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Canon's Photokina Rollout Highlighted by EOS 7D Mark II

 & Jim Fisher Principal Writer, Cameras

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Canon is announcing more than half a dozen new products at Photokina, but none are more anticipated than the EOS 7D Mark II SLR. The camera's release has been rumored ahead of every major trade show in recent memory, but it's now a reality. The replacement for the company's flagship APS-C SLR includes a new 20-megapixel image sensor with Dual Pixel Phase AF, a 65-point focus system with all cross-type sensors, and 10fps burst shooting. There are a lot of focus points, so Canon is using a lever system to move the active point, a departure from the more typical directional pad.

The new 7D is powdered by dual Digic 6 image processors and supports a native ISO 100-16000 range, with sensitivities as high as ISO 51200 available in extended mode. Its body is sealed against dust and splashes, the shutter is rated to 200,000 cycles, and both Wi-Fi and GPS are built in.

To keep up with focus when shooting at 10fps, the 7D incorporates many of the same tracking modes as the pro 1D X. These include Canon's five cases for subject movement, and the same AI Servo AF III and iTR AF systems from the 1D X. The burst rate can be configured from 1 to 10fps, and there's a quiet continuous mode that tops out at 4fps. The 7D II can capture 31 Raw images before shooting slow down, or up to 1,090 full-resolution JPGs. There's a flicker-reduction mode available for those times when you're shooting under the mercury lighting that's often used to light indoor sporting arenas. The camera detects the flickering cycles of the lights and adjusts the timing of bursts to avoid dim frames.

The metering system is built around a 150km RGB meter, which works with the AF system to capture proper exposures in light as dim as -3 EV. The rear LCD is a 3-inch panel with a 1,040k-dot resolution. It's fixed and doesn't include sport for touch operation. The standard optical viewfinder covers 100 percent of the frame, and its design allows for interchangeable focus screens, so you can switch to a precision matte screen for accurate manual focus at wide apertures.

The 7D Mark II uses an improved version of Dual Pixel AF, first seen on the 70D, for focus when shooting stills or video in Live View mode. The system incorporates on-sensor phase detection for quick and smooth focus, especially when paired with lenses with silent STM focus motors. There are some upgrades from the 70D's implementation, including the ability to adjust the speed at which the lens racks focus.

Video is recorded at up to 1080p60 quality in MP4 or QuickTime format. The camera includes both microphone and headphone jacks, and it can record uncompressed footage to a field recorder via HDMI. It sports dual memory card slots—SD and CompactFlash—as well as USB 3.0 connectivity.

The 7D Mark II will go on sale in November for $1,799 as a body only, or for $2,149 when purchased in a kit with the EF-S 18-135mm f/3.5-5.6 IS STM lens.

Canon is also releasing three lenses for its EOS SLR system. The EF 24-105mm f/3.5-5.6 IS STM is a lightweight zoom for full-frame bodies with a silent STM focus motor. It weighs 18.5 ounces, measures 3.3 by 4.1 inches (HD) and can focus as close as 1.3 feet. It's priced at $599 and will go on sale in December.

There's also a new wide-angle prime for APS-C cameras, the EF-S 24mm f/2.8 STM. The compact pancake lens weighs 4.4 ounces and can focus as close as 6 inches. It matches the field of view of a 35mm lens on a full frame camera. It's set to go on sale in November for just $149.

On the other side of the spectrum—in terms of size, weight, price, and field of view—is the EF 400mm f/4 DO IS II USM. The super telephoto prime is a redesigned version of the older EF 400mm, a lens that's more than a decade old, and promises to reduce the lens flare shown by that lens. It weighs 4.6 pounds, measures 5 by 9.2 inches, and supports rear 52mm gelatin filters. The lens features optical stabilization that's rated for four stops and includes a tripod collar. It's priced at $6,899 and will go on sale in November.

Canon PowerShot G7 X

It's not all about SLRs for Canon this Photokina; there are a trio of new compact PowerShot models as well. Enthusiasts will take keen interest in the PowerShot G7 X, the first pocketable model from Canon to include a 1-inch image sensor. This puts it in the same class as the premium Sony RX100 III, but the G7 X features a longer 24-100mm lens with an f/1.8-2.8 variable aperture. The 20-megapixel camera features a BSI CMOS image sensor, Raw capture support, a rear display that flips to face forward, and integrated Wi-Fi. The G7 X is set to ship in October and will sell for $699.

Canon's latest long zoom model, the PowerShot SX60 HS, doesn't have a big sensor—it uses the standard 1/2.3-inch size with a 16-megapixel resolution—but it does sport a 65x zoom lens and Raw image capture support. Its lens covers a 21-1,365mm field of view, and you can frame images using the vari-angle rear display or the 922k-dot EVF. The SX60 is priced at $549 and will go on sale in October.

The final new PowerShot is also a 1/2.3-inch model. The N2, which replaces the PowerShot N, retains much of the N's design, including the zoom and shutter control rings that surround the lens, but the shutter control can now be triggered from any direction. The LCD screen has been enhanced to tilt all the way forward, and the image-sensor resolution has increased to 16 megapixels. It uses the same 28-224mm lens as the original N, and includes Wi-Fi with NFC support. The N2 will go on sale in December and will be available in white or black. It's priced at $299.

If you're in the market for a digital camera, take some time to peruse our product guide, or our list of the 10 Best Digital Cameras.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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