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DJI Osmo Mobile 2 Gimbal Offers Better Battery Life, Price

Many consumers think of DJI as a drone company, but it also has a full line of handheld camera stabilization systems, like the new Osmo Mobile 2 and Ronin-S.

 & Jim Fisher Principal Writer, Cameras

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If you were hoping for a new DJI drone at CES, you'll be disappointed. Instead the company is catering to its more down-to-earth market— handheld camera gimbals—by introducing two new models, one for mobile phones and a second for SLRs and mirrorless cameras.

The Osmo Mobile 2 is a follow-up to the company's popular handheld gimbal for smartphones. It has a clip to hold your phone, and a three-axis brushless gimbal to keep video silky smooth, even beyond what optical stabilization in modern smartphones can provide.

CES 2018 bug artFlagships like the iPhone 8 and Samsung Galaxy S8 record crisp video at 4K quality, and are also capable still shooters. For many, they've completely replaced a point-and-shoot camera. The Osmo Mobile 2 not only makes it possible to record smooth handheld video with a phone, it supports landscape orientation (for traditional capture) and portrait, the format used by Snapchat and Instagram Stories.

DJI Osmo Mobile 2The new model uses an internal battery rather than a swappable one. It does limit the lifespan of the device—we know that batteries lose power over time—but by opting for an integrated cell the battery life has improved dramatically. The original Osmo Mobile was good for just under five hours of use per charge—the Mobile 2 can go for 15 hours. It also has an integrated tripod socket at the bottom of its pistol grip, which wasn't possible due to the battery door on the original version.

The Osmo works with the DJI GO mobile app (available for Android and iOS) to communicate with your phone. There's a physical USB connection, so your phone is powered by the grip and there's no Wi-Fi pairing necessary.

There's a d-pad on the handle to tilt and move your phone as desired. But you can also activate ActiveTrack on the app to identify and track a specific subject. Other app features include Motion Timelapse and Hyperlapse video, as well as Panorama, Long Exposure, and LightTrail options for still capture.

The Osmo Mobile sold for $199. The new Osmo Mobile 2 is less expensive, just $129, making it a more appealing option for smartphone filmmakers. Pre-orders open up on Jan. 23, and it will start to ship in February.

DJI Ronin-SIf you're more serious about video, you may use an SLR or mirrorless camera instead of a smartphone. DJI has those devices covered with the Ronin-S, the first single-hand stabilizer in the Ronin family. It's designed to handle cameras as big as the Canon EOS 5D Mark IV, but can also stabilize footage from popular mirrorless video cameras like the Panasonic GH5 and Sony a7S II.

The gimbal can be locked down for camera mounting and calibration, so setup is easier than with other devices. It has a Push mode that lets you move the camera by hand, but also has a joystick to adjust it with the gimbal motors.

Like the Osmo Mobile 2, the Ronin-S supports Panorama, Hyperlapse, and subject tracking. It adds CamAnchor, which sets up multiple shots and lets you toggle between them when shooting a scene. It also supports a number of add-on accessories, including an optional vehicle mount, a dual handle support for heavier rigs, and a Focus Control Center to add more advanced camera moves and precise focus control.

The Ronin-S is set to ship in the second quarter of 2018. Pricing is not yet set.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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