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Sony Carl Zeiss 135mm f/1.8 Telephoto Prime Lens

 & Jim Fisher Principal Writer, Cameras

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Sony Carl Zeiss 135mm f/1.8 Telephoto Prime Lens - Sony Carl Zeiss 135mm f/1.8 Telephoto Prime Lens
4.0 Excellent

The Bottom Line

The Sony Carl Zeiss 135mm f/1.8 Telephoto Prime Lens is a stunningly sharp lens in a classic portrait focal length.
Best Deal£1798

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£1798

Pros & Cons

    • Sharp at all apertures.
    • Minimal distortion.
    • Classic portrait focal length.
    • Expensive.
    • Heavy.

Sony Carl Zeiss 135mm f/1.8 Telephoto Prime Lens Specs

Type Lens

The Sony Carl Zeiss 135mm f/1.8 Telephoto Prime Lens ($1,799.99 direct)($1,798.00 at Amazon) is a lens that's sure to please portrait photographers. The 135mm focal length is a classic for capturing flattering photos of people, as it allows you to fill the frame with your subject, blur the background, and maintain a working distance that won't distort features. There are less expensive options for other camera systems—Nikon and Canon both make 135mm f/2 lenses that sell for around $1,400 and $1,100 respectively, and if you're a Micro Four Thirds shooter the excellent Olympus M.Zuiko Digital ED 75mm F1.8($898.00 at Amazon) is only $899.99; but if money isn't an object, the Zeiss 135mm f/1.8 is a tough act to follow.

The lens is big for a prime at 4.6 by 3.5 inches (HD), and very heavy at 2.3 pounds. It features a large manual focus ring, and an internal motor for fast, quiet autofocus. The front filter size is 77mm and a circular lens hood is included to reduce flare and increase contrast. The f/1.8 aperture combined with this focal length allows you to really blur the background of your photos—especially when you shoot at the closest focusing distance, just under 2.5 feet.

I used Imatest to check the sharpness of the 135mm at various apertures using the full-frame Alpha 99( at Amazon). Even at f/1.8 it is extremely sharp, recording 2,061 lines per picture height—a good deal better than the 1,800 lines required for a sharp photo. It sharpens up very slightly as you stop down, but not significantly so—at f/2.8 the score is 2,068 lines, and it peaks at 2,302 lines at f/8. Distortion is not relevant in field shooting conditions—it only exhibits 0.3 percent.

If you're in the market for a portrait lens for your Sony D-SLR system, the Carl Zeiss 135mm f/1.8 Telephoto Prime Lens is an excellent choice. It's sharp at every aperture, and you can really create a shallow depth of field at f/1.8. It's best suited for use on a full-frame camera—it's heavy to the point where the larger body of the Alpha 99 will help it balance better. But you can comfortably use it with a larger APS-C body like the Alpha 77($700.00 at Amazon), where its reach is effectively lengthened to 200mm. It's by no means a budget lens, but you're not going to find any optic that bears the Carl Zeiss name at a bargain basement price.

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Final Thoughts

Sony Carl Zeiss 135mm f/1.8 Telephoto Prime Lens - Sony Carl Zeiss 135mm f/1.8 Telephoto Prime Lens

Sony Carl Zeiss 135mm f/1.8 Telephoto Prime Lens Review

4.0 Excellent

The Sony Carl Zeiss 135mm f/1.8 Telephoto Prime Lens is a stunningly sharp lens in a classic portrait focal length.

Get It Now
Best Deal£1798

Buy It Now

£1798

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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