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Horizon Hobby Blade Chroma with ST10 and 3-Axis Gimbal for GoPro Hero

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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GoPro Hero owners in the market for a drone should consider the Horizon Hobby Blade Chroma with ST10 and 3-Axis Gimbal, but be aware that its video transmission range is shorter than some other models. - Horizon Hobby Blade Chroma with ST10 and 3-Axis Gimbal for GoPro Hero
3.5 Good

The Bottom Line

GoPro Hero owners in the market for a drone should consider the Horizon Hobby Blade Chroma with ST10 and 3-Axis Gimbal, but be aware that its video transmission range is shorter than some other models.

Pros & Cons

    • Works with GoPro cameras.
    • Remote control includes built-in LCD.
    • Configurable geofence.
    • GPS stabilized flight.
    • Return-to-Home and Follow modes.
    • Battery charger can get hot.
    • Camera gimbal is slow to adjust.
    • Operating range could be better.

Horizon Hobby Blade Chroma with ST10 and 3-Axis Gimbal for GoPro Hero Specs

Dimensions 9.5 by 15.7 by 15.7 inches
Integrated Camera Gimbal Mount for Removable Camera
Live Video Feed 1
Remote Dedicated with LCD
Rotors 4
Weight 2.9

The Horizon Hobby Blade Chroma with ST10 and 3-Axis Gimbal for GoPro Hero ($899.99) is a drone targeted squarely at videographers who already own a GoPro Hero3 or Hero4. It's a solid aerial video platform, stabilizing your action cam with a 3-axis gimbal and streaming video back to the drone's remote control. But be aware that, when compared with competing models with integrated cameras, the video transmission range is somewhat limited. If that's not a concern, the Chroma is definitely worth consideration. But our favorite consumer drone is still the Editors' Choice DJI Phantom 3 Professional, which has an integrated 4K camera and an outstanding operating range.

Design and Features
The Blade Chroma aircraft is identical in design and features to the Blade Chroma With CGO3 4K Camera, so you can expect the same operating time on a fully charged battery, about 24 minutes. You can refer to that review to read more about the drone's features, performance, and other details. The Chroma does weigh about 3 pounds, which means that you'll need to register it with the FAA prior to outdoor flight.

The Chroma is just a little bit bigger than a DJI Phantom—it measures 9.5 by 15.7 by 15.7 inches (HWD). I transported it in its shipping box during the review period, but you'll likely want to invest in a more elegant transportation solution if you buy one. If a compact design is a true priority, the Xiro Xplorer G ($499.99) is worth a look. We haven't yet reviewed it, but we did evaluate the Xplorer V, which has the same 15.7-by-15.7-inch footprint, but uses collapsible landing gear that makes it easier to toss into a backpack. It's also a bit lighter, at 2.2 pounds.

Instead of shipping with an integrated camera, the Chroma includes a 3-axis gimbal that fits GoPro Hero3 and Hero4 action cams. A video transmission system is included to stream video from your camera to the included ST10+ remote control. You'll need to instill the transmitter yourself—it clips onto one of the landing struts and is a pretty easy install job as long as you're comfortable using a screwdriver.

The gimbal can be installed and removed fairly easily. And because the aircraft is identical to the Chroma model that's bundled with a camera, you can opt to buy a CGO3 separately and use it as well. You'll just need to bind the remote control to the CGO3, which is a simple process.

The transmitter requires you to plug a small antenna into its side. There's also a cable that plugs into the transmitter and splits out into two connections—one goes into the gimbal, and the other goes into the GoPro's mini USB port. The latter cable needs to be threaded through the gimbal and securely plugged into the GoPro before the camera is locked into the gimbal. It sounds a little tricky, but it's not that difficult once you get the hang of it.

In my field tests, I found that the video transmission range of the Chroma with the GoPro attached is a bit limited when compared with using the aircraft with the CGO3 camera and its integrated transmitter. With the GoPro version I was able to fly about 1,000 feet from the remote control in a suburban environment, and about 1,600 feet in a rural area free of potential interference and visual obstructions while maintaining a smooth, steady video feed. Compare that with the CGO3 Chroma, which matched the suburban range and extended the rural range to about 2,000 feet. DJI Phantom 3 models that use Lightbridge to transmit video, which include the Phantom 3 Professional and the Phantom 3 Advanced, offer even better operating range—they fly 2,500 feet from the operator with ease.

Chroma GUI

Out of the box, this operating range isn't a concern. The Chroma is pre-configured so that it won't fly further than 650 feet away from the remote control. If you feel comfortable flying longer distances you can use the Chroma GUI to extend the limit. The GUI also allows you to set the maximum altitude—by default it's set to 400 feet, the FAA limit for flying in the United States.

Video quality is completely dependent on which GoPro you use with the Chroma. I used the Hero4 Black, which records footage at 4K quality. With a GoPro you will get audio, which isn't the case with drones with built-in cameras. But the soundtrack is dominated by the buzzing of the Chroma's four rotors.

The gimbal does a fine job stabilizing video footage. Aerial video is smooth and steady, even when turning, changing altitude, and making sudden maneuvers. The ultra-wide field of view captured by a GoPro does mean that propellers are often in frame, but you can choose to capture video with a narrower field of view, or crop 4K footage down to 2.7K or 1080p when editing.

The gimbal can tilt up and down. As with the CGO3 camera, there is a bit of lag when adjusting camera tilt via the ST10+. This delay takes a bit of getting used to, and can be disconcerting when trying to make a camera move during flight. This is an issue that extends to all models we've reviewed that use the ST10+, which includes the Yuneec Typhoon Q500 4K and the Typhoon G. But DJI Phantom models that include on-remote gimbal control are much more responsive.

Conclusions
If you already own a GoPro action camera, you can save some money when buying a drone by opting for a model includes a GoPro gimbal mount. Even at its full retail price (it's currently selling for less), the Horizon Hobby Blade Chroma with ST10 and 3-Axis Gimbal for GoPro Hero is a solid choice. It's a bit smaller than the similar Yuneec Typhoon G, so it's less cumbersome to transport, but it's not quite as svelte as the Xiro Xplorer G.

The limited operating range is a turn off for pilots who want to cover a good amount of ground when capturing aerial footage, but it's not as much of an issue if you prefer to leave the geofence in place and keep the Chroma within a 650-foot range of its launch point. Our Editors' Choice consumer drone is still the DJI Phantom 3 Professional, which is a pricier model, and one that uses an integrated 4K camera rather than a GoPro. But it lives up to its asking price with extremely stable flight, some automated flight features that are missing in the Chroma series, and excellent control range.

Final Thoughts

GoPro Hero owners in the market for a drone should consider the Horizon Hobby Blade Chroma with ST10 and 3-Axis Gimbal, but be aware that its video transmission range is shorter than some other models. - Horizon Hobby Blade Chroma with ST10 and 3-Axis Gimbal for GoPro Hero

Horizon Hobby Blade Chroma with ST10 and 3-Axis Gimbal for GoPro Hero

3.5 Good

GoPro Hero owners in the market for a drone should consider the Horizon Hobby Blade Chroma with ST10 and 3-Axis Gimbal, but be aware that its video transmission range is shorter than some other models.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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