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Can the iPhone 4S Replace Your Digital Camera?

 & Jim Fisher Principal Writer, Cameras

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The iPhone 4S may not look that different from the iPhone 4 on the outside, but the internal components have been upgraded across the board.

In addition to having a higher-resolution sensor, the iPhone 4S's camera also features an improved lens. It uses a five-element design and has a maximum aperture of f/2.4, which lets in 50 percent more light than the f/2.8 lens found on the iPhone 4. And you can now fire the shutter using the Volume Up button on the phone thanks to iOS 5, which greatly improves usability.

At the iPhone launch event, Apple vice president Phil Schiller claimed that the new phone's 8-megapixel camera would be the best that many people have ever owned. But is it good enough to replace a point-and-shoot camera?

I ran the iPhone 4S through the same series of tests that are performed on the cameras here in the PCMag Labs. I used Imatest to measure the image sharpness and noise—although the noise test was a bit difficult as there is no way to manually adjust the camera's sensitivity to light. In terms of sharpness, the 4S captured 1,186 lines per picture height—much better than the 711 lines recorded by the iPhone 4 or the 899 lines captured by the HTC Amaze. Our Editors' Choice for budget cameras, the $130 Panasonic Lumix DMC-S3 records 1,615 lines, which is much closer to the 1,800 lines required for an acceptably sharp image.

Image noise was at 1.1 percent at ISO 100, which was the setting that the phone defaulted to under our studio lights. Under the same conditions, the iPhone 4 recorded 1.3 percent noise, approaching the 1.5 percent that denotes an image that is overly grainy. I moved the color test chart to various areas in the lab trying to get the phone to shoot at a higher ISO. I was able to push it to ISO 640, where noise crossed the 4 percent mark—which would be considered downright awful in a point-and-shoot. The Lumix S3 records 1.2 percent noise at ISO 800 and hits the 1.5 percent mark at ISO 1600.

The 4S does a great job in terms of speed. There is virtually no shutter lag, only a 0.7-second wait between shots, and the camera app launches in about 1.5 seconds. This is an upgrade over the iPhone 4, which pauses about 1.4 seconds between shots and takes 2.4 seconds to launch the camera app. The Lumix S3 starts in 1.8 seconds, but requires you to wait 1.8 seconds between photos and records a 0.4-second shutter lag.

There are other drawbacks to the iPhone 4S's camera. It doesn't have any optical zoom, which is typical for a cell phone camera, but almost unheard of in a point-and-shoot camera. The 8-megapixel resolution will allow you to crop a little bit, but the sharpness level is pretty low, so don't expect a lot of detail in heavily cropped photos. Photos will look good on the Web, but even a 4x6 print will pale in comparison to that made from a half-decent camera.

Chances are that most of the photos you snap with the iPhone are destined for email, Twitter, Facebook, and Flickr—but there's always the possibility that you grab a shot that you'd love to make into a larger print. The iPhone's huge advantage is that it's almost always going to be in your pocket. Serious photographers may carry a camera with them wherever they go, but they are in the minority. You won't find a better camera in a cell phone, but for family events and other times when you know that you're going to take photos, a dedicated camera is a much better choice.

For more, see PCMag's full review of the iPhone 4S and the slideshow below. Also check out How to Get Apple's iOS 5 as well as PCMag's full review of iOS 5 and our Hands On With Apple iCloud.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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