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Fujifilm X-S1

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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The Fujifilm X-S1 is as big and as expensive as an SLR, but packs an amazing 26x zoom lens and excels at low-light shooting. - Fujifilm X-S1 12MP 26X EXR CMOS Digital Camera
4.0 Excellent

The Bottom Line

The Fujifilm X-S1 is as big and as expensive as an SLR, but packs an amazing 26x zoom lens and excels at low-light shooting.

Pros & Cons

    • 26x manual zoom lens.
    • Excellent control layout.
    • Sharp EVF.
    • Hot shoe.
    • Raw shooting support.
    • Expensive.
    • Very large.
    • Slow to start up.
    • Slightly soft images.

Fujifilm X-S1 12MP 26X EXR CMOS Digital Camera Specs

35-mm Equivalent (Telephoto): 624 mm
35-mm Equivalent (Wide): 24 mm
Battery Type Supported: Lithium Ion
Boot time: 32 seconds
Dimensions: 4.2 x 5.3 x 5.9 inches
EVF Resolution: 1440000 dpi
GPS: No
Image Stabilization: Optical
Interface Ports: Mic
Interface Ports: mini HDMI
Interface Ports: mini USB
LCD Aspect Ratio: 4:3
LCD dots: 460000
LCD size: 3 inches
Lines Per Picture Height: 1685
Maximum ISO: 3200
Media Format: Secure Digital
Media Format: Secure Digital Extended Capacity
Media Format: Secure Digital High Capacity
Megapixels: 12 MP
Optical Zoom: 26 x
Recycle time: 0.2 seconds
Sensor Size: 8.8 x 6.6 (2/3") mm
Sensor Type: CMOS
Shutter Lag: 0.3 seconds
Touch Screen: No
Type: Superzoom
Video Resolution: 1080p
Video Resolution: 720p
Viewfinder Type: EVF
Waterproof Depth (Mfr. Rated): 0 feet

As part of the X series, the Fujifilm X-S1 ($799.95 direct) is placed among Fuji's top cameras. The 26x superzoom is as big and heavy as an SLR, but gives you a much longer zoom factor than you'll find in any interchangeable lens camera, and it's got a large rubberized manual zoom ring, a sharp EVF, and an excellent control layout. It delivers better image quality than the similarly designed Fujifilm HS30EXRSEE IT, especially at higher ISO settings. The 12-megapixel camera earns the same 4-star rating as our Editors' Choice Nikon Coolpix P510SEE IT, but despite its design and performance, the high asking price prevents it from earning that award.

Design and Features

At 4.2 by 5.3 by 5.9 inches (HWD) and 2.1 pounds, the XS-1 is as large and heavy as a compact D-SLR. Other superzoom cameras are smaller, including the Canon PowerShot SX40 HS—it's only 3.6  by 4.8 by 4.2 inches and has a more ambitious 35x zoom lens. If you're used to shooting with an SLR, you'll probably feel a bit more at home with the X-S1—it feels exactly like a smaller D-SLR in the hand, and its lens is operated manually; most superzoom cameras use power zoom lenses that are controlled electronically via a rocker.

With such a large body to work with, it's no surprise that the X-S1's control layout is top-notch. All of the physical controls that you are used to seeing on an SLR—ISO control, EV Compensation, White Balance, AE/AF Lock, Drive Mode, and Flash control—are assigned a button. There's also a Mode Dial, a top-mounted Control Wheel, and two programmable Function buttons. The lens is a 24-624mm f/2.8-5.6 (35mm equivalent) design. It includes a metal hood, intended to maximize contrast and minimize flaring.

The 3-inch, 460k-dot rear LCD is hinged so you can view it from above or below. It's acceptably sharp, although not on the same level as the 921k-dot LCD that's on the back of the Nikon Coolpix P510. Where the X-S1 outshines the competition is its eye-level EVF. The LCD viewfinder has a 1,440k-dot resolution—it's not quite on the same level as the EVF found on Olympus's top-end OM-D E-M5See it at Amazon UK Micro Four Thirds camera, but it's noticeably better than that of the Samsung NX20. Using the eye-level finder rather than the rear LCD makes it possible to hold the camera closer to your body for a steadier shot, which is key when zoomed all the way in.

Performance and Conclusions
Fujifilm X-S1 : Benchmark TestsThe X-S1 isn't a perfect camera, and one area in which it falls short is start-up time. It takes about 3 seconds to start up and shoot a photo, much slower than the 1.6-second mark notched by the Nikon P510. Its shutter lag is an acceptable 0.3-second, and it can fire off a photo every 0.2-second in continuous drive mode. Burst shooting is limited to 10 JPG shots or 6 Raw photos, with a 5.1-second recovery time required for the former and a 7.5-second recovery time required for the latter when using a fast memory card, like the 95MBps Sandisk SDXC card we used with the camera during testing.

We used Imatest to check the sharpness of the X-S1's lens. It scored 1,685 lines per picture height at its widest setting and aperture, which is a bit shy of the 1,800 lines required for a sharp image. This is in line with Fuji's similar HS30EXR, which ekes out 1,704 lines. Where the X-S1 beats the HS30EXR is in terms of image noise—it keeps it below 1.5 percent through ISO 1600, two stops better than the HS30EXR. Image detail is very good at ISO 1600, although for the best quality you'll want to keep the ISO setting at 800 or below.

Video is recorded at 1080p30 or 720p30 quality in QuickTime format. Faster frame rates, including 70fps at 480p, 120fps at 240p, and 200fps at 112p, are supported—but as you can see, the resolution drops off quickly as the frame rate goes higher. The quality of the footage is very good, with sharp details and bright colors. The autofocus system operates during recording, but doesn't pollute the soundtrack with unwanted noise. There is a microphone input on the camera, as well as analog video output, a mini HDMI port, a mini USB port, and a standard hot shoe. Standard SD, SDHC, and SDXC memory cards are supported.

From an ergonomic perspective, the Fujifilm X-S1 is one of the top superzooms that we've tested. Its control layout is superb, the larger body size actually helps to balance with the long zoom lens, and its EVF is excellent. Its start-up time is a little slow and the lens could be sharper, but support for Raw shooting makes it possible to eke every bit of quality out of images. At close to $800 the X-S1 is prohibitively priced for many buyers, which prevents it from ousting the Nikon Coolpix P510 as our Editors' Choice superzoom camera. If it's within your budget, the X-S1 is a rewarding choice for serious shooters who demand a manual zoom lens.

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Final Thoughts

The Fujifilm X-S1 is as big and as expensive as an SLR, but packs an amazing 26x zoom lens and excels at low-light shooting. - Fujifilm X-S1 12MP 26X EXR CMOS Digital Camera

Fujifilm X-S1

4.0 Excellent

The Fujifilm X-S1 is as big and as expensive as an SLR, but packs an amazing 26x zoom lens and excels at low-light shooting.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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