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The Latest Technology Product Reviews, News, Tips, and Deals

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

Our Expert
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65 EXPERTS
43 YEARS
41,500+ REVIEWS
PCMag is your complete guide to computers, peripherals and upgrades. We test and review tech products and services, report technology news and trends, and provide shopping advice with price comparisons. - Sony Alpha 77 (SLT-A77VQ)
4.5 Outstanding

The Bottom Line

The Sony Alpha 77 pumps out 24-megapixel stills at 10.3 frames per second and records 1080p60 video with continuous autofocus. Solid low-light performance, a sharp f/2.8 kit lens, a high-quality OLED EVF, and GPS capability round out the package.

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Pros & Cons

    • Excellent kit lens.
    • High-resolution sensor.
    • Fast burst shooting.
    • Good high ISO performance.
    • 1080p60 video with autofocus.
    • Crisp OLED EVF.
    • GPS.
    • Recovery time needed after burst shooting.
    • No optical viewfinder.
    • Proprietary hot shoe.

Sony Alpha 77 (SLT-A77VQ) Specs

35mm Equivalent (Telephoto) 75 mm
35mm Equivalent (Wide) 24
Battery Type Lithium Ion
Dimensions 5.6 by 4.1 by 3.2 inches
Display Resolution 921600
EVF Resolution 2359000
Lens Mount Sony A
Maximum ISO 16000
Maximum Waterproof Depth 0
Memory Card Format Memory Stick Pro Duo
Memory Card Format Secure Digital
Memory Card Format Secure Digital Extended Capacity
Memory Card Format Secure Digital High Capacity
Optical Zoom 3.1 x
Sensor Resolution 24
Sensor Size APS-C (23.5 x 15.6mm)
Sensor Type CMOS
Stabilization In-Body
Touch Screen
Type D-SLR
Video Resolution 1080i
Video Resolution 1080p
Viewfinder Type EVF
Weight 1.66

best of the Year 2012 43x85 The Alpha 77 ($1,999.99 direct with 16-50mm lens) is the flagship APS-C D-SLR camera in the Sony lineup, coming in only second to the full-frame Alpha 900 ($2,699.99 body only) in price. Like Sony's other current APS-C D-SLRs, the camera features a fixed pellicle mirror and an electronic viewfinder—both departures from traditional SLR designs. Another departure is the kit lens—rather than bundle a low-end 18-55mm zoom, Sony has included a 16-50mm f/2.8 zoom that does a great job in keeping up with the impressive 24-megapixel CMOS sensor. When you add in the ability to shoot at 10.3 frames per second, a built-in GPS, 1080p60 video with continuous autofocus, and good high ISO performance, you have a D-SLR that easily ousts the well-aged Nikon D300 ($1,800, 4.5 stars) as our Editors' Choice for high-end D-SLRs.

Design and Features

You only need pick up the Alpha 77 to feel the care that was put into its design. At 1.6 pounds the camera itself doesn't weigh much more than its smaller sibling, the 1.4-pound Alpha 65 ($999.99 with lens, 4 stars). The 16-50mm f/2.8 lens is bigger and heavier than the 7.4-ounce 18-55mm f/3.5-5.6 kit zoom included with the a65—it comes in at 1.3 pounds on its own. The Alpha 77 is also a bit larger than the a65—it measures  4.1 by 5.75 by 3.25 inches (HWD), a bit bigger than the 3.9-by-5.25-by-3.25-inch Alpha 65.

The added size is used well, as the Alpha 77 has a number of additional physical controls that make shooting a dream. Like other D-SLRs in its class, including the Pentax K-5 ($1,249.95 with lens, 3.5 stars), the a77 features front and rear control wheels and a top-mounted monochrome LCD information display. You also get top-mounted controls to adjust the Drive Mode and White Balance, as well as to adjust EV Compensation and the ISO. The standard Mode Dial is located on the top left of the camera. There are also some rear controls, including an Auto Exposure Lock button and a dedicated Movie button.

The most important rear control is the Fn button, which activates an overlay menu to adjust shooting controls. A four-way joystick is used to navigate the menu, which gives you access to the aforementioned settings that have their own dedicated buttons, as well as a few more—including the Metering  Mode, Flash Compensation, Autofocus Area, and Object Tracking. There are also a few options that seem a bit out of place on a photographer's camera—notably a Smile Shutter option—but its mere presence doesn't detract from the camera's functionality.

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The Alpha 77's pellicle mirror design makes it possible for it to use its fast phase detect autofocus system at all times—regardless of whether you are framing shots with its OLED electronic viewfinder or the articulating rear LCD. The EVF is extremely sharp, packing close to 2.4 million dots into a half-inch area. It's also much faster to refresh than traditional LCD EVFs, making it ideally suited for fast action. The rear 3-inch LCD doesn't have quite as many pixels—its 921k dot resolution is on par with other cameras in its class, including the Canon EOS 7D ($1,699 body only, 4 stars). Still, it's bright and sharp—and it features a nice articulating design with two hinges so you can position it as you'd like.

If you're the type of shooter who wants to get out and take photos in inclement weather, note that the Alpha 77 does have some weather sealing—but it's not a fully weatherproof camera like the Pentax K-5 or Olympus E-5 ($1,699.99 body only, 3 stars). The Sony's ports and dials are protected against the elements, but there is no O-ring seal at the lens mount like the Pentax and Olympus feature.

Final Thoughts

PCMag is your complete guide to computers, peripherals and upgrades. We test and review tech products and services, report technology news and trends, and provide shopping advice with price comparisons. - Sony Alpha 77 (SLT-A77VQ)

The Latest Technology Product Reviews, News, Tips, and Deals

4.5 Outstanding

The Sony Alpha 77 pumps out 24-megapixel stills at 10.3 frames per second and records 1080p60 video with continuous autofocus. Solid low-light performance, a sharp f/2.8 kit lens, a high-quality OLED EVF, and GPS capability round out the package.

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About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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