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Olympus T-100

 & Jim Fisher Principal Writer, Cameras

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Olympus T-100 - Digital Cameras
2.0 Subpar

The Bottom Line

Olympus's T-100 is a compact budget camera that is capable of capturing some pretty sharp images. Unfortunately, it is hindered by high image noise, slow performance, and a short zoom range.

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Pros & Cons

    • Inexpensive.
    • Compact build.
    • Sharp lens.
    • Rechargeable battery.
    • High image noise.
    • Slow performance.
    • Short zoom range.
    • Low-resolution LCD.

Olympus T-100 Specs

35mm Equivalent (Telephoto) 108 mm
35mm Equivalent (Wide) 36
Battery Type Lithium Ion
Dimensions 2.4 by 3.7 by 0.9 inches
Display Resolution 112320
Maximum ISO 1600
Memory Card Format Secure Digital
Memory Card Format Secure Digital High Capacity
Optical Zoom 3 x
Sensor Resolution 12
Sensor Size 6.2 x 4.6 (1/2.3")
Sensor Type CCD
Stabilization Digital
Touch Screen
Type Compact
Video Resolution 640 x 480
Viewfinder Type None
Weight 4.3

The Olympus T-100 ($89.99 list) is the most affordably priced point-and-shoot camera from the company, but it cuts corners to hit its sub-$100 price point. The camera’s lens features a very modest 3x zoom range, and images captured by its 12-megapixel sensor are quite noisy, even at low ISO settings. There are better options out there, even at this price, including the Samsung ES80 ($99.99, 3 stars), which is only $10 more.

Design and Features

Available in silver, black, blue, or red, the The T-100 is one of the smaller cameras you can buy, measuring 2.4 by 3.7 by 0.9 inches (HWD) and weighing about 4.3 ounces without its battery installed. Our Editors’ Choice in this category, the Panasonic Lumix DMC-S3 ($129.99, 4 stars), is similar in size and weight, measuring 2.4 by 3.9 by 0.8 inches and weighing 4.1 ounces. Its 3x zoom lens covers a 36-108mm (35mm equivalent) field of view, which is not that far off from the 3.3x range covered by 37-122mm range covered by the same-price Canon PowerShot A800 ($89.99, 3 stars).

The camera’s control layout is similar to many others in its class, including the Samsung ES80. The Power button and shutter release are located on the top of the camera, with all other controls positioned to the right of its rear LCD, including the zoom rocker, Play button, and a standard 4-way controller. Olympus opted for square controls for the T-100, rather than the rounded buttons found on most cameras.  The 2.4-inch LCD is smaller than those found on pricier cameras and has a rather low resolution of 112,320 dots. It’s difficult to use in direct sunlight, even at its brightest setting.

The menu system, on the other hand, is solid. An always-on overlay adorns the right side of the LCD, showing you the various options that can be controlled during shooting. From here you can change the shooting mode, activate the macro focus function, and control the self timer. You can also dial in exposure compensation, fine-tune white balance, adjust the ISO, and change the photo resolution. A more detailed full-screen menu is also available, but you’ll be able to control commonly-accessed functions directly from the overlay.

Performance and Conclusions

Calling the T-100 "sluggish" is an understatement. The camera is just plain slow. It takes a full 4.4 seconds to boot and capture an image, and pauses 3.8 seconds between shots, both of which can be attributed partially to its 1.1-second shutter lag. We considered the Nikon Coolpix L24 ($119.95, 2 stars) to be pretty slow with its 2.3-second boot, 2.6-second recycle, and 0.4-second shutter lag, but the T-100 is even pokier. Our Editors’ Choice budget camera, the $130 Panasonic Lumix S3, features a 1.75-second boot time, a 1.84-second recycle time, and a 0.4-second shutter lag.

We tested the camera’s image quality and noise performance using the Imatest software suite. A score of 1,800 lines per picture height is considered to be acceptably sharp, and the T-100 just edges that mark out with 1,851 lines. The same-price Canon A800 betters its score, recording an excellent 2,176 lines. Noise is a major issue with the T-100, as it produced images with unacceptable noise levels (above 1.5 percent) at all of its ISO settings. One can attribute it sharpness in part to a lack of in-camera noise reduction, but a better balance could have been struck here. The Panasonic S3 performed well on this test, delivering low-noise images through ISO 800, which is eight times more sensitive to light than the T-100’s base ISO 100.

Olympus T-100 Benchmark TestsVideo is recorded at VGA resolution in the standard AVI file format. Quality is not that great, as it doesn’t look nearly as good as the same quality video captured by the Nikon L24. The T-100 uses the same digital zoom mechanism when recording video as the L24, but the mechanism is poorly integrated. Rather than a smooth zoom in or out, the camera choppily magnifies the image. Where the digital zoom on the L24 did not noticeably harm video quality, that of the T-100 does. Video almost instantly becomes grainy and blurry, an effect which is magnified as you zoom in further. A proprietary USB port is present to charge the camera’s battery and connect it to a computer. There’s no dedicated battery charger, so you’ll need to leave the battery in the camera to recharge it. Images are recorded to SD and SDHC memory cards.

To call the T-100 a disappointment is not entirely appropriate. Its low price point lowered expectations in kind, and if you’re looking for a digital camera for occasional use or as a first camera for a child, you may be happy with it. However, there are better options available in the same price range, like the $100-dollar 5x-zooming Samsung ES80 and the $90 Canon PowerShot A800. If your budget isn’t completely shoestring, you should definitely take a closer look at the Editors’ Choice Panasonic S3, although bear in mind that camera will set you back $40 more than the T-100.

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Final Thoughts

Olympus T-100 - Digital Cameras

Olympus T-100

2.0 Subpar

Olympus's T-100 is a compact budget camera that is capable of capturing some pretty sharp images. Unfortunately, it is hindered by high image noise, slow performance, and a short zoom range.

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About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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