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Samsung Level On

 & Tim Gideon Contributing Editor, Audio

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Samsung Level On - Samsung Level On
4.0 Excellent

The Bottom Line

Bass lovers have yet another solid contender in the powerful and comfortable Samsung Level On on-ear headphones.

Buy It Now

Pros & Cons

    • Distortion-free, heavily sculpted audio performance with intense bass response.
    • Handsome, exceptionally comfortable design.
    • Boosted and tweaked frequency response not for everyone.
    • In-line controls are designed primarily for Samsung mobile devices.
    • Light on accessories.

Samsung Level On Specs

Active Noise Cancellation
Boom Mic
Phone Controls
Removable Cable
Type Supra-aural (on-ear)
Wireless

The name of Samsung's new Level series of headphones and earphones seems to refer to intense bass levels and not to a flattened, level sound signature. The on-ear Level On headphones ($179.99) combine a graceful, simple look with exceeding comfort and lots of boosted low end. The high frequencies receive some major sculpting to balance everything out, and the result is a sound signature that will appeal to bass lovers seeking some definition in the highs, but not to purists looking for a more subtle, flat (or level) response. For that, the Editors' Choice Sennheiser HD 558 is a better choice. 

Design

The Level On ($149.95 at Amazon)  may look familiar, adopting the plastic, glossy frame we've seen on many headphone designs in the last few years, but it looks stylishly simple nonetheless. Available in an all-black, or in white with tan leather on the earpads and headband cushioning, the headphones look minimalist save for the Level logo painted across the top of the headband. Markings on the cloth grilles inside each earcup denote left and right ears, a useful and good-looking touch.

Click-stop points allow for easy, precise adjustment of the headband, and the supra-aural (on-ear) fit is very comfortable. Even over long listening periods, the Level On feels light and plush, without any pressure on the scalp or ears.

The detachable cable (only one, which is disappointing at this price when many other models include two) features an inline remote control and microphone. The controls (a multi-purpose Call Answer/End/Play/Pause button and Volume Up/Down buttons), however, are intended for Samsung mobile devices. This means they don't play nice with the iPhone; the Play/Pause function doesn't work, and the volume control is sporadic at best, so this isn't the best headphone option for Apple phone users. Aside from the cable, the Level On ships with is a sturdy, hard shell zip-up case into which the headphones fold neatly.Samsung Level On inline

Performance

On tracks with tremendous levels of sub-bass, like our test track, The Knife's "Silent Shout," the Level On can pump out a powerful amount of thunder at maximum volume without distorting. At safer listening levels, the bass still remains front and center on this track, with tweaked highs helping to keep the mix from feeling too lopsided towards the lows.

Bill Callahan's "Drover" gives us a better sense of the balance between lows and highs; the drums here receive a very healthy dollop of bass boost, which would normally doom this track to sound unbalanced and perhaps muddy. However, Callahan's voice also receives some major boosting and sculpting in the high-mids and highs to compensate, helping it maintain a crisp treble edge and stay in the spotlight. 

On Jay-Z and Kanye West's "No Church in the Wild," the sub-bass synth hits that punctuate the drum loop sound powerful but clean, while the kick drum loop's attack receives enough high-mid presence to slice through the mix. The sound isn't muddy, but it would be misleading to call it balanced; it's incredibly sculpted on both ends of the frequency range. Purists will not love the sound, but bass lovers who also enjoy definition in the high frequencies probably will.

Classical tracks, like the opener to John Adams' "The Gospel According to the Other Mary," sound a bit too boosted in the bass department. The lower-register strings and percussion jump out to the front of the mix, while the higher register strings and brass maintain a bright presence that keeps things from sounding ridiculous. However, this is a sculpted sound that offers more of a Hollywood movie score-style punch than an accurate, flat reproduction.

The Samsung Level On seems best suited for pop music, from hip hop to rock, with generous lows and crisp highs. If you're seeking a bit less bass boosting and a bit more overall balance, check out the aforementioned Sennheiser HD 558 or the Bowers & Wilkins P3 . And if you like the idea of big bass and tweaked highs, it's also worth checking out the same-price Beats Solo 2 or the budget-focused $35 Scosche Lobedope SHP451M ( at Amazon) . For $180, though, the Samsung Level On delivers the distortion-free experience we expect, as well as some very powerful lows that will surely please bass lovers.

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Further Reading

Final Thoughts

Samsung Level On - Samsung Level On

Samsung Level On Review

4.0 Excellent

Bass lovers have yet another solid contender in the powerful and comfortable Samsung Level On on-ear headphones.

Get It Now

Buy It Now

About Our Expert

Tim Gideon

Tim Gideon

Contributing Editor, Audio

My Experience

I've been a contributing editor for PCMag since 2011. Before that, I was PCMag's lead audio analyst from 2006 to 2011. Even though I'm a freelancer now, PCMag has been my home for well over a decade, and audio gear reviews are still my primary focus. Prior to my career in reviewing tech, I worked as an audio engineer—my love of recording audio eventually led me to writing about audio gear.

My Areas of Expertise

  • Headphones and earphones
  • Wireless and computer speakers
  • USB mics
  • Bluetooth headsets

The Technology I Use

Probably because of their prevalence in the recording studios I worked in a long time ago, I am most comfortable on Macs—I'm writing this on the 2019 iMac I use for testing. I also have a MacBook Pro that gets plenty of similar use.

My workspace has a mini recording studio setup, and the the gear I work with there is a mix of items I've used forever (Paradigm Mini Monitors and a McIntosh stereo receiver) and newer gear I use for recording and review testing (such as the Universal Audio Apollo x16).

I'm obsessed with modern boutique analog synths—some of my favorites instruments in this realm are the Landscape Audio Stereo Field and HC-TT,  the Soma Enner, the Koma Field Kit, and the Lorre Mill Keyed Mosstone.

From my studio days, I'm comfortable using Pro Tools, and in recent years have branched out to other realms of creative software, like Adobe Premiere and After Effects.

I stream music, but I also still buy albums, digitally or on vinyl, and encourage anyone who wants fair compensation for musicians and engineers to do the same.

I also play lots of Wordle.

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