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The Compact Camera Is Alive: Canon Unveils Plenty of PowerShots at CES

 & Jim Fisher Principal Writer, Cameras

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LAS VEGAS—You can set your watch by Canon and CES. The company has traditionally used the show to announce new compact PowerShot cameras and Vixia camcorders, saving SLRs and other more formidable models for other events. 2016 is no different, even though you may wonder who's buying standalone point-and-shoot cameras or traditional camcorders.

CES 2016 Bug ArtThere are five new PowerShots this year, all positioned at the lower end of the price spectrum. The Elph 180 is the company's newest budget shooter, priced at just $119.99. It features a 20-megapixel CCD image sensor, an 8x zoom lens that covers a 28-224mm (full-frame equivalent) field of view, and a purely digital image stabilization system. There are no bells and whistles—the camera omits Wi-Fi, and the CCD sensor means that video tops out at 720p at a fixed 25fps frame rate. The rear LCD is also pretty basic, 2.7 inches in size with a low 230k-dot resolution. It's the Elph for those who don't want to spend a lot of money, and don't mind missing out on features. It will be available in multiple colors red and silver, and is expected to ship in February.

Canon PowerShot Elph 190 IS

If you want to spend a bit more you can upgrade to the Elph 190 IS. It has a wider and longer 10x optical zoom (24-240mm), which is optically stabilized, and includes built-in Wi-Fi. The rear LCD is the same, as is the image sensor is the same, so while the 20-megapixel still resolution is probably more than a camera of this type should offer, video tops out at 720p25. It's going to go on sale in February for $159.99. Color options include black, blue, and red.

Canon PowerShot Elph 360 HS

Also part of Canon's compact PowerShot line, the Elph 360 HS offers some compelling reasons to spend $209.99 on a compact. Its 20-megapixel CMOS image sensor can shoot at a higher ISO sensitivity than a comparable CCD, for better versatility in low light. And the Digic image processor that powers it supports 1080p video at up to 30fps. The rear LCD is a bit larger and clearer—it's a 3-inch panel with a 460k-dot resolution. The optically stabilized 12x zoom lens also gets you a bit more reach than the other models; it covers a 25-300mm field of view. The 360 HS can be yours in purple or silver when it goes on sale in February.

Canon PowerShot SX420 IS

If you're in want of a longer zoom range on a budget, the PowerShot SX420 IS is joining the Canon family, also in February. It's a slim camera, capable of sliding into a handbag or suit jacket, with a 42x optically stabilized lens. It covers a 24-1,008mm field of view, capable of capturing wide-angles and distant subjects. It includes Wi-Fi and NFC, but doesn't offer great video specs—its 20-megapixel CCD sensor is limited to 720p25 video capture. There's no EVF, and the 3-inch rear LCD offers a modest 230k-dot resolution The SX420 IS is also coming in February. It's priced at $299.99 and will be available in black or red.

Canon PowerShot SX540 HS

The last of the PowerShots is a CMOS model, the 20-megapixel SX540 HS. Its stabilized lens covers an incredible 24-1,200mm range, a 50x zoom ratio. Its Digic 6 processor supports 1080p60 video capture. There's no EVF—a feature that's not unheard of in a 50x zoom model—but there is a 3-inch, 460k-dot LCD for framing shots. The SX540 HS is going on sale a bit later than the others, in March, for $399.99. It's only available in one color: black.

Canon Vixia HF G40

Joining the still cameras are a new slate of Vixia camcorders. The HF G40 is an update to the HF G30. Its specs are largely the same, but a new sensor promises to improve noise by about 3dB—the equivalent to one stop in photographic terms. It's priced at $1,299 and will go on sale this month.

Also shipping in January are new models in the R series. The HF R70, R72, and R700 share the same design, image sensor, and lens as models released last year. They differ among themselves in the amount of internal memory—the R72 has 32GB, the R70 16GB, and the R700 has none. (Each has an SD slot, of course.) Canon states that the LCD screens on the new models are brighter and more evenly lit, for better visibility outdoors. The touch-screen interface has also been revamped for more intuitive operation. The R72 is priced at $449, with the R70 available for $399 and the R700 for $299.

Canon Selphy CP1200

Finally, there's a new portable photo printer on its way. The Selphy CP1200 has built-in Wi-Fi and can make 4-by-6-inch color prints with the same materials used by previous Selphy models. It includes an AC adapter for power, but an optional battery is available that can print 54 photos per charge. The Selphy will sell in a black or white finish. An on-sale date hasn't been announced, but the price has: $105.99.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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