikon lenses with full autofocus to the Sony mirrorless system has proven to be a tricky proposition. There aren't as many options as there are for Canon lens owners, and they tend to be pricey, so it's important to get one that works well. The Fotodiox comes through in the focus department, but has some operational quirks. The only other solution on the market at this time is Commlite CM-ENF-E Nikon F Lens to Sony E-Mount AF ($399), which we've not yet been able to test. That particular adapter is also sold under the Vello brand for the same price.

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Further Reading

Final Thoughts

The Fotodiox Fusion Smart AF adapts Nikon lenses to Sony mirrorless cameras, with autofocus support, but there are a few bugs to be worked out. - Camera Accessories

Fotodiox Fusion Smart AF Adapter (Nikon to Sony)

3.5 Good

The Fotodiox Fusion Smart AF adapts Nikon lenses to Sony mirrorless cameras, with autofocus support, but there are a few bugs to be worked out.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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