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Shure SE215

 & Tim Gideon Contributing Editor, Audio

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Shure SE215 - Shure SE215
4.0 Excellent

The Bottom Line

At just $119, the Shure SE215 has no business sounding this good—and its replaceable cable means it should last longer than typical hard-wired models.

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Pros & Cons

    • Excellent audio performance—solid clarity and bass without over-boosting.
    • Replaceable cable.
    • Includes six different sizes of ear tips.
    • Fit becomes loose if over-ear wire isn't strongly secured.

Shure SE215 Specs

Active Noise Cancellation: Passive
Frequency Range: 22Hz-17.5kHz
Impedance: 20 ohms
Type: In-Canal

Shure's latest pair of earphones, the SE215, manages to walk the line between bass-boosted beasts and strictly flat response pairs. While audiophiles seeking the latter might want to stop reading now, those who prefer more low-end than you get from a pair like the Etymotic ER-4PT ($299, 4.5 stars) but don't want to trek into bass overload territory, the SE215, at only $119 list, is a great deal. Simply put, these earphones sound like a more expensive pair, but manage to avoid too much exaggeration in any frequency realm, the typical trademark of affordable earphones. The cable—always the first thing to go on an earphone pair—is replaceable, which is also rare on affordable earphones. The SE215 isn't perfect—there are some fit issues to be aware of—but it's a bargain for aspiring audiophiles, and it's our latest Editors' Choice.

Design
The Shure SE215 features either clear or translucent black plastic housing for the earpieces, emblazoned with the Shure logo and the name SE215. The 64-inch removable cable is thicker than average earphone cords and connects at the base of each earpiece. As mentioned above, the cable being replaceable is a huge advantage: it allows you to use the SE215 for the life of the drivers or until you misplace the pair, without worrying about the cable going bad, which often happens before the drivers go.

A stiff rubber coating makes the cable rigid enough to bend and stay in position. This is a must for earphones that are worn with the cable pointing up and then tucked behind the ear, but unless I really pressed the cable's stiff wire near the ear into a rigid shape, the earphones still easily fell out. I found the cable less likely to stay in place than, say, the removable cables that come with the extremely expensive JH Audio JH16 Pro ($1,149, 5 stars). Until I realized that I basically had to bend the cable at a near-sharp angle over my ear, the earphones came loose pretty often. That is a significant gripe, but also the only bad thing I have to say about an otherwise fantastic pair of earphones.

Included with the SE215: a zip-up carrying case, six different sizes of foam and silicon ear tips, an earwax cleaning tool (gross, but necessary), and a ¼-inch adapter for larger headphone jacks.

Performance

For $120 list—and cheaper on some retail sites—the SE215 has no business sounding this good. Shure traditionally holds back on bass-boosting frequency response, but the SE215 has a little more low-end presence than its older sibling, the more expensive Shure SE425 ($349, 4 stars). On the other hand, our HEAD Acoustics frequency response tests show how much less low frequency push the SE215 has next to notoriously heavy-bass pairs, like the Monster Beats Tour by Dr. Dre ($149.95, 4 stars) and the Bose IE2 ($99.95, 4 stars). The SE215 manages to more or less split the difference between booming low-end offered by these earphones and the flat-response, almost clinical accuracy of the Etymotic ER-4PT.

The result is a pleasant listening experience that lets the music—not the production—steal the show. The percussion on Bill Callahan's Apocalypse resounds with clarity and depth, but nothing so deep it distracts; his baritone voice is balanced and articulate through the SE215's drivers. The deep bass hits at the start of The Knife's "Silent Shout" are not lacking in depth, but more importantly, they do not distort. And John Adams' "The Chairman Dances" is reproduced with a clarity in the mids and highs not often found in earphones at this price level.

Basically, the Shure SE215 is a steal, but you'll likely have to mess with them a bit in order to properly nail down the fit. Again, the cable eventually seems to break in and the earphones become secure, but don't say I didn't warn you about the first few times you wear them. This issue is annoying, but not nearly enough to prevent the Shure SE215 from receiving our Editors' Choice award for affordable earphones.

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Final Thoughts

Shure SE215 - Shure SE215

Shure SE215

4.0 Excellent

At just $119, the Shure SE215 has no business sounding this good—and its replaceable cable means it should last longer than typical hard-wired models.

Get It Now

Buy It Now

About Our Expert

Tim Gideon

Tim Gideon

Contributing Editor, Audio

My Experience

I've been a contributing editor for PCMag since 2011. Before that, I was PCMag's lead audio analyst from 2006 to 2011. Even though I'm a freelancer now, PCMag has been my home for well over a decade, and audio gear reviews are still my primary focus. Prior to my career in reviewing tech, I worked as an audio engineer—my love of recording audio eventually led me to writing about audio gear.

My Areas of Expertise

  • Headphones and earphones
  • Wireless and computer speakers
  • USB mics
  • Bluetooth headsets

The Technology I Use

Probably because of their prevalence in the recording studios I worked in a long time ago, I am most comfortable on Macs—I'm writing this on the 2019 iMac I use for testing. I also have a MacBook Pro that gets plenty of similar use.

My workspace has a mini recording studio setup, and the the gear I work with there is a mix of items I've used forever (Paradigm Mini Monitors and a McIntosh stereo receiver) and newer gear I use for recording and review testing (such as the Universal Audio Apollo x16).

I'm obsessed with modern boutique analog synths—some of my favorites instruments in this realm are the Landscape Audio Stereo Field and HC-TT,  the Soma Enner, the Koma Field Kit, and the Lorre Mill Keyed Mosstone.

From my studio days, I'm comfortable using Pro Tools, and in recent years have branched out to other realms of creative software, like Adobe Premiere and After Effects.

I stream music, but I also still buy albums, digitally or on vinyl, and encourage anyone who wants fair compensation for musicians and engineers to do the same.

I also play lots of Wordle.

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