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General Electric X2600

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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The GE X2600 is a bargain-priced superzoom camera, but its image quality suffers as you increase the ISO and it lacks an EVF. - Digital Cameras
3.0 Average

The Bottom Line

The GE X2600 is a bargain-priced superzoom camera, but its image quality suffers as you increase the ISO and it lacks an EVF.

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Pros & Cons

    • Sharp lens.
    • Attractive price tag.
    • Uses AA batteries.
    • 26x zoom range.
    • Sturdy design.
    • Slow performance.
    • Poor image quality at medium ISO settings.
    • No EVF.
    • Low-res rear LCD.
    • Video limited to 720p.

General Electric X2600 Specs

35mm Equivalent (Telephoto) 676 mm
35mm Equivalent (Wide) 26
Battery Type AA
Dimensions 3.1 by 4.6 by 2.9 inches
Display Resolution 230000
Maximum ISO 1600
Memory Card Format Secure Digital
Memory Card Format Secure Digital Extended Capacity
Memory Card Format Secure Digital High Capacity
Optical Zoom 26 x
Sensor Resolution 16
Sensor Size 1/2.3" (6.2 x 4.6mm)
Sensor Type CCD
Stabilization Optical
Touch Screen
Type Superzoom
Video Resolution 720p
Weight 17.2

The General Electric X2600 ($169.99 direct) is another in the company's budget-priced camera lineup. It's got an impressively sharp 26x zoom lens and in bright light the 16-megapixel image sensor is capable of delivering some sharp images. But image quality drops off as you increase the ISO above its lowest setting, and the combination of a low-resolution LCD and lack of an EVF make shooting at the maximum 676mm focal length a bit of an adventure (and not in a good way). It can't touch our Editors' Choice superzoom, the Panasonic Lumix DMC-FZ200, a much more expensive camera, and there are better budget options in this class.

Design and Features
The X2600 measures 3.1 by 4.6 by 2.9 inches (HWD) and weighs in at just over a pound. It's available in blue or black, and feels very sturdily built. The body is hard plastic and the ample handgrip is covered by a textured leatherette. It's actually a bit bigger than another GE budget option, the X600. That camera is 3.1 by 4.1 by 2.9 inches and weighs 12.5 ounces, but manages to squeeze an EVF into its body. The lens covers a 26x range, starting at 26mm and zooming all the way to 676mm. Its aperture is a decent f/3.2 on the wide end, but narrows to f/5.6 when zoomed all the way in—so you'll likely have to use a higher ISO setting to get a sharp shot when zoomed all the way in, even with the built-in optical stabilization system.

There are a few controls on the top of the camera; the standard shutter release and zoom rocker are at the peak of the grip. Below that are buttons to control the flash output, enable macro shooting, and control the drive mode. There's a mode dial, but it lacks the aperture priority and shutter priority settings seasoned photographers are used to. Instead you're limited to automatic, program, manual, or a number of scene modes.

Aside from a movie record button, the rear controls are for menu navigation and playback settings. The LCD is fairly large at 3 inches, but its 230k-dot resolution gives it a pixelated, fuzzy look. Screens like this are par for the course on budget models; you'll have to move up to a more expensive camera like the Fujifilm HS50EXR in order to enjoy the benefits of a top-end 920k-dot LCD.

If you want to adjust camera settings during shooting, you'll have to do so via an on-screen menu. It's a ribbon-style overlay that occupies the top strip of the LCD. It allows you to imprint photos with a permanent date stamp (with the existence of EXIF data in each JPG file, this seems rather silly), and more practical things like adjusting the aperture or shutter speed when the camera is set to manual mode. (In other modes, these settings are visible, but skipped over.)

Other controls are always available, assuming you aren't shooting in full automatic mode. You can adjust exposure compensation, flash compensation, the ISO, white balance, and the focus and exposure area. There are also a few settings that you can use to adjust the JPG output to best suit your photographic vision—the color mode, contrast, and sharpness can be tweaked to your liking.

Performance and ConclusionsGeneral Electric X2600 : Benchmark Tests
The X2600 is one of the slower cameras that we've tested. It requires 2.2 seconds to start up and take a photo, its shutter lag is a lengthy 0.4-second, and it can only take a photo once every 1.2 seconds in continuous drive mode. The shutter lag increases if you're shooting in low light, or if you're trying to take a photo at the maximum zoom; in both cases we clocked it around 1.8 seconds. A similar budget superzoom, the Olympus SP-620UZSee it at Amazon UK is a bit faster; it starts in 1.9 seconds and is a bit slower with shot-to-shot times at 1.3 seconds, but its shutter lag is only 0.2-second and it can shoot bursts of low-resolution photos at 4.6 or 14.9fps if desired.

General Electric X2600 : Maximum Zoom

I used Imatest to check the sharpness of the X2600's lens. It's one of the refreshing aspects of the camera, as it manages to record 2,308 lines per picture height. This is better than the 1,800 lines that we require to call an image sharp. GE's other budget zoom, the X600, isn't quite as sharp at 1,842 lines, but it still delivers acceptable performance. You can click on the image above to see a larger version; it was shot at the maximum focal length. The X2600 defaulted to a 1/160-second shutter speed and ISO 80 on an overcast day.

But you'll have to contend with some image noise. The X2600 records images with 1.5 percent noise at its lowest ISO setting, 64. Noise jumps to 1.9 percent at ISO 100, and is at 2.6 percent by ISO 400. To make matters worse, image detail starts to degrade at ISO 200 (though it's still acceptable, even for printing), but everything starts to gets fuzzy at ISO 400 when viewed on our calibrated NEC MultiSync PA271W display.

If you're just looking to share photos on the web you can probably get away with shooting at ISO 800, but if you opt to buy the X2600, you'd be advised to avoid ISO 1600 if you can. With a long zoom camera like this, higher ISOs aren't just for low-light shooting. Even in daylight you may find yourself shooting at ISO 400 in order to get a fast shutter speed when zoomed in. If you can stretch your budget to a camera with a CMOS image sensor (the X2600 uses a CCD) you'll enjoy an advantage at higher ISOs. A pocket model like the Canon PowerShot SX280 HS still offers an impressive 20x lens and images with little noise through ISO 1600, but it costs twice as much.

Video is recorded at 720p30 quality in MP4 format. The footage looks sharp under our studio lights, and the camera can zoom in and out while recording—but the lens movement is quite audible on the soundtrack. The X2600 struggles a bit to reacquire focus after zooming, noticeably racking back and forth before locking in on its target. There is a micro HDMI port on side of the camera, integrated into the handgrip, as well as a micro USB port. The usual SD, SDHC, and SDXC memory cards are supported, and battery is provided by four AA cells.

The General Electric X2600 fulfills its promise of an impressive zoom lens at an attractive asking price. But it doesn't deliver the performance or versatility of its more expensive competition. If money is tight, we recommend a different GE camera, the X600; it also packs a 26x zoom, but packs a CMOS sensor that does a better job at higher ISOs and an EVF. If money isn't an object, the best superzoom you can buy is our Editors' Choice Panasonic Lumix DMC-FZ200. Its lens is a modest 24x design, but it maintains a maximum aperture of f/2.8 throughout its range and has all of the bells and whistles that you'd expect from a $600 camera.

Final Thoughts

The GE X2600 is a bargain-priced superzoom camera, but its image quality suffers as you increase the ISO and it lacks an EVF. - Digital Cameras

General Electric X2600

3.0 Average

The GE X2600 is a bargain-priced superzoom camera, but its image quality suffers as you increase the ISO and it lacks an EVF.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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