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CES 2015: Drones, Drones, Drones

 & Jim Fisher Principal Writer, Cameras

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LAS VEGAS—If you're into drones, CES 2015 offered up a virtual smorgasbord of remote-controlled flyers at which to ogle.

They ranged in size from one with the footprint of a business card all the way up to a huge model that's being targeted for military use. The breadth of drones available is quite staggering, and not every model is a simple toy or a device that's only useful for aerial videography and photography.

DJI is the first name that comes to mind when you're talking about drones. Its Phantom 2 Vision+ impressed us with its easy handling and slick integration with smartphone apps. DJI has opened up its SDK to outside developers, and I was able to speak to two of them at the show.

Bryan Field-Elliot of PixiePath is working on software that controls fleets of Phantoms from one Web-based application. He says that it opens up commercial use from anything from package delivery to aerial selfie services, but a more immediate, practical application is search and rescue operations. A group of Phantoms can be set to fly in a set search pattern, which could save the lives of stranded hikers. Check it out in the video below.

Lorenzo Marteletti is a sales director at Pix4D, a company with surveying software that, in the past, has been able to create 3D maps of objects on the ground for more expensive, commercial drones. Now that DJI has opened up the Phantom SDK, it's working on bringing that software to the relatively inexpensive, compact drone market. Lorenzo showed a demo that mapped a small village in Germany. He's able to draw vectors along lines in the model to precisely determine distances between points, which is useful to track progress in the construction industry.

And there's filmmaking, the obvious application for a flying camera. Damon Webster, a photo blogger and video producer, won't go on a location shoot without a drone—they're less expensive and more versatile than rented helicopters. He opts for larger models that are able to mount a mirrorless system camera; the 4K-capable Panasonic GH4 is his current body of choice.

DJI is attempting to compete with these high-end rigs with its $2,900 Inspire 1, our favorite drone at the show. It's got an integrated 4K video camera with a fixed 20mm wide-angle lens. Using a larger model like the DJI Spreading Wings S1000 and a system camera like the GH4 does add the ability to use lenses of varying focal lengths.

Click through the slideshow above to see more than a dozen of the new drones that we saw at CES. And check out the video below.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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