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Panasonic Lumix G X Vario PZ 14-42mm F3.5-5.6 ASPH. Lens

 & Jim Fisher Principal Writer, Cameras

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Panasonic Lumix G X Vario PZ 14-42mm F3.5-5.6 ASPH. Lens - Digital Cameras
3.5 Good

The Bottom Line

The Panasonic Lumix G X Vario PZ 14-42mm F3.5-5.6 ASPH. lens is one of the smallest zoom lenses available for the Micro Four Thirds camera system, but soft images and distortion prevent it from really shining.
Best Deal£115.73

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Pros & Cons

    • Compact design.
    • Useful zoom range.
    • Optically stabilized.
    • Soft images.
    • Expensive.

Panasonic Lumix G X Vario PZ 14-42mm F3.5-5.6 ASPH. Lens Specs

Type Lens

The Panasonic Lumix G X Vario PZ 14-42mm F3.5-5.6 ASPH. lens ($399.95 direct) is the smallest zoom lens available for the Micro Four Thirds camera system. It accomplishes this status thanks to its power zoom design, which allows the lens to collapse into itself when not in use; when collapsed it protrudes only 1.9 inches from its mount. The zoom mechanism and manual focus are controlled by toggle switches on the left side of the lens—as opposed to traditional camera lenses that feature separate manual zoom and focus rings.

The lens covers a 28-84mm field of view in terms of traditional 35mm photography, and features Panasonic's Power O.I.S. stabilization system. This system provides stabilization when recording video as well as shooting stills. To further enhance video capture, the lens's autofocus motor is silent so the sound of refocusing will not be picked up on the soundtrack of videos.

I used Imatest to measure the sharpness of this lens when used with the 16-megapixel Lumix DMC-GX1 ($799.99, 3.5 stars) digital camera. The lens didn't perform admirably, falling shy of the score of 1,800 lines per picture height that denotes a sharp optic. At 14mm f/3.5 it managed 1,676 lines, improving to just 1,719 lines at f/5.6. It fared worse at 28mm, grabbing 1,670 lines at f/4.8 and at f/5.6. It was softest at 42mm, netting 1,485 lines at f/5.6 and 1,558 lines at f/8. Distortion is also an issue, as the lens exhibits 1.7 percent barrel distortion at its widest setting. It's less noticeable at 28mm, where barrel distortion is only 0.4 percent, and at the telephoto end there is a negligible 0.02 percent of the pincushion variety.

There are better zoom lenses that cover this range in the Micro Four Thirds system, but none are as compact. You are trading a certain level of image quality for size with this lens. We've tested the standard M.Zuiko Digital ED 14-42mm II R ($249.99) on a number of different cameras and its sharpness results always impress. When mounted to the Olympus PEN E-PM1 ($499.99, 4 stars) it notched 2,186 lines on the wide end, though it did soften to 1,738 lines at 28mm and 1,508 lines at 42mm. Even though that lens has a collapsible design, it is noticeably larger than the Panasonic G X Vario PZ 14-42mm lens and doesn't offer optical stabilization..

If you're in the market for a compact zoom lens for your Micro Four Thirds camera, this power zoom from Panasonic is the smallest you'll find, but there are compromises in optical quality due to the lens's compact form factor. If you're willing to live with those, the PZ 14-42mm £115.73 at Amazon UK will make it easier to squeeze your camera into your bag. Videographers will appreciate the silent operation, but if size isn't a major concern, either stick with the standard 14-42mm that shipped with your camera, or save up for a zoom lens that prioritizes image quality over miniaturization.

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Final Thoughts

Panasonic Lumix G X Vario PZ 14-42mm F3.5-5.6 ASPH. Lens - Digital Cameras

Panasonic Lumix G X Vario PZ 14-42mm F3.5-5.6 ASPH.

3.5 Good

The Panasonic Lumix G X Vario PZ 14-42mm F3.5-5.6 ASPH. lens is one of the smallest zoom lenses available for the Micro Four Thirds camera system, but soft images and distortion prevent it from really shining.

Get It Now
Best Deal£115.73

Buy It Now

£115.73

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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