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SOL Republic Tracks

 & Tim Gideon Contributing Editor, Audio

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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SOL Republic Tracks - SOL Republic Tracks
4.0 Excellent

The Bottom Line

The affordable SOL Republic Tracks out-competes plenty of more expensive headphones that specialize in bass performance, but it's not a comfortable headphone pair.

Pros & Cons

    • Excellent audio output and bass response for this price range.
    • Detachable cable means cable can replaced if it falters.
    • Attractive design.
    • Built-in iPhone/iPod/iPad controls.
    • Can be uncomfortable for long listening periods.
    • Headband design can make properly adjusting earcups tricky.

SOL Republic Tracks Specs

Active Noise Cancellation: None
Type: Supra-aural (on-ear)

SOL Republic is a new audio company started by the Kevin Lee, son of the founder and CEO of Monster Cables, Noel Lee. It stands for “Soundtrack of Life,” and the company’s inaugural line-up of products focuses on headphones. The SOL Republic Tracks, at $99.99 list, sound far better than you'd expect from headphones in this price range. They are supra-aural headphones, meaning they sit on the ear instead creating a seal around it, and put out an impressive amount of deep bass. The built-in iPhone and iPod controls are a plus, but some unique design choices end up holding the Tracks back from being a budget masterpiece. Bass lovers looking to save money should definitely consider the powerful Tracks, but the design flaws result in some discomfort for prolonged listening periods.

Design

The Tracks look like a product the design team spent a long time polishing. The entire design is black with silver lettering, with the cleverly symmetrical SOL logo emblazoned on each ear, in the center of a glossy plastic circle. The headband has the words SOL Republic written across it, and has some plush padding that touches the top of the head. What appears to be faux-leather padding lines the ear cups. IPhone controls (that also work for most iPods and the iPad) sit along the cable about mid-chest, making it easy to see the controls for Volume Up, Volume Down, Play/Pause, and Menu navigation. A microphone, which sounds so-so, like almost all iPhone microphones built into headphone cables, is located on the back panel of the control compartment.SOL REPUBLIC TRACKS 260widt

The bad news is: They are not terribly comfortable. The ear cups start to feel warm on your ears after a while, and eventually your ears can get downright hot. The other issue is that the ear cups seem to exert more pressure on the ear than most supra-aural pairs I am used to, like the Bose QuietComfort 3 ($349.95, 4 stars). Particularly if you wear glasses, the Tracks can become uncomfortable over long listening periods, as your glasses frames get pressed harder against your head (behind the ear) due to the pressure from the ear cups. It’s a shame; the Tracks look and sound great, but the lack of comfort can’t be ignored.

Another design issue is, unfortunately, the headband. It’s unique in that it’s made from a proprietary material called FlexTech, that can be bent and twisted into ridiculous positions without breaking. Also unique: it's nothing more than a flat strip of material that each earcup can independently slide up and down. Most headbands adjust using a retractable sliding mechanism, and the Tracks do away with this in the name of simplicity. But things aren’t always so simple; it's possible to slide the ear cups right off (though it's unlikley you'd do so accidentally), so you can swap out bands for replacements of different colors, but adjusting them to properly fit your head while wearing them is a bit challenging. It’s easy to adjust one side far more than the other without realizing, which seems to have no real audio ramifications but looks silly.

One design victory: The cable is detachable, and thus replaceable if it snaps or is damaged, which is far better than having to buy another new pair of headphones entirely.

Performance

The headphones offers an exciting frequency response, but the bass is definitely enhanced drastically. It almost sounds like there’s a subwoofer inside. But plenty of people love low-end, and the SOL Republic Tracks does bass frequencies justice by pushing out a powerful, distortion-free response that is never muddy. Hip hop and electronic pieces sound fantastic, and even at maximum volume levels on songs with tremendous deep bass, like The Knife’s “Silent Shout,” we encountered no distortion. Beyond not distorting and having ample low-end, the Tracks sound great, in general. The mid-to-high frequency ranges are not ignored nor are they so sculpted much that that songs take on a character not intended by the mix engineer. I wouldn’t describe the Tracks as overly bright, but they did bring out some of the higher frequencies of orchestral instruments when listening to modern classical pieces, like John Adams’ “The Chairman Dances."SOL REPUBLIC TRACKS 250 WIDTH

