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Panasonic Lumix DMC-TS20

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Panasonic Lumix DMC-TS20 - Panasonic Lumix DMC-TS20
3.5 Good

The Bottom Line

If you're looking for a rugged pocket shooter that you can take anywhere without worry, the Panasonic Lumix DMC-TS20 is an inexpensive option. Its lens isn't the sharpest, and noise reduction smears away image detail at higher ISOs, but the camera performs admirably in good light.
Best Deal£199.97

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£199.97

Pros & Cons

    • Inexpensive for a rugged camera.
    • Short shutter lag.
    • Wide angle lens.
    • Waterproof, shockproof, freezeproof, and dustproof.
    • Good high ISO performance.
    • Soft lens.
    • Not as rugged as competitors.
    • Video limited to 720p resolution.

Panasonic Lumix DMC-TS20 Specs

35mm Equivalent (Telephoto) 100 mm
35mm Equivalent (Wide) 25
Battery Type Lithium Ion
Dimensions 2.3 by 4 by 0.8 inches
Display Resolution 230000
Maximum ISO 1600
Maximum Waterproof Depth 16
Memory Card Format Secure Digital
Memory Card Format Secure Digital Extended Capacity
Memory Card Format Secure Digital High Capacity
Optical Zoom 4 x
Sensor Resolution 16
Sensor Size 6.2 x 4.6 (1/2.33")
Sensor Type CCD
Stabilization Optical
Touch Screen
Type Compact
Video Resolution 720p
Viewfinder Type None
Weight 5

The Panasonic Lumix DMC-TS20 ($179.99 direct) is one of the less expensive rugged cameras you can buy. The compact point-and-shoot can take photos underwater at depths of up to 16 feet—which is good for snorkeling, but probably not much else. You can drop it from up to 5 feet, and use it in temperatures as low as 14°F. Its lens is a bit soft, falling short on our sharpness test, and even though it did well in tests for image noise, detail suffers at ISO 800 and above. The TS20 doesn't manage to unseat the more expensive Olympus Tough TG-1 iHS ($399.99, 4.5 stars) as our Editors' Choice rugged compact, but does represent a pretty good value for anyone looking for durable camera that won't break the bank.

Design and Features

If you're shopping for a rugged camera it won't take long to notice that many of them look alike. The standard design, to which the TS20 complies, is to position the lens in the corner of the camera and to position most controls, including zoom, on the rear of the camera. The exception to this rule is the Pentax Optio WG-2 GPS ($399.95, 3.5 stars), which places the lens in the center of its body and surrounds it with LED lights for macro photography. The TS20's design trumps the Pentax in size and weight, at 2.3 by 4 by 0.8 inches (HWD) and 5 ounces; the Pentax is 2.4 by 4.8 by 1.2 inches and 6.2 ounces. The TS20 can be had in red, black, blue, or orange finishes.

The camera's 2.7-inch 230k-dot rear LCD is neither the largest nor the sharpest in its class, but it does match that of the same-price Olympus Tough TG-320 ($179.99, 3 stars). The display isn't terrible, and there are some controls that brighten it so you can more easily view it from an askew angle—but higher-resolution screens are better for confirming that an image is perfectly in focus. The Olympus Tough TG-820  has the sharpest screen we've seen on a rugged compact—it packs more than a million dots into its 3-inch LCD.

Physical controls are plentiful, but the functions of the four-way control pad are hard to read. The pad itself is frosted silver and the icons that let you know what each button does are only slightly brighter by virtue of the not carrying the frosted finish. These tough-to-identify buttons include some useful functions—Exposure Compensation, Flash control, Macro, and Self Timer. Other shooting controls are adjusted via an on-screen overlay menu—these include ISO, White Balance, Focus Area, and Drive Mode. More options can be adjusted by hitting the Menu button, which gives you full access to every available camera setting. There's also a Mode button that lets you toggle between the camera's shooting modes.

