PCMag editors select and review products independently. If you buy through affiliate links, we may earn commissions, which help support our testing.

Nikon Coolpix S9300

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

Our Expert
LOOK INSIDE PC LABS HOW WE TEST
65 EXPERTS
43 YEARS
41,500+ REVIEWS
Nikon Coolpix S9300 - Nikon Coolpix S9300
2.5 Fair

The Bottom Line

The Nikon Coolpix S9300 is a compact shooter with a sharp 18x zoom lens and a GPS, but slow start up time and muddy image quality at higher ISOs make it a tough camera to recommend.

Buy It Now

Pros & Cons

    • Sharp lens.
    • 6fps burst shooting.
    • GPS.
    • Good control layout.
    • Muddy images at medium ISO settings.
    • Slow to start.

Nikon Coolpix S9300 Specs

35-mm Equivalent (Telephoto): 450 mm
35-mm Equivalent (Wide): 25 mm
Battery Type Supported: Lithium Ion
Boot time: 3 seconds
Dimensions: 2.5 x 4.3 x 1.3 inches
GPS: Yes
Image Stabilization: Optical
Interface Ports: mini HDMI
Interface Ports: Proprietary
LCD Aspect Ratio: 4:3
LCD dots: 921000
LCD size: 3 inches
Lines Per Picture Height: 2002
Maximum ISO: 3200
Media Format: Secure Digital
Media Format: Secure Digital Extended Capacity
Media Format: Secure Digital High Capacity
Megapixels: 16 MP
Optical Zoom: 18 x
Recycle time: 0.16 seconds
Sensor Size: 6.2 x 4.6 (1/2.3") mm
Sensor Type: CMOS
Shutter Lag: 0.25 seconds
Touch Screen: No
Type: Superzoom
Video Resolution: 1080p
Video Resolution: 720p
Viewfinder Type: None
Waterproof Depth (Mfr. Rated): 0 feet
Weight: 7.6 oz

The Nikon Coolpix S9300 ($349.95 direct) manages to pack a sharp 18x zoom lens into its compact body, but the 16-megapixel camera is slow to start and image quality suffers greatly at even modest ISO settings. It does have a very sharp rear display and a GPS, but you can get those features on more capable cameras. If you're in the market for a compact superzoom, you'd be better served with our Editors' Choice Sony Cyber-shot DSC-HX30V ($419.99, 4 stars), which improves upon the S9300's SEE IT feature set, without sacrificing image quality.

Design and Features

The S9300 is about the same size and shape as other cameras in the compact superzoom class. At 2.5 by 4.3 by 1.3 inches (HWD) and 7.6 ounces, it's larger than a slim compact with a modest zoom range like the Panasonic Lumix DMC-SZ7 ($199.99, 3 stars), but is just about the same size its Canon counterpart, the PowerShot SX260 HS ($349.99, 4 stars), which measures 2.4 by 4.2 by 1.3 inches and weighs 8.2 ounces.

The 18x zoom lens covers a 25-450mm field of view, which makes it possible to frame wide landscapes, group shots, portraits, and track distant action at its telephoto extreme. It's not the most extreme zoom range that we've seen on a compact camera—that honor goes to the 21x (23-483mm) lens found on the Samsung WB850F ($379.95, 3.5 stars)—but it's unlikely to leave you wanting for a longer or wider lens.

There are a good number of physical controls packed into the rather compact body. A Mode dial lets you toggle quickly between Program mode, numerous Scene modes, Continuous Drive, and various Effects filters. Rear controls let you adjust the Self Timer, Flash, Exposure Compensation, and Macro settings, as well as to start Movie recording. For anything else, you'll need to press Menu and adjust settings via the rear display. The menu itself is a little behind the times. Rather than using an overlay menu that continues to display the Live View feed from the lens like the Fujifilm FinePix F750EXR ($349.95, 3.5 stars), the S9300 has a full screen menu from which you can adjust White Balance, ISO, Autofocus, Metering, and other common shooting settings.

This is a shame, as the 3-inch rear LCD is quite crisp thanks to a 921k-dot resolution. It's sharp enough to support an overlay menu, which gives you the added benefit of being able to see what your camera is seeing as you adjust settings—it's not uncommon to miss a candid moment as you dive through menus. The only camera in this class we've seen with a nicer display is the Samsung WB850F SEE IT—its 921k-dot screen uses OLED technology rather than LCD, and the result is more lifelike image with punchier contrast and deeper blacks.

