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Panasonic HC-V520

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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The Panasonic HC-V520 packs an impressive 50x zoom lens and built-in Wi-Fi. - Panasonic HC-V520
3.5 Good

The Bottom Line

The Panasonic HC-V520 packs an impressive 50x zoom lens and built-in Wi-Fi.

Buy It Now

Pros & Cons

    • 50x f/1.8-4.2 zoom lens.
    • Impressive optical stabilization.
    • Touch screen.
    • 1080p60 video capture.
    • Inexpensive.
    • Wi-Fi.
    • Still capture only 10 megapixels.
    • No built-in memory.

Panasonic HC-V520 Specs

Dimensions 2.4 by 2.1 by 4.6 inches
Focal Length (Telephoto) 1400
Focal Length (Wide) 28
Optical Stabilization Optical
Weight 8.1
Zoom Ratio 50 x

The Panasonic HC-V520 ($399.99 direct) is an entry-level camcorder with an impressive 50x zoom lens, built-in Wi-Fi, and 1080p60 video capture capability. There's no internal storage, so you'll have to add an SD card to record footage, and stills are limited to 10 megapixels, but the video quality and zoom range are impressive when you consider its price. It impressed with its long zoom lens and Wi-Fi connectivity, but another Panasonic camcorder, the V720, is our Editors' Choice for consumer camcorders.

Design and Features
The V520 is relatively compact, measuring just 2.4 by 2.1 by 4.6 inches (HWD) and weighing in at 8.1 ounces. There's an adjustable hand strap on the right side of the camera; using it gives you access to the top-mounted zoom rocker and photo button, while the record button and function toggle switch are located on the rear next to the battery. To charge the V520 you open a flap on the right side to reveal a power input—an AC adapter is included.

Additional ports are located on the left side and are only accessible when the LCD is open. These include a mini USB port, a mini HDMI output, an analog A/V output, the power button, and buttons to enable Wi-Fi sharing, toggle image stabilization, and engage iAuto shooting. There's no mic input, nor is there a shoe, so you're limited to using the internal mic for audio capture. Video is recorded at up to 1080p60 quality. There's no memory built in, but a 16GB card holds about 83 minutes of top quality footage, and a fully charged battery can keep the camcorder going for 105 minutes.

The lens features an impressive 50x zoom ratio, covering a 28-1,400mm (35mm equivalent) field of view. Its aperture starts at f/1.8 when zoomed all the way out, but narrows to f/4.2 at its maximum reach. A digital zoom is available that extends the reach to 80x (2,240mm). The optical stabilization system makes one-handed operation possible at the maximum optical zoom setting, I was able to keep my subject framed and relatively steady, but you'll want to use both hands to steady the camcorder when moving to 80x.

There are some manual exposure controls available via the menu system, including focus, white balance, shutter, and iris adjustment. But adjusting these settings using the touch interface isn't that efficient; this is a camcorder that is designed for automatic operation. The display is a 3-inch panel with touch input capability and a 461k-dot resolution. It's noticeably sharper than the 230k-dot displays found on the Sony HDR-CX230 and HDR-PJ380.

Panasonic HC-V520

Wi-Fi is built in, and there are a number of functions available. The camcorder works with the free Panasonic Image App for iOS or Android. You can use your phone or tablet to remotely control the camcorder, or to view recorded footage. You'll also be able to view footage stored on the camcorder, and select highlights to pull from the video and share to social networks. Other Wi-Fi features include broadcasting via UStream, home monitoring over the Web, and wireless playback to a compatible HDTV.

Video Quality and Conclusions
Video is recorded at up to 1080p60 quality in AVCHD format. The footage is rife with detail, even at the upper limit of the 50x optical zoom. The stabilization system does a good job keeping things steady there, but if you move into the digital zoom territory (80x) things start to get shaky. There is also a noticeable, but not drastic, drop off in video quality when engaging digital zoom. Audio is clear, although as with the other camcorders I tested, wind noise is more of an issue when the lens is zoomed in than when it's set at a wide angle. The dynamic range of the footage is a bit better than the Sony CX230 and PJ380; the V520 managed to capture details of a sky at dusk without underexposing buildings in shadow, a feat that neither Sony camcorder was able to manage. You can capture 10-megapixel still images, but the image quality is just not that good. Images are pixelated and dynamic range suffers, just as you would expect from a so-so cell phone shot.

The Panasonic HC-V520 does a good job balancing features, video quality, and price. Its Wi-Fi works well, although some may prefer the built-in projector that Sony puts in its PJ380. The V520 is less expensive than the Sony, and its video quality is just slightly better. Another Panasonic camcorder, the V720, earns our Editors' Choice award, as its video quality is noticeably better than both the PJ380 and V520, and it offers a few extras that armchair movie makers are sure to appreciate.

Final Thoughts

The Panasonic HC-V520 packs an impressive 50x zoom lens and built-in Wi-Fi. - Panasonic HC-V520

Panasonic HC-V520

3.5 Good

The Panasonic HC-V520 packs an impressive 50x zoom lens and built-in Wi-Fi.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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