PCMag editors select and review products independently. If you buy through affiliate links, we may earn commissions, which help support our testing.

Olympus E-1

 & Les Freed les_freed@ziffdavis.com

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

Our Expert
LOOK INSIDE PC LABS HOW WE TEST
65 EXPERTS
43 YEARS
41,500+ REVIEWS
 - Olympus E-1
5.0 Exemplary

Buy It Now

Pros & Cons

Olympus E-1 Specs

35-mm Equivalent (Telephoto): depends on lens mm
Battery Type Supported: Lithium Ion
LCD size: 1.8 inches
Media Format: None
Megapixels: 5 MP
Type: D-SLR

When it ships in October, the Olympus E-1 ($2,199 list) will mark a radical departure in digital SLR cameras. Unlike other digital SLRs, which are based on 35-mm camera designs, the E-1 is designed from the start to be a digital camera.

Though it looks very much like the Olympus E-10 and E-20N noninterchangeable-lens SLRs, the E-1 is a new design inside and out. But the control layout is very similar to those cameras, so E-Series fans will feel right at home with the E-1. Olympus has announced five lenses for the E-1, from 11 to 300 mm (equivalent to 22 to 600 mm in 35-mm focal lengths).

The E-1 is the first camera built to conform to the Four Thirds open standard created by Fuji, Kodak, and Olympus, which specifies a standard image sensor size (4/3 inches) and lens mount, as well as other optical, electronic, and mechanical standards. The basic premise behind Four Thirds is that existing 35-mm bodies and lenses are unnecessarily large for digital cameras. The Four Thirds partners hope to establish a standard for smaller, lighter, less expensive cameras and lenses.

In theory, any Four Thirds lens will work with any Four Thirds camera. Kodak provides the CCD image sensor for the E-1; so far, the company's archrival, Fuji, has been mum about its future plans. Canon and Nikon, which have huge investments in existing lens designs, are unlikely to rush to build Four Thirds cameras anytime soon.

At $2,199 list, the 5-megapixel E-1 is more expensive than a 6-megapixel consumer SLR like the Canon EOS 10D or Nikon D100. Olympus is emphatic that the E-1 is a professional-level camera, comparable to 4- and 5-megapixel pro SLRs like the Canon EOS 1D and the Nikon D1x (each $4,000). A consumer variant of the E-1 is planned for 2004. Though Olympus won't comment on the price, that unit will probably cost less than $1,200.

Olympus sent us a preproduction E-1 with a 14- to 54-mm lens. Final production units should be identical to our camera, although the firmware will probably change before final release. The E-1 is the first Olympus camera to let users install firmware updates. It goes one step beyond the Sigma SD9 by offering high-speed USB 2.0 in addition to FireWire. Unlike many newer Olympus cameras, it uses CompactFlash.

The E-1 is noticeably smaller and lighter (by nearly a pound) than most digital SLRs, and the 14- to 54-mm lens provides a very useful range of focal lengths, equivalent to 28 to 108 mm on a 35-mm camera. It can focus on objects as close as 8 inches. The E-1's quality is top-notch, with extensive weather sealing around the lens mount, doors, and controls to keep dust and moisture out. Its innovative self-cleaner uses ultrasonic vibration to shake dust off the image sensor each time the camera powers up.

Despite its preproduction status, our test camera performed flawlessly. The photographs we took were sharp and clear, with accurate, vibrant color and virtually no noise, even at high ISO settings. With the E-1, Olympus has a winner on its hands.

next>>

Final Thoughts

 - Olympus E-1

Olympus E-1

5.0 Exemplary

Get It Now

Buy It Now

About Our Expert

Les Freed

Les Freed

les_freed@ziffdavis.com

Les has been a contributing editor at PC Magazine since 1994 and a frequent contributor since 1990. Before joining PC Magazine, Les was founder and CEO of Crosstalk Communications, developers of the popular Crosstalk data communications program for PCs -- back in the days before the Internet made communications software obsolete. Prior to founding Crosstalk, Les was a Senior Technician and Videotape Editor at CBS News from 1976 to 1981 and a Cameraman and news editor at WTVJ-TV in Miami from 1972 to 1976. He graduated from the University of Miami in 1974 with BA in Electronic Journalism. Les is the author or co-author of 14 books on networking, computing, and digital photography. Les and Senior Networking Editor Frank Derfler shared the 1993 Computer Press Association award for Best How-To Book for their book How Networks Work, still in print in its 6th edition. Les' latest book is PC Magazine's Guide to Home Networking, pubilshed by Wiley Books. You can reach Les at les_freed@ziffdavis.com.

Read full bio