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 & M. David Stone Contributing Editor

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PCMag is your complete guide to computers, peripherals and upgrades. We test and review tech products and services, report technology news and trends, and provide shopping advice with price comparisons. - ViewSonic Pro9000
4.0 Excellent

The Bottom Line

The ViewSonic Pro9000 home theater projector offers enough to justify its price, but lacks features you might expect, including 3D support, frame interpolation, and conveniences like lens shift.

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Pros & Cons

    • Native 1080p resolution.
    • LED and laser hybrid light source.
    • Little or no rainbow effect despite being DLP based.
    • No 3D support.
    • No lens shift.
    • Minimal zoom.
    • No frame interpolation to smooth out the judder inherent in film.

ViewSonic Pro9000 Specs

Engine Type DLP
Inputs and Interfaces Analog VGA
Inputs and Interfaces HDMI
Native Resolution 1920 by 1080
Rated Brightness 1600
Warranty 36
Weight 9.4

Priced for moderately serious videophiles, the full 1080p HD ViewSonic Pro9000 is available both by itself and from the sort of dealers who will install and calibrate the projector for you, help match it to an appropriate screen and screen size for your home theater, and more. It lacks some features you might expect—including, for example, frame interpolation—but it offers a hybrid LED and laser light source that should last the life of the projector, and it delivers a respectably high-quality image.

To start with what's missing, the lack of frame interpolation is a little surprising. The feature has become increasingly common on home theater projectors, including, for example, the Optoma HD8300SEE IT and Sony VPL-HW30ESSEE IT.

The argument for frame interpolation is that filmed content can show judder, a slightly jerky motion inherent in the standard 24 frame-per-second film speed. Frame interpolation smoothes the motion by adding additional frames. However, adding frames makes filmed content look like live video, which many people—including me—find distracting. If you want your movies to look like movies, in short, you'll probably want to turn this feature off anyway, so not having it may not matter.

Also somewhat surprising, because it's all but standard on DLP projectors today, is the lack of 3D. If you don't care about 3D that won't be an issue either. Just be aware that the Pro9000 is strictly 2D.

Two other features you might expect at this price, but won't find, are lens shift and more than minimal zoom. Both make setup easier by giving you flexibility in where you can place the projector relative to the screen. The Editors' Choice Epson PowerLite Home Cinema 8700 UB, for example, can shift the image about a half screen width left and right or almost a full screen up or down from the center position. It also offers a 2.1x zoom to give you a wide range of distance from the screen for any given image size. The Pro9000 offers no lens shift at all and only a 1.2x zoom.

What Makes it Worth the Price

What makes the Pro9000 potentially worth the price is its hybrid LED and laser light source. Much like the hybrid light source in Casio's data projectors, the Pro9000 uses red and blue LEDs for its red and blue primary colors, and a blue laser shining on a phosphor element to produce green.

A key advantage for the light source is that it's designed to last the life of the projector, with a 20,000 hour rating. That helps keep the total cost of ownership down, since it means you don't have to buy lamps every 2,000 or 3,000 hours at several hundred dollars each. It can also help with electricity bills. ViewSonic claims the power draw is only 186 watts. I measured it at 123 watts in Normal mode and a miserly 84 watts in Eco mode. In standby mode, the rating is less than 0.5 watts, which registers as 0 watts on my Kill A Watt meter.

Also worth mention is the three-year warranty for both the projector and light source. That's a year longer for the projector than many vendors offer and far longer for the light source than the 90 days that's common with traditional lamps.

No Rainbows

One other feature that makes the Pro9000 different is an almost complete, if not actually complete, lack of rainbow artifacts, with light areas breaking up into little red-green-blue rainbows. These are always a concern with single-chip DLP projectors, because of the way the projectors create color, but they show more often with some projectors than others. The Pro9000 is the first single-chip DLP projector I've ever tested that was completely rainbow free.

I have to be a little careful here, because some people are more sensitive than others to seeing these artifacts. If you see them more easily than I do, you may still see them with the Pro9000. However, I see them more easily than most people, so if I don't see them at all, it's unlikely that you will. What I can say definitively is that the Pro9000 is better on this score than any other single-chip DLP projector I've ever seen.

Setup and Brightness

Setting up the Pro9000 is standard fare. The connectors for image sources include two HDMI ports, a VGA port, and both S-Video and composite video ports.

ViewSonic rates the projector in its brightest mode at 1,600 lumens, which would make it far too bright for theater-dark lighting with the size screen you're likely to have in a home theater. However, the brightest mode also has awful color quality. That's not unusual, but it makes brightest mode best avoided in any case.

The Theater and Dark Room settings offer a lower brightness that served nicely for the 78-inch wide (90-inch diagonal) screen I used for my testing. Brighter presets were suitable for a room with some ambient light, like a living room at night. However, the Pro9000 is not a good choice as a home entertainment projector in, say, a family room that's flooded with light during the day.

