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iRiver LPlayer

 & Tim Gideon Contributing Editor, Audio

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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 - iRiver LPlayer
3.5 Good

The Bottom Line

A worthy follow-up to the venerable Clix, this iPod nano-esque player is a viable alternative for those not tied to iTunes.

Pros & Cons

    • Compact design.
    • Good-looking graphics.
    • Easy, push-screen navigation.
    • FM radio and recording.
    • Voice recording.
    • Tiny screen.
    • Some menu options can be difficult to find.
    • Video conversion software can mess up aspect ratios.

iRiver LPlayer Specs

Audio Battery Life: 16.45 hr
Battery Type Supported: Rechargeable
Built-In Speakers: No
Dimensions: 2.36 x 1.69 x 0.51 inches
Music Playback Formats: FLAC
Music Playback Formats: MP3
Music Playback Formats: OGG
Music Playback Formats: WMA
Photo Formats: BMP
Photo Formats: GIF
Photo Formats: JPEG
Photo Formats: PNG
Player Type: Portable Media Player
Radio: Yes
Recording, FM: Yes
Recording, Line In: No
Recording, Voice: Yes
Screen Resolution: 320 x 240 pixels
Screen Size: 2 inches
Storage Capacity (as Tested): 4 GB
Video Formats: WMV
Video Recording: No
Weight: 1.45 oz

The Lplayer from iriver will seem familiar to some people. At first glance, it looks like a smaller iriver Clix. The two players use the same D*click technology—the company's term for its innovative, practically button-free design. You navigate the good-looking interface by pressing down on the sides and corners of the tiny player's screen. The Lplayer comes in 4GB ($109.99 list) and 8GB ($159.99) capacities—with lower price tags than both the iPod nano and the Clix. One thing missing from the Lplayer is the Clix's excellent support for Rhapsody, but for the price, the player offers solid file support wrapped in a good-looking package.

The 2.36-by-1.69-by-0.51-inch (HWD), 1.45-ounce Lplayer is truly diminutive. The nano is thinner, but the two devices' screens are identical in size and resolution (2 inches, 320 by 240 pixels), and both are easily pocketable. If you want a small device for occasional on-the-go video watching, it'll do just fine. The only trick is figuring out how to hold the Lplayer so you don't block the screen, which occupies almost the entire front surface. Also, using the lock switch on the rear panel is essential, so that you don't accidentally click the screen and pause or fast-forward, for example. The player's only true buttons, for volume and power, reside on the side panel. There's a mic for voice recording, a lanyard hole, and a mini USB port for syncing with your PC's music and video library.

File support for the Lplayer is laudable. There's no AAC support, but you get MP3, WMA, and for the music snobs and lossless junkies, OGG and FLAC. Video support is limited to WMV9 SP, Xvid SP, and MPEG-4 SP. You'll need the video converter (software that's on the included CD, along with the manual) to load other types of files onto the Lplayer. My results with the video conversion software were mixed. A WMV HD video loaded without a problem, but its aspect ratio was off. A full-length film in Xvid format, on the other hand, converted perfectly and looked just fine on the tiny-but-bright screen. Photo support is better than you get on most players: JPEG, BMP, PNG, and GIF.

For the most part, navigating the user interface is simple. Menu options are organized well, and though the click system occasionally requires a second push in order to select an item, it's generally a pleasant way to move around the user interface. My main problem with the UI is that some options and settings are hard to find and require extensive poking around or reading the manual to locate. Accessing the music settings, including EQ customization, for instance, requires holding down the entire screen for a few seconds. It's not exactly intuitive. The same menu lets you deactivate the annoying fade-in feature, so you'll want to know where to find it. But once you get oriented, you're golden, so my quarrel with the interface is minor.

Audio quality through the bundled earbuds is seriously poor, but once you swap in a pair of earphones with a better fit and some low end, like Ultimate Ears' Super.fi 4, the player sounds great. The bass boost on the customizable EQ is noticeable, pleasant, and doesn't distort. The FM radio and recorder works well, with 20 presets that are easy to tune and save. The voice recorder is equally straightforward but is located, oddly, under Recordings in the main menu—a section whose name implies that it will house your recorded files, not the actual tool that creates them. (Recorded files can be found under submenus in the FM and Music sections.)

iriver rates battery life at 12 hours of playback for music, which is fairly weak for a flash-based player these days (iPods last about twice as long), but we were able to eke out 16 hours 27 minutes.

So, what's the Lplayer got that the nano doesn't? For starters: a lower price. Then there's FM radio and recording, plus voice recording. My biggest issues with the Lplayer are the occasionally unresponsive click buttons and an interface that may be simple to navigate but sometimes buries the obvious stuff. All in all, however, the iriver Lplayer is a worthy nano competitor, and continues the strong legacy of the popular Clix in a more compact and less expensive package.

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Final Thoughts

 - iRiver LPlayer

iRiver LPlayer

3.5 Good

A worthy follow-up to the venerable Clix, this iPod nano-esque player is a viable alternative for those not tied to iTunes.

About Our Expert

Tim Gideon

Tim Gideon

Contributing Editor, Audio

My Experience

I've been a contributing editor for PCMag since 2011. Before that, I was PCMag's lead audio analyst from 2006 to 2011. Even though I'm a freelancer now, PCMag has been my home for well over a decade, and audio gear reviews are still my primary focus. Prior to my career in reviewing tech, I worked as an audio engineer—my love of recording audio eventually led me to writing about audio gear.

My Areas of Expertise

  • Headphones and earphones
  • Wireless and computer speakers
  • USB mics
  • Bluetooth headsets

The Technology I Use

Probably because of their prevalence in the recording studios I worked in a long time ago, I am most comfortable on Macs—I'm writing this on the 2019 iMac I use for testing. I also have a MacBook Pro that gets plenty of similar use.

My workspace has a mini recording studio setup, and the the gear I work with there is a mix of items I've used forever (Paradigm Mini Monitors and a McIntosh stereo receiver) and newer gear I use for recording and review testing (such as the Universal Audio Apollo x16).

I'm obsessed with modern boutique analog synths—some of my favorites instruments in this realm are the Landscape Audio Stereo Field and HC-TT,  the Soma Enner, the Koma Field Kit, and the Lorre Mill Keyed Mosstone.

From my studio days, I'm comfortable using Pro Tools, and in recent years have branched out to other realms of creative software, like Adobe Premiere and After Effects.

I stream music, but I also still buy albums, digitally or on vinyl, and encourage anyone who wants fair compensation for musicians and engineers to do the same.

I also play lots of Wordle.

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