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Samsung WB150F

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Samsung WB150F - Samsung WB150F
3.5 Good

The Bottom Line

It's not perfect, but the nicely priced compact Samsung WB150F camera packs a sharp 18x zoom lens and integrated Wi-Fi so you can email or upload your pics to Facebook easily.

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Pros & Cons

    • Built-in Wi-Fi.
    • Sharp lens.
    • 18x zoom.
    • Compact design.
    • Inexpensive.
    • Slow performance.
    • Noisy images at higher ISOs.
    • Video capture is limited to 720p.

Samsung WB150F Specs

35mm Equivalent (Telephoto) 432 mm
35mm Equivalent (Wide) 24
Battery Type Lithium Ion
Dimensions 2.4 by 4.2 by 0.9 inches
Display Resolution 460000
Maximum ISO 3200
Maximum Waterproof Depth 0
Memory Card Format Secure Digital
Memory Card Format Secure Digital Extended Capacity
Memory Card Format Secure Digital High Capacity
Optical Zoom 18 x
Sensor Resolution 14
Sensor Size 6.2 by 4.6 (1/2.3")
Sensor Type CMOS
Stabilization Optical
Touch Screen
Type Superzoom
Video Resolution 720p

The Samsung WB150F ($229.99 list) packs a long 18x zoom lens into a compact body, but its sexiest feature is built-in support for Wi-Fi. Connect to a hotspot and you'll be able to upload photos directly to your Facebook account, email them to a friend, or view them on your TV. You can also download photos to your Android phone or iPhone, and even use the phone as a wireless viewfinder. The 14-megapixel camera suffers a bit from noise at higher ISO settings, and it isn't the fastest camera on the block in terms of start up speed. Despite its cool Wi-Fi capabilities and modest price, it doesn't manage to knock off our Editors' Choice superzoom, the Nikon Coolpix S9100 ($329.95, 4 stars).

Design and Features
When you consider its 18x (24-432mm) zoom lens, it's amazing just how small the WB150F  is. It's only 2.4 by 4.2 by 0.9 inches (HWD) in size, which is a bit slimmer than the 2.4-by-4.2-by-1.3-inch Canon PowerShot SX260 HS ($349.99, 4 stars). You can shoot in Auto, but there are enough physical controls to keep you happy if you'd like more control over the camera. These include buttons for the Self Timer, Macro mode, and Flash control. Pressing the Menu button brings up an overlay display from which you can adjust Exposure Compensation, White Balance, ISO, and other frequently changed camera settings. To control more esoteric camera settings, turn the top Mode dial to the Gear icon, which brings up the camera's full Menu.

The Wi-Fi menu is also accessed via the Mode dial. The camera can connect to any network—if you have a security key set you'll have to enter it, but the camera remembers the password. The WB150F gives you an experience similar to a smartphone, albeit sans touch screen, as each option is represented by a colorful icon. Social Sharing lets you post photos and videos directly to Facebook, Picasa, YouTube, and Photo Bucket, and there's also an Email option if you'd like to send a picture to a specific person. You can also push photos to the SkyDrive service, a Windows PC, or a Samsung TV.

The final two Wi-Fi functions require an iPhone or Android phone to use. MobileLink works with a free app, available in the Apple App Store and Android Market, to wirelessly transmit your photos from the camera to your phone—which can come in handy when you don't have Wi-Fi access and would like to share a photo via your phone's data plan. The Remote Viewfinder app, also free for iOS and Android, lets you use your phone to control the camera. You can zoom the lens in and out, turn the flash on or off, and trip the shutter, but more advanced functions aren't supported. The live view feed is choppy, which limits the situations in which this feature can be used. When set in either of these modes the camera itself becomes a Wi-Fi hotspot, so you'll need to set your phone to connect to it in order to get them to work. The operating range is rather limited—I was only able to get about 30 feet away from the camera before communication was lost.

The camera's rear LCD is 3 inches in size and is packed with 460k dots, a bright and sharp combination. It isn't the best in its class—that honor goes to the Nikon S9100 —but it is in line with most other superzoom cameras, including the Fujifilm Finepix F600EXR ($349.95, 3 stars).

Performance and ConclusionsSamsung WB150F (Benchmark Tests)
One area in which the WB150F lags a bit behind the competition is speed. The camera requires 3.8 seconds to start and take a shot, makes you wait 1.5 seconds between photos, and manages a 0.4 second shutter lag. Another 18x Samsung camera, the WB750 ($279.99, 3.5 stars), does better here—it starts and shoots in 1.9 seconds, has a short 0.2 second shutter lag, and can grab an eight shot burst of photos with only 0.1 second between each shot.

The camera does much better in terms of sharpness, which I used Imatest to measure. Its lens managed to record 1,880 lines per picture height when shooting our test chart, which exceeds the 1,800 lines required for a sharp photo.  There are cameras with slightly sharper lenses, like the Canon PowerShot SX260 HS —it managed 1,939 lines—but the WB150F is no slouch in this department.

Where the camera does lag behind the curve is in terms of image noise. It was only able to keep it below 1.5 percent through ISO 200, which is rather disappointing. At ISO 400 the camera produces photos with 1.9 percent noise, but without too much loss of detail. Images are a little cleaner at ISO 800, but at that point detail is sapped by over-aggressive noise reduction, which gives photos an unnaturally shiny, waxy feel. We've tested cameras that have been better with noise—the Canon PowerShot Elph 510 HS ($349.99, 3.5 stars) was good through ISO 400, and our Editors' Choice Nikon Coolpix S9100 keeps photos clean all the way up through ISO 3200. We've also seen some that have been worse—the ultra-compact Canon PowerShot Elph 520 HS ($299.99, 2.5 stars) matched the WB150F with clean images through ISO 200, but those shot at ISO 400 with that camera really suffered due to in-camera noise reduction.

The 720p30 video captured by the camera looks pretty good, although it isn't full 1080p quality. It's recorded in MP4 format, and the camera can zoom in and out and refocus when recording. What's better, the lens is quiet enough that doing so doesn't overwhelm the soundtrack. There's no HDMI output on the WB150F, so if you don't have a Samsung TV with Wi-Fi, you'll have to figure out another way to watch your movies on a big screen. Photos are saved to SD, SDHC, and SDXC memory cards. There's a standard micro USB port on the camera—there's no battery charger included, though. Instead, you plug the camera directly into the wall via a USB-to-AC adapter in order to charge it.

If you're interested in instantly sharing your photos online—but are unhappy with the capabilities of your cell phone's camera—the WB150F is worth serious consideration, especially given its $230 price point. Even though it isn't the best in low light, the compact shooter packs a long, sharp zoom lens. If Wi-Fi isn't a must-have feature, other cameras deliver more versatile performance. At $350, the Canon PowerShot SX260 HS is over $100 more expensive, but packs a longer 20x lens and built-in GPS. Enthusiasts may want to seek out a camera like the Fujifilm Finepix F600EXR , which also retails for $350, but can be found for less online and supports Raw image capture. Our current Editors' Choice compact superzoom, the Nikon S9100, is an older camera and may be hard to locate at retail, but some Nikon dealers have refurbished versions for under $200.

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Final Thoughts

Samsung WB150F - Samsung WB150F

Samsung WB150F

3.5 Good

It's not perfect, but the nicely priced compact Samsung WB150F camera packs a sharp 18x zoom lens and integrated Wi-Fi so you can email or upload your pics to Facebook easily.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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