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Griffin WoodTones Over-the-Ear Headphones

 & Tim Gideon Contributing Editor, Audio

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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The Griffin WoodTones Over-the-Ear Headphones offer solid audio performance in an affordable, alluring wooden design. - Griffin WoodTones Over-the-Ear Headphones
4.0 Excellent

The Bottom Line

The Griffin WoodTones Over-the-Ear Headphones offer solid audio performance in an affordable, alluring wooden design.
Best Deal£58.35

Buy It Now

£58.35

Pros & Cons

    • High quality audio performance, with rich lows and crisp highs.
    • Detachable cable with microphone and remote for mobile devices.
    • Light on accessories.

Griffin WoodTones Over-the-Ear Headphones Specs

Active Noise Cancellation
Boom Mic
Phone Controls
Removable Cable
Type Circumaural (over-ear)
Wireless

Making wood the primary design element for headphones is a trend, so it's easy to wonder if companies are simply trying to cash in on a look rather than actually make good gear. The Griffin WoodTones Over-the-Ear Headphones, though, are a nice surprise. At $99.99 (direct), they're an affordable pair with solid audio balance to go with their good looks. Bass lovers seeking booming lows might not find them beefy enough, and purists seeking flat response will find them too bass-heavy and sculpted, but for those of you somewhere in the middle, the WoodTones offer quality sound in an alluring design and earn our Editors' Choice. Our other top pick in this price range, the Sennheiser HD 280 Pro, is focused on audio purists and professionals who need studio monitors. But the WoodTones are much more appealing for listeners who have a good enough ear to justify spending $100 on headphones, but want more richness and personality in the mix than a flat-response pair offers.

Design

The WoodTones have real wooden housings on the earcups—you can choose from Walnut, Sapele, or Beech. I suppose I would find the design more eye-catching if it didn't seem like lots of companies, from LSTN to Senta, were doing similar things with wood and headphones (a trend started long ago by Grado). Regardless, it's a classy look, and the rest of the design—an all black, auto-adjusting headband and plush black earpads—offers a comfortable, secure fit. 

The detachable cable connects at the left earcup, and includes an inline microphone and remote control. The remote has one button that lets you answer calls, play and pause tracks, and navigate forward or backward with multiple clicks, but there is no volume control built in. That the cable is detachable, however, adds tremendous value to the WoodTones—it's far more affordable to replace a faulty cable than replace a pair of headphones.Griffin WoodTones Over-the-Ear Headphones inline

Performance

On tracks with intense sub-bass content, like the Knife's "Silent Shout," the WoodTones do not distort even at maximum (and unsafe) listening levels. Some budget headphone models circumvent the issue of distorting on tracks with seriously deep bass by avoiding the deep bass altogether, but the WoodTones bring a healthy amount of low-end to the mix. 

The WoodTones manage to bring a healthy bass response on the Knife track, and then dial things back very well on Bill Callahan's "Drover." Here, Callahan's vocals are crisp without sounding brittle, and the drumming gets a very subtle bass boost—nothing intense that threatens the balance of the mix. Bass lovers may find the balance here a bit too in favor of the mids and highs, but there's plenty of low-end in this track, and it's an impressive sound signature that can bring the bass with the Knife and then keep things crisp for Bill Callahan. It's commonplace in expensive models, but less common in $100 headphones.

Jay-Z and Kanye West's "No Church in the Wild" shows the best of both worlds the WoodTones offer. The attack of the kick drum loop gets a nice treble edge that allows it to cut through the dense mix, while the sub-bass synth hits that punctuate the beat are delivered with a healthy low-end presence. The bass here isn't over-the-top in the slightest, but it's definitely a healthy part of the mix, while the vocals on this track float cleanly and clearly over everything else.

Classical tracks like John Adams' "The Chairman Dances" sound a bit more flat-response than the other genres that pass through the WoodTones. Lower register strings aren't delivered with much added richness; their bass presence is subtle. The spotlight here belongs to the higher register strings and percussion, as well as the growling attacks of the brass. It doesn't sound thin, though; the balance merely leans in favor of the mids and highs.

If it's booming bass you're looking for in this price range, the Skullcandy Crusher allows you to adjust the levels from reasonable to overwhelming. If it's balance you seek, but in a more traditional headphone frame design, the Sennheiser HD 429s and HD 280 Pro both have plenty of power and dynamic, articulate sound signatures. And bass lovers who still want crisp highs should check out the Logitech UE 4000. For the balance-minded listener who's looking for a different design, though, the Griffin WoodTones have plenty to offer.

Final Thoughts

The Griffin WoodTones Over-the-Ear Headphones offer solid audio performance in an affordable, alluring wooden design. - Griffin WoodTones Over-the-Ear Headphones

Griffin WoodTones Over-the-Ear Headphones

4.0 Excellent

The Griffin WoodTones Over-the-Ear Headphones offer solid audio performance in an affordable, alluring wooden design.

Get It Now
Best Deal£58.35

Buy It Now

£58.35

About Our Expert

Tim Gideon

Tim Gideon

Contributing Editor, Audio

My Experience

I've been a contributing editor for PCMag since 2011. Before that, I was PCMag's lead audio analyst from 2006 to 2011. Even though I'm a freelancer now, PCMag has been my home for well over a decade, and audio gear reviews are still my primary focus. Prior to my career in reviewing tech, I worked as an audio engineer—my love of recording audio eventually led me to writing about audio gear.

My Areas of Expertise

  • Headphones and earphones
  • Wireless and computer speakers
  • USB mics
  • Bluetooth headsets

The Technology I Use

Probably because of their prevalence in the recording studios I worked in a long time ago, I am most comfortable on Macs—I'm writing this on the 2019 iMac I use for testing. I also have a MacBook Pro that gets plenty of similar use.

My workspace has a mini recording studio setup, and the the gear I work with there is a mix of items I've used forever (Paradigm Mini Monitors and a McIntosh stereo receiver) and newer gear I use for recording and review testing (such as the Universal Audio Apollo x16).

I'm obsessed with modern boutique analog synths—some of my favorites instruments in this realm are the Landscape Audio Stereo Field and HC-TT,  the Soma Enner, the Koma Field Kit, and the Lorre Mill Keyed Mosstone.

From my studio days, I'm comfortable using Pro Tools, and in recent years have branched out to other realms of creative software, like Adobe Premiere and After Effects.

I stream music, but I also still buy albums, digitally or on vinyl, and encourage anyone who wants fair compensation for musicians and engineers to do the same.

I also play lots of Wordle.

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