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Hands On: Canon EOS 70D Features Smooth Video Autofocus

 & Jim Fisher Principal Writer, Cameras

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It's been a long time since Canon introduced a new enthusiast-oriented APS-C D-SLR. The last, the EOS 60D, was announced in Aug. 2010, but the company's newest camera, the 70D, replaces that in its SLR lineup. The 70D offers a number of new features, including a new sensor design that promises to deliver a much improved autofocus experience during video recording.

The 70D is built around a 20-megapixel APS-C image sensor with a Dual Pixel CMOS autofocus system. This covers 80 percent of the surface area with pixels that feature two photosites. These allow for phase detect autofocus, which is much faster than the contrast detect focus that is generally used in live view mode. The technology not only allows for quick focus, but smooth, flowing transitions between subjects. The focus can be controlled in a few different ways—tapping an area of the rear display or using the directional pad moves a flexible spot, face detection can be enabled, or you can simply allow the camera to decide focus on its own.

We tried out the new video focus system using a few different lenses. Lenses with STM motors were silent and amazingly smooth; a 24-70mm lens with a USM motor was quiet, and almost as smooth as an STM lens. Older low-end lenses with DC motors, like the previous versions of the 18-55mm and 18-135mm kit lenses, are a bit loud and still somewhat choppy, but perform better than they do on a body like the EOS Rebel T5i. The video itself is in QuickTime format at up to 1080p30 quality with ALL-I and IPB codec option.

There's also a traditional autofocus system for those times when you peer through the 70D's pentaprism viewfinder. It's the same system that's found in the EOS 7D£484 at Amazon UK, featuring 19 points, all of which are cross-type. The image processor is a DIGIC 5+, which allows for an ISO range of 100 through 12800, with 25600 available as an expanded setting, and shooting at up to 7 frames per second.

Like the full-frame EOS 6D, Wi-Fi is built in. This makes it possible to transfer images to your phone, tablet, or computer without dealing with cables or card readers. If you're connected to a Wi-Fi network you can post photos and videos directly to social networking sites from the camera. It's also possible to fire the 70D remotely using your iOS or Android device.

The 70D puts shooting controls right at your fingertips. There are dual control wheels, a dedicated autofocus button and an exposure lock control, and buttons to set the drive mode, ISO, autofocus mode, metering pattern, and active focus point. The 3-inch display is packed with more than a million dots, is touch-sensitive, and is hinged so it can be viewed from any angle.

The 70D is set to go on sale in early September. It will retail for about $1,200 as a body only. It can be had with an 18-55mm STM lens for $1,350, or with the 18-135mm STM lens for $1,549.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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