Image Quality and Other Issues

On our tests with Blu-ray discs and with DVDs upscaled to 1080p, the Pro9000 did a reasonably good job on image quality. With the Blu-ray discs, I didn't see any issues worth mention except for a minimal level of noise in large unbroken areas.

With DVDs, in addition to noise I saw just a hint of posterization (shading changing suddenly where it should change gradually), but only in scenes that tend to cause that problem. With the default settings, I also saw some minor problems with shadow detail (details based on shading in dark areas). Adjusting gamma, however, improved shadow detail considerably.

One unusual touch for a home theater projector is the Pro9000's built-in stereo sound system, with two 2-watt speakers. The audio is both usable and loud enough for a small room if you want to set the projector up temporarily, but it's well short of the quality you'd want for home theater or even home entertainment use. Plan on using an external sound system.

I'd like this projector a lot more if it included features like lens shift and greater zoom. However, it delivers a suitably high- quality image, little to no rainbow effect, and a hybrid light source that promises a low total cost of ownership. That's enough, despite the lack of some expected features, to make the ViewSonic Pro9000 a potentially attractive choice. It's certainly enough to make it worth a close look.

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Final Thoughts

PCMag is your complete guide to computers, peripherals and upgrades. We test and review tech products and services, report technology news and trends, and provide shopping advice with price comparisons. - ViewSonic Pro9000

The Latest Technology Product Reviews, News, Tips, and Deals

4.0 Excellent

The ViewSonic Pro9000 home theater projector offers enough to justify its price, but lacks features you might expect, including 3D support, frame interpolation, and conveniences like lens shift.

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About Our Expert

M. David Stone

M. David Stone

Contributing Editor

My Experience

Most of my current work for PCMag is about printers and projectors, but I've covered a wide variety of other subjects—in more than 4,000 pieces, over more than 40 years—including both computer-related areas and others ranging from ape language experiments, to politics, to cosmology, to space colonies. I've written for PCMag.com from its start, and for PC Magazine before that, as a Contributor, then a Contributing Editor, then as the Lead Analyst for Printers, Scanners, and Projectors, and now, after a short hiatus, back to Contributing Editor.

I'm pretty sure I'm the only person who worked on every "Project Printer" blockbuster PCMag ever produced, often writing 15 or more reviews for the year's big printer blowout. (I snuck in a single review one year when I was writing a book, strictly so I could keep that claim alive.)

I've always worked for PCMag as a freelancer, which has freed me to take time away to write nine books, be a major contributor to four others, and write for other publications, including Wired, Computer Shopper, Projector Central, and Science Digest, where I was Computers Editor. I also wrote a computer column at one point for The Newark Star-Ledger.

Although I started my career primarily as a science (mostly physics and astronomy) and science-fiction writer (published in Analog), my non-computer-related work runs the gamut from the Project Data Book for NASA's Upper Atmosphere Research Satellite (written for GE's Astro-Space Division) to the script for a video overview of a top company in the gaming industry (that would be gambling, not video games). My books include The Underground Guide to Color Printers (Addison-Wesley), Troubleshooting Your PC (Microsoft Press), and Faster, Smarter Digital Photography (Microsoft Press).

Having covered a wide range of subjects, I've developed a serial expertise in many of them. The ones most relevant to my current work at PCMag.com are all imaging technologies.

The Technology I Use

I buy new PCs for my writing desk infrequently, because it takes a week or more to customize the settings the way I want them. At the moment, I have an HP Envy tower running Windows 10, but it's old enough to have a Windows 7 sticker on it. Its latest lease on a longer life is courtesy of a newly installed 500GB Samsung SSD 870 EVO.

Elsewhere in my house is an assortment of older and newer PCs. The older ones are dedicated to specific tasks, like the one I've been using to slowly digitize all the paper stored in my filing cabinets, while the newer ones are testbeds for printer and projector reviews.

For writing, I use Microsoft Word 2003, because I find it too annoying to take my hands off the keyboard to give mouse commands using the Ribbon. My workhorse printers are a Xerox Phaser 6280 color laser and a Dymo LabelWriter 450 Twin Turbo for labels and stamps. I also have a Canon Pixma iP8720 for printing photos, and a Canon ImageFormula DR-C225 for scanning.

My first computer was bought to replace my IBM Selectric for writing. After rejecting both the IBM PC (which had just been introduced) and the Apple II because of the keyboards, I chose a Vector Graphics Vector 3 CP/M machine with dual floppies. The first MS-DOS machine I was willing to use for writing was the IBM AT, with its much-improved keyboard compared with the original PC and its gargantuan 20MB hard drive.

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