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Sonic Impact i-F3

 & Tim Gideon Contributing Editor, Audio

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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 - Audio Accessories
3.5 Good

The Bottom Line

I was thoroughly impressed with the audio output from this small and sturdy travel dock, which is perfect for hotel rooms.

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Pros & Cons

    • Decent audio output.
    • Compact, durable carrying case.
    • FM radio.
    • Two integrated alarms, which lets you wake to iPod music.
    • A bit heavy.
    • Bulky AC adapter.
    • Alarm setting not intuitive.
    • iPod navigation is weak.

Sonic Impact i-F3 Specs

Channels: 2
Separate subwoofer: No
Type: iPod
Type: Portable

The iPod travel dock should be so many different things at once. First and foremost, it shouldn't cost a fortune. It should easily fit into my luggage, if not my carry-on bag (this is where most "portable" docks usually strike out). Ideally, it should also deliver excellent sound, but I'd settle for a speaker unit that produces decent sound without distortion at a reasonable, lower volume. Sonic Impact's i-F3 may be a bit on the heavy side, and it's more likely to be a checked luggage item than a carry-on, but it truly surprised me on a recent vacation: It sounds good! Does it have tremendous rich lows and a throbbing bass? No, but do you really want the cops coming to your hotel room because of the noise? The i-F3 delivers clear and distortion-free audio with enough low-end to make me happy; a dependable, built-in alarm, which lets you wake to your iPod; and FM radio that gets good reception. Add in a reasonable price tag of $170 and it's definitely a worthy travel companion.

The i-F3 can seem a little large when in use—it unzips and opens like a small briefcase, with the top half housing the speakers and screen and the bottom half with the dock and controls. When the i-F3 is zipped up and closed, it measures roughly 7.5 by 9.8 by 2.8 inches (HWD) and weighs a somewhat hefty 3.2 pounds. But its relatively small size makes it easy to stow in your luggage. Compared with the Bose SoundDock Portable (which doesn't feel very portable at all), it's far easier to pack in a bag and take with you.

The clock is easy to set; the alarm is a bit less intuitive, but consulting the manual can clear up any confusion. There are two alarms, and you can set either one to wake up to iPod music, FM radio (there are 20 presets), or a buzzing sound. The power supply is a bulky AC adapter, but it charges an internal battery, so you can play music away from outlets and leave the adapter behind if need be since rated battery life is 15 hours. The dock also has an aux input for non-Apple players and an antenna in for the FM radio.

There's an included remote that can skip tracks and control volume, but I found myself doing most of the controlling on the dock and iPod itself, which brings me to my main gripe with the i-F3: its lack of real iPod navigation. You have to figure out what you want to listen to using the iPod's controls—and the play/pause button on the dock will often start playing the first tune in your iPod's library if you haven't selected a track and paused it already. This isn't a big deal, but it's the only real annoyance I encountered.

Sonically, the i-F3 stands out from most portable speaker docks. It has powerful output, but not a whole lot of low-end. This means you can turn it up fairly loud without getting angry fists pounding on the other side of your hotel wall, and the speakers rarely overload and distort. Sure, at max volumes, most rap and electronic music will make these speakers start to buzz, but reasonable levels for most music types sound pleasantly clear and crisp. At high volumes, you can feel air being pumped out of the ports below the drivers, which means these little drivers are doing their job!

The sonic quality is comparable to that of the Bose SoundDock Portable—though the i-F3 comes at roughly half the price. Vestalife's smaller Ladybug speaker dock is another affordable ($110) and portable option with comparable sound quality. But the i-F3 can maintain crisper highs and a hint of low-end at higher volumes without distorting, so I give it the slight sonic edge.

Is the i-F3 a portable music masterpiece? No. But thanks to its compact design, I had an easy time packing it on my last trip, and I loved listening to my iPod on speakers that didn't sound terrible. The extras like FM radio and the alarm clock are nice touches that make the i-F3 seem worth its $170 price. Portable speaker docks rarely provide a sonically impressive experience, and to say that the i-F3 does would be a stretch. It does, however, offer more bang for the buck than most travel docks, and it's what I'll be taking on my next road trip.

Sonic Impact offers a one-year limited warranty on the i-F3. For product support, visit si5.com/support

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Final Thoughts

 - Audio Accessories

Sonic Impact i-F3

3.5 Good

I was thoroughly impressed with the audio output from this small and sturdy travel dock, which is perfect for hotel rooms.

Get It Now

Buy It Now

About Our Expert

Tim Gideon

Tim Gideon

Contributing Editor, Audio

My Experience

I've been a contributing editor for PCMag since 2011. Before that, I was PCMag's lead audio analyst from 2006 to 2011. Even though I'm a freelancer now, PCMag has been my home for well over a decade, and audio gear reviews are still my primary focus. Prior to my career in reviewing tech, I worked as an audio engineer—my love of recording audio eventually led me to writing about audio gear.

My Areas of Expertise

  • Headphones and earphones
  • Wireless and computer speakers
  • USB mics
  • Bluetooth headsets

The Technology I Use

Probably because of their prevalence in the recording studios I worked in a long time ago, I am most comfortable on Macs—I'm writing this on the 2019 iMac I use for testing. I also have a MacBook Pro that gets plenty of similar use.

My workspace has a mini recording studio setup, and the the gear I work with there is a mix of items I've used forever (Paradigm Mini Monitors and a McIntosh stereo receiver) and newer gear I use for recording and review testing (such as the Universal Audio Apollo x16).

I'm obsessed with modern boutique analog synths—some of my favorites instruments in this realm are the Landscape Audio Stereo Field and HC-TT,  the Soma Enner, the Koma Field Kit, and the Lorre Mill Keyed Mosstone.

From my studio days, I'm comfortable using Pro Tools, and in recent years have branched out to other realms of creative software, like Adobe Premiere and After Effects.

I stream music, but I also still buy albums, digitally or on vinyl, and encourage anyone who wants fair compensation for musicians and engineers to do the same.

I also play lots of Wordle.

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