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Sennheiser Momentum In-Ear

 & Tim Gideon Contributing Editor, Audio

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Sennheiser Momentum In-Ear - Sennheiser Momentum In-Ear
3.5 Good

The Bottom Line

The Sennheiser Momentum In-Ear delivers bright (sometimes too bright) highs, paired with a powerful low frequency response.
Best Deal£97.33

Buy It Now

£97.33

Pros & Cons

    • Powerful audio performance with robust bass response and bright highs.
    • Lightweight, elegant design.
    • Excellent carrying case.
    • Can be too bright at times.
    • Only comes with two pairs of eartips.

Sennheiser Momentum In-Ear Specs

Phone Controls
Type In-Ear

Sennheiser has extended its over-ear and on-ear Momentum headphone line into the in-canal earphone realm. The $99.95 Momentum In-Ear  earphones are significantly more affordable than the previous Momentum headphones, but they still come with an air of luxury thanks to their simple, elegant design. The Momentum In-Ears' sound signature is unique, more bright (in the highest frequencies) than crisp (in the high-mids), and fully capable of delivering powerful, distortion-free bass at higher volumes. Is the sound too bright? At times, yes, but in the age of booming bass, that's almost a welcome anomaly. If you can spend a bit more, the Editors' Choice Bowers & Wilkins C5 Series 2 ( at Amazon) offer a less bright, but even better-balanced sound.

One note: The Momentum In-Ear is offered in two models—the Momentum In-Ear G  (for most Samsung, LG, Sony, and HTC mobile devices) and the Momentum In-Ear I  (for Apple iOS devices). Both models cost the same, and the only difference is how the remote works with your device; the drivers and visual design are identical.

Design

Though its on-ear and over-ear headphone siblings in the Momentum family have striking designs, the In-Ear's look is rather subdued. The focus here is on colors, specifically red and black for the only model currently available. The flat cable is red on one side, black on the other, and descends from each ear through a simple, elegant metallic piece with the Sennheiser logo emblazoned on it. The fit is secure, and the earphones are very lightweight.

A remote control and microphone compartment is situated on the cable for the right ear, at roughly chin-height. As previously mentioned, the remote comes in two varieties—one for Apple products, one for all others—but both models can control volume, play/pause/jump through tracks, and answer/end calls, as well. Sennheiser Momentum In-Ear inline

The Momentum In-Ear is light on accessories, with only two pairs of eartips. The included case is of a higher quality level than most earphone cases twice as expensive: It's a compact, zip-up case with a removable cradle that houses the earpieces while the cable wraps around its contour. There's certainly room for another eartip pair in there, and three pairs is the unofficial standard minimum for earphones in the price range. So, hurray for the case, but boo for the lack of typical accessories.

Related Story See How We Test Headphones

Performance

On tracks with tremendous sub-bass content, like The Knife's "Silent Shout," The Momentum In-Ear earphones deliver a healthy, rotund bass response that will please bass lovers, and there's no distortion even at top, very unsafe listening levels. But perhaps the most notable aspect of the Momentum In-Ears' sound signature is their boosted high frequency response rather than bass performance.

A song that better showcases this is Bill Callahan's "Drover." With the In-Ear earphones, his baritone vocals retain their smooth low-mid presence, but also get some tweaking in the highest frequencies that makes them sound less crisp than bright. The high-end attack of the percussion also jumps out, which is a bit of a rarity on this track through most earphones we test.

On Jay-Z and Kanye West's "No Church in the Wild," the kick drum loop receives plenty of high-mid presence to remain sharp and slice through the mix, but the higher frequencies seem more boosted—which, again, is rare. We hear more of the sibilance in vocals than usual, for instance, and we hear vinyl crackle that sits underneath this entire mix as if it were far more prevalent. There's still plenty of bass oomph, as well. The sub-bass synth hits are powerful, as is the sustain of the kick drum loop, but the sound signature is definitely brighter than most on the market.

Classical tracks, like the opening scene in John Adams' The Gospel According to the Other Mary, allow the Momentum In-Ears to shine. The lower register strings come to life, and the higher register strings and vocals have a wonderful balance. The boosted high frequencies don't seem to have as much of a brightening effect on these mixes as they do on more EQ-ed pop and rock mixes. It's still a bright sound overall, but the lows are richly represented and the Momentum In-Ears never sound more balanced than they do on this style of recording.

The Momentum In-Ears are peculiar earphones that can sound too bright on some genres, and just right on others, all while serving up robust bass response. If you're looking for a strong bass response, but perhaps something a bit less bright, consider the B&W C5 Series 2 or the Bose Freestyle ($129.95 at Amazon) . If it's a crisp response you're after, but don't want it to be overly bright in the highest frequencies, the Westone W10 ($135.00 at Amazon) is a solid in-ear option, but also quite a bit pricier. And if you just want to spend less on decent earphones, the Audio-Technica ATH-CKX7iS ($56.87 at Amazon) get the job done on a budget. For $100, you could certainly do worse, but this product is not quite on the same level as its more expensive headphone siblings.

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Further Reading

Final Thoughts

Sennheiser Momentum In-Ear - Sennheiser Momentum In-Ear

Sennheiser Momentum In-Ear Review

3.5 Good

The Sennheiser Momentum In-Ear delivers bright (sometimes too bright) highs, paired with a powerful low frequency response.

Get It Now
Best Deal£97.33

Buy It Now

£97.33

About Our Expert

Tim Gideon

Tim Gideon

Contributing Editor, Audio

My Experience

I've been a contributing editor for PCMag since 2011. Before that, I was PCMag's lead audio analyst from 2006 to 2011. Even though I'm a freelancer now, PCMag has been my home for well over a decade, and audio gear reviews are still my primary focus. Prior to my career in reviewing tech, I worked as an audio engineer—my love of recording audio eventually led me to writing about audio gear.

My Areas of Expertise

  • Headphones and earphones
  • Wireless and computer speakers
  • USB mics
  • Bluetooth headsets

The Technology I Use

Probably because of their prevalence in the recording studios I worked in a long time ago, I am most comfortable on Macs—I'm writing this on the 2019 iMac I use for testing. I also have a MacBook Pro that gets plenty of similar use.

My workspace has a mini recording studio setup, and the the gear I work with there is a mix of items I've used forever (Paradigm Mini Monitors and a McIntosh stereo receiver) and newer gear I use for recording and review testing (such as the Universal Audio Apollo x16).

I'm obsessed with modern boutique analog synths—some of my favorites instruments in this realm are the Landscape Audio Stereo Field and HC-TT,  the Soma Enner, the Koma Field Kit, and the Lorre Mill Keyed Mosstone.

From my studio days, I'm comfortable using Pro Tools, and in recent years have branched out to other realms of creative software, like Adobe Premiere and After Effects.

I stream music, but I also still buy albums, digitally or on vinyl, and encourage anyone who wants fair compensation for musicians and engineers to do the same.

I also play lots of Wordle.

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