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Sigma Introduces Lens Mount Conversion Service

 & Jim Fisher Principal Writer, Cameras

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Depending on how much glass you've invested in, switching to a different SLR system can be a daunting task. A longtime Canon shooter who wants to explore the Nikon side of the fence will be faced with the prospect of selling cameras and lenses on the used market, likely at a loss, and purchasing similar lenses all over again in a different mount. It's enough to keep shooters locked into a camera system for years, even if they've become dissatisfied with some of its aspects.

Today Sigma announced a new service to change the mounts on its lenses, but it's not a universal cure for system switchers. Only newer lenses that are part of the company's Global Vision line—which includes categories for Sport, Contemporary, and Art lenses—are able to be converted, and they can only be converted to a lens mount in which they are available at retail. The cost of conversion ranges from $80 to $250, depending on the lens, and doesn't include shipping costs; but it does add a six-month warranty to the lens.

The list of lenses that are eligible for this service is fairly short. It includes the 120-300m F2.8 DG OS Sport and the 35mm F1.4 DG Art for full-frame cameras. APS-C lenses covered are the 30mm F1.4 DC HSM Art, the 17-70mm F2.8-4 DC OS Macro Contemporary, and the 18-35mm F1.8 DC Art. A few mirrorless lenses can be changed from Micro Four Thirds to Sony E-mount or vice versa; these include the 19mm F2.8 DN Art, 30mm F2.8 DN Art, and the 60mm F2.8 DN Art.

The conversion service is a bit limited to start, but going forward new Sigma lenses will be eligible. It's likely not enough to make switching systems an easy task, but it's a step in the right direction. The most recent Sigma lenses that we've reviewed have been quite impressive performers; both the 35mm F1.4 DG Art and the 18-35mm F1.8 DC Art earned our Editors' Choice award.

Sigma also announced that all lenses, flashes, and cameras purchased on or after July 1 are now covered by a four-year warranty. Previously, warranties varied from product to product.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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