PCMag editors select and review products independently. If you buy through affiliate links, we may earn commissions, which help support our testing.

Leica M9-P

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

Our Expert
LOOK INSIDE PC LABS HOW WE TEST
65 EXPERTS
43 YEARS
41,500+ REVIEWS
Leica M9-P - Leica M9-P
4.0 Excellent

The Bottom Line

The Leica M9-P is a camera from another time, wrapped up in a digital package. This absurdly priced rangefinder won't appeal to most buyers, but the small percentage of takers can expect top-notch design, superb images, and good low-light performance.

Buy It Now

Pros & Cons

    • Superb image quality.
    • Good high ISO performance.
    • Full frame image sensor.
    • Bright optical viewfinder.
    • Compact form factor.
    • Includes Adobe Lightroom software.
    • Sky-high price.
    • Low-res rear LCD.
    • Slow to write files to card.
    • No video support.

Leica M9-P Specs

Battery Type Lithium Ion
Dimensions 3.2 by 5.5 by 1.5 inches
Display Resolution 230000
Lens Mount Leica M
Maximum ISO 2500
Sensor Resolution 18
Sensor Size 24 x 36 (35mm Full Frame)
Sensor Type CCD
Stabilization None
Type Mirrorless
Viewfinder Type Optical
Weight 1.3

The Leica M9-P ($7,995 list, body only) is a beautiful camera with an absurdly high sticker price. Its lack of bells and whistles will confound casual snapshooters, but its an appealing choice for seasoned photographers who fell in love with rangefinder film cameras and want a digital equivalent. If you're looking for a camera that supports autofocus, video recording, and offers a library of zoom lenses, the M9-P  is not for you. But if a compact camera with a large image sensor, bright optical viewfinder, and minimalist controls is what you're after, the M9-P may be what you're looking for—the only question is whether you can afford it. This high-end interchangeable lens camera doesn't offer the mass market appeal or flexibility of our Editors' Choice Olympus OM-D E-M5 ($1,299.99, 5 stars), but if you're set on a new digital rangefinder, your choices are all Leica.

Why Choose a Rangefinder Camera?

If you've never shot with a rangefinder, you must first understand that there are some fundamental differences that set the camera apart from an SLR. When you look through the optical viewfinder of an SLR, you're seeing exactly what the lens sees. This has its advantages—you get an accurate view of your frame and can preview the depth of field of your shot. With a rangefinder, two sets of framelines, which change along with the lens, are displayed in the viewfinder to give you an idea of what your frame will capture, but you'll want to keep shots a bit loose with the intention of cropping, as they aren't entirely accurate. You'll also see a bright rectangle in the middle of the finder with a double image—that's how you focus. As you adjust the focus on the lens barrel, the double image turns into one. Once you've mastered this technique, it's quicker than manually focusing an SLR, but obviously lags behind the best D-SLRs in terms of speed and precision.

So, why put up with the convoluted focusing and framing system? For one, the finder is always bright—regardless of whether you're using an f/0.95 lens or an f/4 lens. Depending on how wide your lens is, you'll also be able to see outside of the frame. This is ideal for shooting on the street where pedestrians may wander into a shot unexpectedly, or for tracking action. There's also no finder blackout when you take a photo—so you'll see the exact moment that you're capturing as you hear the shutter click. There aren't a lot of other digital cameras on the market that offer this—the Fujifilm X-Pro1 ($1,699 list) comes closest. It doesn't offer the manual focus rangefinder patch so you'll have to trust its autofocus when shooting with its hybrid digital/optical viewfinder in optical mode.

The other advantage is lens design. Because there's no mirror or focus motors, rangefinder lenses are amazingly small—especially when you consider that they provide full frame coverage. The rear element can be very close to the film plane, which makes it possible to design wide-angle lenses that are incredibly compact. The Leica Elmarit 28mm f/2.8 ASPH lens has a 2-inch diamater and is just 1.2 inches long, much smaller than any 28mm SLR lens of similar speed.

The short span between the lens mount and film plane also reduces the distance that light has to travel before it is captured, resulting in images that are much sharper around the edges and in the corners than those from SLRs. The M9-P has a series of microprisms built into the sensor that further help to increase corner performance, as digital sensors require light to hit the photosites straight on in order to be properly recorded—this isn't required when shooting film. The sensor also omits an antialias filter, which makes sharper photos possible. Along with the X-Pro1 and Nikon D800E ($3,299.95), it's one of the few cameras on the market that takes this approach to sensor design.

If you discover that shooting with a rangefinder is for you, your choice of camera bodies is limited—they're niche products at this point. Leica currently produces two other models. The M9 ($6,995 list) is essentially the same camera with slightly different styling and without a protective sapphire glass cover over its LCD. The recently announced M-Monochrom ($7,995 list) is basically an M9  that shoots only black-and-white photos. You can also look for an M8, M8.2, or Epson R-D1 (2 stars) on the used market. The 10-megapixel M8 and M8.2 will handle much like the M9, although the image sensor in those cameras is smaller than full frame, so your lenses will suffer from a 1.33x crop factor, and you'll need to use special UV/IR filters on your lenses to prevent unwanted color shifts when shooting certain fabrics and vegetation. The RD-1 is a 6-megapixel camera and uses a 1.5x APS-C crop sensor, the same size that is found in consumer D-SLRs, and is unique in that it is a digital camera that requires you to manually advance the shutter after taking a photo, just as you would with a film camera.

Final Thoughts

Leica M9-P - Leica M9-P

Leica M9-P

4.0 Excellent

The Leica M9-P is a camera from another time, wrapped up in a digital package. This absurdly priced rangefinder won't appeal to most buyers, but the small percentage of takers can expect top-notch design, superb images, and good low-light performance.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

Read full bio