Compared to the recent V-Moda Crossfade M-80 ($230, 3.5 stars), the Tracks, which are a full $130 less expensive, handle bass at high volumes far more gracefully. When listening at moderate levels, the Tracks can sound a bit too focused on low frequencies—not muddy, as mentioned before, but as if someone turned up all the low end EQ beyond where it needed to be. For deep bass, it’s a great effect—even at low volumes, kick drums have a serious thud—but low-mid frequencies tend to sound a bit too present at times, especially on acoustic guitar-based tracks. Regardless, most fans of popular music will truly enjoy the overall sonic performance, which makes the discomfort issue all the more annoying. It should also be noted: People sitting next to you on the plane or bus will definitely hear your music if you blast the Tracks—they can get loud, and there’s no strong seal to keep the audio in.

I grew up listening to my dad’s old Koss headphones—they were massive, heavy, and unbelievably uncomfortable, but in the late '70s, that was par for the course for most consumer-level headphones. Sonically, the SOL Republic Tracks produce far more low-end than the old Koss headphones and sound nothing like them, but it’s not a great thing when my ears are reminded of my dad’s old headphones because of the discomfort they cause. I love the way the Tracks sound, so I sincerely hope that we hear more from SOL Republic, and that the next pair I test feels as good as it sounds. Honestly, it weren't for the fit issue, the Tracks would be our Editors' Choice low-cost headphone. If you’re turned off by the uncomfortable design, but still want a pair of headphones in this price range with some strong low-end, the Skullcandy Roc Nation Aviators ($149.99, 3 stars) offer serious bass—and style—but a less enjoyable overall audio experience. And if price is not an issue, and bass is definitely something you need, check out the Beats Pro by Dr. Dre from Monster ($449.95, 4 stars)—they are bassy and bulky, but much more comfortable. Heads and ears are all shaped differently, however, so it’s worth trying on a pair of SOL Republic Tracks before you decide they won’t work for you. 

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Final Thoughts

SOL Republic Tracks - SOL Republic Tracks

SOL Republic Tracks

4.0 Excellent

The affordable SOL Republic Tracks out-competes plenty of more expensive headphones that specialize in bass performance, but it's not a comfortable headphone pair.

About Our Expert

Tim Gideon

Tim Gideon

Contributing Editor, Audio

My Experience

I've been a contributing editor for PCMag since 2011. Before that, I was PCMag's lead audio analyst from 2006 to 2011. Even though I'm a freelancer now, PCMag has been my home for well over a decade, and audio gear reviews are still my primary focus. Prior to my career in reviewing tech, I worked as an audio engineer—my love of recording audio eventually led me to writing about audio gear.

My Areas of Expertise

  • Headphones and earphones
  • Wireless and computer speakers
  • USB mics
  • Bluetooth headsets

The Technology I Use

Probably because of their prevalence in the recording studios I worked in a long time ago, I am most comfortable on Macs—I'm writing this on the 2019 iMac I use for testing. I also have a MacBook Pro that gets plenty of similar use.

My workspace has a mini recording studio setup, and the the gear I work with there is a mix of items I've used forever (Paradigm Mini Monitors and a McIntosh stereo receiver) and newer gear I use for recording and review testing (such as the Universal Audio Apollo x16).

I'm obsessed with modern boutique analog synths—some of my favorites instruments in this realm are the Landscape Audio Stereo Field and HC-TT,  the Soma Enner, the Koma Field Kit, and the Lorre Mill Keyed Mosstone.

From my studio days, I'm comfortable using Pro Tools, and in recent years have branched out to other realms of creative software, like Adobe Premiere and After Effects.

I stream music, but I also still buy albums, digitally or on vinyl, and encourage anyone who wants fair compensation for musicians and engineers to do the same.

I also play lots of Wordle.

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