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DJI Unleashes Under-$1K Phantom 3 4K Drone

 & Jim Fisher Principal Writer, Cameras

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LAS VEGAS—DJI has added a new Phantom to its line of consumer-friendly drones. The Phantom 3 4K delivers the same quality video as the Phantom 3 Professional—that is, 30fps 4K footage at a 60Mbps compression rate—and it looks almost exactly the same. But while the Professional will set you back around $1,200, the Phantom 4K is priced at a friendlier $999.

CES 2016 Bug ArtSo, what's missing? The answer is simple one that may be a nonissue for some and make the drone a nonstarter for others: operating range. The Phantom 3 Professional—as well as the $1,000 Advanced and pricey Inspire 1 and Inspire 1 Pro models all use DJI's LightBridge system to stream video back to the screen of a table or phone. In our tests we've found that LightBridge delivers solid video streaming at distances of up to 4,000 feet under the right conditions with the Inspire 1, and about 3,150 feet with the Phantom 3 Advanced.

The Phantom 3 4K relies on Wi-Fi to transmit the video feed back to the controller. This limits both resolution—the stream is 480p—and distance. DJI states that Wi-Fi transmission is good for a 3,937-foot operating range, but my tests of a pre-production Phantom 3 Standard unit didn't nearly match that. At its best, in a rural area, I was able to fly about 1,200 feet away before the video feed started to cut out, and I only managed 400 feet in the suburbs. Of course, that was a pre-production unit, and may not be indicative of the final product. When I flew a production model of the older Phantom 2 Vision+, which also uses Wi-Fi for video transmission, I was able to go 2,000 feet in a rural area with clear line of sight—still, that's only half of what DJI claims is possible.

The video footage above was captured by the Phantom 3 Professional, which employs the same camera as the Phantom 3 4K.

The lack of LightBridge also means that you won't be able to connect an HDMI device to the remote, so don't expect to use it with FPV goggles. Aside from those differences, the Phantom 3 4K offers the same flight features as the Advanced and Professional models. It supports intelligent flight modes, including Point of Interest and Return to Home, and has the vision positioning system to help prevent crashes when flying low to the ground.

It's up to you whether the low-resolution video feed and limitd control range are worth a $200 savings. But DJI certainly does offer you options. If you want 4K video and don't mind a lower quality video feed to aid you while flying, this is it. You could spend the same amount on the Phantom 3 Advanced, which records 40Mbps 2.7K footage, and can fly much further, or you can spend a bit more for both 4K and LightBridge with the Phantom 3 Professional. And for drone videographers who are happy with both a fairly short control distance and 2.7K video, there's the $800 Phantom 3 Standard.

Pricing is set for the Phantom 3 4K at a reasonable $999, but there's no word on when the aircraft will be delivered. Like the other members of the Phantom family, the 4K is heavy enough to require registration in the United States.

Here are CES, DJI also announced that its Inspire 1 Pro, which was initially only offered in white, will now be available in black with a matching black remote control.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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