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What Color Is the Dress? You Can't Tell From That Photo

 & Jim Fisher Principal Writer, Cameras

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As I was getting ready for bed last evening the Internet started to come alive about the color of a dress. I took one look at the photo, said to my wife "The Internet is being stupid about a dress. It's clearly white and gold," and minutes later I was sound asleep. I woke up this morning to an angry wife, who thought I was a crazy person: she saw it as blue and black without question. (Spoiler Alert: In reality, the dress is blue and black.)

Marital bliss aside, what Tumblr user Swiked posted is, from a technical perspective, a terrible photo. That's what caused raging Twitter debate and household strife across the world. Another image of the same dress, shows that it is dark blue and black.

When I look at the infamous photo, I don't see true white and gold, but that's what I thought the true colors were in reality. It looked like the white balance was off, likely due to a mix of daylight and tungsten lighting, which gave a pure white dress a slightly bluish hue. If you've ever shot photos at a wedding and found that the bride's pure white dress looks a little blue or orange in photos, you've experienced the same thing.

But what was actually going on was a bit more complex. The image is shot in mixed lighting for sure. You can see the strong backlight behind it; from what I can tell it's a mirror, reflecting daylight coming in from the outside. This is mixed with the artificial light that's illuminating the room. Light has different temperatures—daylight tends to be blue (hence, the sky), tungsten lighting is closer to yellow, and fluorescent tubes give off an unearthly green hue. A camera recognizes the type of lighting that's in a scene and attempts to change its response to color to compensate. Shooting in mixed lighting makes that difficult and leads to color shift in images.

But exposure is a big issue as well. A camera examines a scene in order to determine what ISO, aperture, and shutter speed it should use to record a photo. Very basic meters are calibrated to record a scene that's basically gray in terms of luminosity (18 percent gray, if you want to get technical). More advanced meters in digital cameras have scene-recognition functions that deal better with scenes with mixed lighting and a harsh backlight like this, but let's face it—the dress photo wasn't shot with a Nikon D4S, it was likely snapped by a smartphone.

The combination of a very dark subject with a very bright background resulted in this mess of a photo. Highlights are blown out in the background, and the dress is way overexposed. The EXIF data isn't present on the image that was posted to Tumblr, but there's also a good chance that a higher ISO affected the color fidelity; smartphone cameras often struggle with capturing accurate colors when the sensitivity to light is increased.

How could this have been avoided? You don't need a fancy camera to take a picture of a blue and black dress to make it look blue and black. We could have continued to spend our day yesterday concentrating on escaped llamas had the photographer simply avoided the harsh backlight. Even those who see the dress as blue and black will admit that it's much too bright compared with the way that dress looks in real life. If you're in a situation where you can't avoid a backlight, dialing in negative exposure compensation (represented by a +/- icon in your smartphone app, if it's available) will quickly darken or brighten the scene to make the image on the camera's screen better represent what's in front of your eyes.

Want to try and take some photos of the dress yourself and see what kind of results you get? It's available to purchase from Amazon UK. Make sure to check out the customer reviews.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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