The main feature that differentiates the S9300 from its predecessor, the Nikon Coolpix S9100 ($329.95, 4 stars), is its GPS. It connects to the same satellites that are used for GPS navigation devices to add your latitude and longitude coordinates to photos, so you can know exactly where an image was taken. Modern software and web services, including iPhoto, Picasa, and Flickr, go as far as to show your photos on a map based on this embedded data. Impressively, the camera was able to lock on to a signal in under a minute, which is quite impressive. While this feature is new to the S9300, GPS is becoming more and more common in the superzoom class—it's also found in the Canon SX260 HS SEE IT, Sony HX30V, Samsung WB850F, and Fujifilm FinePix F770EXR ($379.95).

Performance and ConclusionsNikon Coolpix S9300 : Benchmark Tests
The S9300 is one of the slower cameras to start and shoot that we've tested as of late—it took a full 3 seconds from hitting the power button to capturing a shot. It does a little bit better in terms of shutter lag, managing a 0.3-second delay between pressing the shutter and taking a photo. It does excel in burst shooting—the camera can grab a burst of 7 shots in just over a second, but requires 6 seconds to write them all to memory. If you need to shoot a longer burst, the camera can slow things down to about 0.7 second between each photo, keeping that pace for 33 shots before stopping. It only takes about 4.5 seconds to recover from this longer burst shooting, as files are being written to the memory card as you shoot.

I used Imatest to check the sharpness of images captured by the S9300's 18x zoom lens. It scored 2,002 lines per picture height, which is a bit better than the 1,800 lines required for a sharp image. It may not be the sharpest compact superzoom that we've tested—that would be the Samsung WB850F, which notched 2,377 lines on the same test—but it's sufficient for larger prints, and more than sufficient for web sharing.

Where the S9300 fails is at higher ISO settings. At its base ISO 125 it's a killer camera, but by the time you set it to a rather middling setting of ISO 400, image detail starts to vanish. At ISO 800 and above, photos lack any sort of fine detail. Looking at the Imatest noise score on its own would tell a different story—it says that photos have less than 1.5 percent noise through the top ISO 3200 setting. It looks as if the S9300 is digitally erasing noise, and along with it fine detail, in order to keep its images from appearing too grainy. Despite not getting as good as a test score, your best option for high ISO performance in this class is the Canon PowerShot SX260 HS—it keeps noise below 1.5 percent through ISO 800. If you need to push it higher than that you do lose detail, but ISO 1600 photos from the SX260 HS capture more detail than ISO 400 images from the S9300.

You can use the camera to grab video at 1080p30 or 720p30 resolution in QuickTime format. The video quality itself is a little underwhelming—it's not as crisp or detailed as in other top-end point-and-shoots. You can zoom and focus when recording, but the sound of the lens moving in and out is quite audible on the soundtrack. The only ports you'll find on the body are a mini HDMI connector and a proprietary USB port. The latter doubles as the charging port—there is no dedicated battery charger included—you'll need to plug the S9300 into the wall in order to replenish its battery. Standard SD, SDHC, and SDXC memory cards are supported.

Given its price and pedigree, the Nikon Coolpix S9300 is a resounding disappointment. The previous-generation 12-megapixel S9100  tested very well, but S9300's image quality at higher ISO suffers, which calls into question the decision to pack an additional four million pixels into already small imaging sensor. If you're in the market for a long zoom camera with GPS, the Canon PowerShot SX260 HS is a much better choice in terms of image quality and performance—and it's the same price. If you're willing to spend a bit more, consider our Editors' Choice Sony Cyber-shot DSC-HX30V £995.56 at Amazon UK, a Wi-Fi enabled camera that also sports a sharp zoom lens, GPS, and delivers good high ISO performance.

More Digital Camera Reviews:
•   Canon EOS M50
•   Snapchat Spectacles 2
•   Phase One IQ3 100MP Trichromatic
•   Google Clips
•   Sony a7 III
•  more

Final Thoughts

Nikon Coolpix S9300 - Nikon Coolpix S9300

Nikon Coolpix S9300

2.5 Fair

The Nikon Coolpix S9300 is a compact shooter with a sharp 18x zoom lens and a GPS, but slow start up time and muddy image quality at higher ISOs make it a tough camera to recommend.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

Read full bio