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Parrot Proves Disco Isn't Dead With New Drone

 & Jim Fisher Principal Writer, Cameras

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LAS VEGAS—Parrot isn't known for drones that fly particularly fast or high. That's not a bad thing, there's certainly a place in the market for models like the Bebop and Bebop 2—small, relatively inexpensive quadcopters that are best flown at moderate altitude and speed.

CES 2016 Bug ArtThe latest addition to the family, the Disco, is a fixed-wing design with a single rear 8-inch propeller. That's a bold variation from typical consumer drones, which are almost exclusively four-rotor helicopters. Its body is foam, built up around a plastic frame, and the wings and rear propeller are modular, so they can be replaced if damaged.

Its camera is the same fish-eye model found in the Bebop series, and similarly it is placed in the nose and stabilized digitally. It's capable of capturing 1080p video and 14-megapixel stills in Raw or JPG format. The drone is in the prototype stages, and the only video footage of it in flight has been supplied by Parrot. But in that footage the digital stabilization system looks to do a solid job.

The drone can be controlled via the Parrot Skycontroller, a large remote that allows you to use your iPad (or digital goggles) to view through the camera's eye. You can also pilot with a tablet alone—although expect the range to be limited when doing so—or via a third-party remote that doesn't incorporate a Live View feed.

The Disco promises automated takeoff and landing, as well as an autopilot function that will prevent you from making maneuvers that could cause the aircraft to crash. And of course it has a return-to-home function. Parrot states that piloting is as easy as playing a video game. Automated waypoint flying is available as an in-app purchase with Parrot's FreeFlight iOS/Android control program.

The Skycontroller promises up to 1.2 miles of control range with the Bebop, so it makes sense that it would be similar with the Disco. The Disco can traverse that distance quite quickly, however, thanks to its promised 50mph top speed. You'll get less control range if controlling it with just a tablet or phone.

Parrot Disco

Flying time is estimated at 45 minutes, which is a huge upgrade over other drones. Most top out in the 20- to 25-minute range, and the small Bebop only netted about 8.5 minutes per battery in our tests. The Disco tips the scales at 700 grams, so U.S. pilots will have to register it with the FAA before flying.

As of now, the Disco is a prototype on display at a trade show, but it's an innovative design that shows a lot of promise, especially if it can get close to its promised flight time in the real world. Parrot promises to bring it to market in 2016. Pricing has not been set.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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