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 & Tim Gideon Contributing Editor, Audio

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PCMag is your complete guide to computers, peripherals and upgrades. We test and review tech products and services, report technology news and trends, and provide shopping advice with price comparisons. - Klipsch Gallery G-17 Air
4.0 Excellent

The Bottom Line

The Klipsch Gallery G-17 Air is a wonderful-sounding wireless speaker dock, and a recent iOS update irons out some AirPlay streaming issues we experienced during testing.

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Pros & Cons

    • Streams audio wirelessly from Apple iOS devices.
    • Quality audio performance that lacks exaggerated bass response.
    • Sleek, modern design.
    • Wall-mountable.
    • Expensive.
    • Finicky remote.

Editors' Note (4/11/2012): After the most recent version of iOS was released, the previously mentioned issue of interrupted AirPlay streams was cleared up. We have since tested and confirmed this, and as such have revised the review and score to reflect that improvement.

As AirPlay speaker systems increase in number—most of them still being referred to as "docks" despite a lack of an actual dock for an iPhone, iPod, or iPad—a few things are becoming increasingly clear. Almost all AirPlay docks are black, and the Klipsch Gallery G-17 Air  is no exception. They are all pretty expensive—the G-17 is a hefty $549.99 (direct). For the most part, all AirPlay docks thus far offer quality audio, ranging from booming bass, as with the Audyssey Audio Dock Air ($399.99, 3.5 stars) to superb high fidelity sound, as with the Bowers & Wilkins Zeppelin Air ($599.95, 4 stars). The G-17 sounds excellent, and as of the most recent iOS update, has resolved the streaming issues we experienced in the past. 

Design

The rounded, glossy black piano finish of the Gallery G-17 Air is striking, as is the horizontal array of drivers—two 20-watt woofers in the middle and two 10-watt tweeters on the far left and right ends of the front panel. A small Klipsch logo and a remote sensor are the only other things on the front panel. All of the controls are located on the small right-hand side panel—Power, Volume, Input Select, and Wi-Fi, which is used for inital setup. The back panel houses the power cable connection, a 3.5mm Aux input, and a USB connection. You'll need a Phillips head screwdriver to attach the glass stand to the speaker unit (screws are included), but the G-17 is also wall-mountable. Also included with the G-17 and its stand: a rubber cover for the input panel on the back, a black cloth grille cover in case you want to hide the awesome looking drivers, a remote control, the power supply, an owners manual, and—seriously—white gloves, so your fingertips don't smudge the glossy black surface when you move the system.

The included remote can be frustrating to use—depending on the angle, and strength of the Wi-Fi signal, adjusting the volume can be a very delayed process. When the signal is good and the audio is streaming smoothly, the remote, which is a simple, thin, black plastic controller with membrane buttons, works fine. It has Power, Volume, Play/Pause, Skip Forward/Backward, and Input Select buttons.

Performance

The Gallery G-17 offers fairly powerful, refined audio performance for its size. There are four drivers but no subwoofer, and the net result is a audiophile-friendly flat response, devoid of booming deep bass but quite capable of articulating low frequencies well. Kick drums sound tight, not thunderous. Lower register stringed instruments sound pleasantly resonant, not overly boosted or booming. John Adams' modern classical piece, "The Chairman Dances," sounds neither overly bright nor rumbly. Instead, the G-17's response favors mid-range frequencies, occasionally allowing high frequency percussion hits, like wood blocks, to pop out from the more commanding force of the stringed instruments. At maximum volume on deep bass tracks, the G-17 doesn't distort, but this is partially due to the lack of booming bass pushed out by the speakers. Still, many systems that have no subwoofer try to reproduce deep bass frequencies with the result of distortion, and the G-17 avoids this problem. The Knife's "Silent Shout," at maximum volume, doesn't sound as thumping as it would on a system with a sub, but it does not distort either, and the bass frequencies are still well represented. Basically, the G-17 offers a nice, smooth response throughout the frequency range that doesn't exaggerate the lows or ignore them. Fans of accurate response over booming bass will be pleased.

Because AirPlay relies on Wi-Fi, it's dependent on the bandwidth of the local network. The more tasks being completed on the Wi-Fi network, no matter how un-taxing on the bandwidth, like sending an email, the more likely the stream is to pause, or stop completely. We have since tested the Klipsch Gallery G-17 Air again with the new version of iOS and experienced little to no interruption in the stream. This is a vast improvement over our initial tests of the speaker, and we have revised its score accordingly.

Apple is reportedly choosing to either switch to or include Bluetooth streaming into the AirPlay feature. Even a year or so ago, Bluetooth streaming was still a weak audio solution, with very little bass and low bit-rate fidelity. But recent developments have strengthened the audio quality greatly, as evidenced by recent Editors' Choices, the portable Bose SoundLink Wireless Mobile Speaker ($299.95, 4 stars) and the fantastic JBL OnBeat Xtreme ($499.95, 4.5 stars), which shows up as an AirPlay device on an iPhone or iPad, but uses Bluetooth. As of the most recent iOS update, AirPlay and Bluetooth seem to be similarly reliable.

The Bowers & Wilkins Zeppelin Air  remains at the top of the list of AirPlay docks, in terms of audio performance, with the Klipsch Gallery G-17 close to the top with the most recent version of iOS. The streaming issues have been resolved, and it's now about as functional as a Bluetooth speaker, with excellent audio quality. 

More Speaker reviews:
•   Anker Soundcore Flare
•   Apple HomePod
•   Soundcast VG3
•   JBL Bar 2.1
•   Creative Pebble
•  more

Final Thoughts

PCMag is your complete guide to computers, peripherals and upgrades. We test and review tech products and services, report technology news and trends, and provide shopping advice with price comparisons. - Klipsch Gallery G-17 Air

The Latest Technology Product Reviews, News, Tips, and Deals

4.0 Excellent

The Klipsch Gallery G-17 Air is a wonderful-sounding wireless speaker dock, and a recent iOS update irons out some AirPlay streaming issues we experienced during testing.

Get It Now

Buy It Now

About Our Expert

Tim Gideon

Tim Gideon

Contributing Editor, Audio

My Experience

I've been a contributing editor for PCMag since 2011. Before that, I was PCMag's lead audio analyst from 2006 to 2011. Even though I'm a freelancer now, PCMag has been my home for well over a decade, and audio gear reviews are still my primary focus. Prior to my career in reviewing tech, I worked as an audio engineer—my love of recording audio eventually led me to writing about audio gear.

My Areas of Expertise

  • Headphones and earphones
  • Wireless and computer speakers
  • USB mics
  • Bluetooth headsets

The Technology I Use

Probably because of their prevalence in the recording studios I worked in a long time ago, I am most comfortable on Macs—I'm writing this on the 2019 iMac I use for testing. I also have a MacBook Pro that gets plenty of similar use.

My workspace has a mini recording studio setup, and the the gear I work with there is a mix of items I've used forever (Paradigm Mini Monitors and a McIntosh stereo receiver) and newer gear I use for recording and review testing (such as the Universal Audio Apollo x16).

I'm obsessed with modern boutique analog synths—some of my favorites instruments in this realm are the Landscape Audio Stereo Field and HC-TT,  the Soma Enner, the Koma Field Kit, and the Lorre Mill Keyed Mosstone.

From my studio days, I'm comfortable using Pro Tools, and in recent years have branched out to other realms of creative software, like Adobe Premiere and After Effects.

I stream music, but I also still buy albums, digitally or on vinyl, and encourage anyone who wants fair compensation for musicians and engineers to do the same.

I also play lots of Wordle.

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