The TS20's 4x zoom lens covers a 25-100mm (35mm equivalent) focal range. When compared with most cameras in this price range, that's a modest ratio—the Canon PowerShot A4000 IS ($199.99, 3.5 stars) packs an 8x lens—but it's pretty standard for a rugged compact. Even the top-end cameras in this class, like the Nikon AW100 , are limited to a 5x zoom ratio.

The dustproof camera is rated for use in water as deep as 16 feet, can be dropped from heights of 5 feet, and can shoot in temperatures as low as 14°F. You'll need to be careful to make sure that the memory card door is properly closed and latched before submerging the camera—there's an on-screen warning to help, but it only appears when you first start the camera. There are cameras that can take more of a beating, but they come at a cost. The $300 Olympus Tough TG-820, for one, can go 33 feet underwater, survive drops from 6.6 feet, and can survive being crushed by up to 220 foot pounds of force.

Performance and Conclusions

The TS20 isn't the speediest rugged camera to come through the PCMag Lab, but it's not a dog either. It can start up and grab a shot in 2 seconds, shoots one frame per second in continuous drive mode, and records a short 0.1 second shutter lag. The Nikon Coolpix AW100 ($379.95, 4 stars) is a faster camera—it can start and shoot in 1.4 seconds, only makes you wait 0.8 second between photos, and matches the TS20's 0.1-second shutter lag.

I used Imatest to measure the sharpness of the TS20's lens. It scored 1,536 lines per picture height, which is a bit shy of the 1,800 lines required for a sharp photo. It's one of the weaker rugged compacts that we've tested—the Olympus Tough TG-320  manages 1,722 lines for the same price. If you're willing to shell out some more money, the very durable Olympus TG-820 resolves 2,019 lines.

I also tested the noise level in photos from the TS20 at each of its ISO settings. As you increase a camera's sensitivity to light, measured numerically as ISO, the amount of noise increases in kind. The TS20 uses a CCD sensor—a design that is generally more susceptible to noise than cameras based on CMOS technology. Surprisingly, it is able to keep noise below 1.5 percent through its top ISO setting of 1600. Unfortunately, close examination of the photos shows that it does so by applying some very heavy software noise reduction—this type of digital noise removal really hurts image detail if applied too liberally, as it is with this camera at ISO 1600. I'd try to keep the camera at ISO 400, bumping the setting to 800 when necessary, and avoiding ISO 1600 entirely. The camera does a better job with noise control than the Olympus Tough TG-820 ($299.99, 4 stars)—it was only able to keep noise under control through ISO 400.

The TS20 captures 720p video in MP4 format. The footage is sharp, albeit a little grainy, and the camera can zoom and focus while recording. You can hear the noise of the lens as it zooms in and out and adjusts focus on the soundtrack, so it's best to limit how much you fiddle with the camera while footage is rolling. The only port on the camera is a proprietary USB interface—you can use it to plug the camera into a computer using the included cable. There is a small amount of internal memory—enough to record about 10 photos—but you'll want to use an SD, SDHC, or SDXC card to record any significant amount of pictures.

If you're looking for a durable point-and-shoot camera and are working within a budget the Lumix DMC-TS20  is worth careful consideration. The camera isn't a top-end model like the more expensive Nikon AW100 or Olympus TG-820, so you'll have to be careful as to how deep underwater you take it and from what height you drop it. Its lens is a bit soft, but that will mainly come into play if you're looking to make larger prints. It does do well in lower light, although the top ISO setting should be avoided. The Lumix doesn't have a GPS like the Nikon or the Pentax Optio WG-2 GPS , so your location won't be added to photos automatically. If you're willing to live without these features, the TS-20 is a solid choice, especially given its reasonable sticker price.

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Final Thoughts

Panasonic Lumix DMC-TS20 - Panasonic Lumix DMC-TS20

Panasonic Lumix DMC-TS20

3.5 Good

If you're looking for a rugged pocket shooter that you can take anywhere without worry, the Panasonic Lumix DMC-TS20 is an inexpensive option. Its lens isn't the sharpest, and noise reduction smears away image detail at higher ISOs, but the camera performs admirably in good light.

Get It Now
Best Deal£199.97

Buy It Now

£199.97

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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