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Ultimate Ears Loud Enough

 & Tim Gideon Contributing Editor, Audio

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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 - Headphones
4.0 Excellent

The Bottom Line

Ultimate Ears' Loud Enough earphones are designed to protect kids' ears (or those of wise adults) by lowering the overall volume. Amazingly, the device accomplishes this without lowering the standard of audio performance.

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Pros & Cons

    • Limits volume significantly without sacrificing sound quality.
    • Affordable.
    • Lightweight.
    • Comes with several different silicone tips for custom fit.
    • Earpieces are not labeled Left or Right.

Ultimate Ears Loud Enough Specs

Active Noise Cancellation: Passive
Frequency Range: 20 Hz-20 kHz
Impedance: 255 ohms
Type: In-Canal

Thanks to constant exposure to potentially ear-splitting gadgets such as iPods and cell phones, today's kids face a huge threat to their hearing. Ultimate Ears, manufacturer of high-end earphones (including our Editors' Choice winner, the UE 11 Pro) is attempting to address this problem. The company's new Loud Enough earphones are targeted at children (and adults, let's face it) who tend to blast their audio devices at unsafe listening levels. Built-in circuitry limits these earphones' output, attenuating the signal by 20 dB or more. And at $40, they're a real steal. Better still, these 'phones not only guard your hearing, they sound great as well.

As I write this, I'm listening to Radiohead's latest album on my iPod at maximum volume. My ears should be positively bleeding by now, and, when I take my earphones out, I should have a horrendous ringing in my ears. Good thing I'm wearing the Loud Enoughs. They really do drop the audio signal significantly. Listening at reduced volume may not seem to be much fun, but the sound is surprisingly good. How this is possible? Ultimate Ears has taken advantage of two tricks that make any earphone audio mix seem louder: a good bass presence and passive noise reduction. The Loud Enough set has both. The earpieces block a lot of ambient sound, so the focus is on the music. Meanwhile, the bass is delivered with a pleasant, if not overwhelming resonance. The result is that it doesn't feel as if you're listening to music at reduced levels.

There's no denying that the Loud Enoughs are marketed to appeal to children, and the color variety is certainly kid-friendly (Blueberry, Plum, Mint—you get the idea). Even so, I see no reason adults couldn't wear them. The colors aren't garish, and everything else about the earphones is simple and nondescript. In addition, the cable (which is, thankfully, black, rather than a fruit-inspired color) is a manageable length for both adults and kids. Silicone ear tips come in three different sizes and provide a satisfactory fit, blocking out sound and staying firmly in place. One annoyance: There's no Right or Left labeling on the earpieces, so you could potentially be listening to your music with the speakers reversed. Not everyone will care, but this really bothers a sound geek like me.

Looking at our HEAD Acoustics frequency response test results, it's easy to see how much lower the output of the Loud Enoughs is when compared with Ultimate Ears' own $130 Super.fi 4. The Loud Enoughs' frequency response curve has a more uneven slope than that of the Super.fi 4 set—but that's the whole point. Low (bass) frequencies are less dangerous to ears. With that in mind, the earphones' curve is less peculiar than it may first appear. In effect, it means that output is reduced in the more dangerous, damaging high-frequency range (the domain of screaming vocals, snare drum hits, and screeching guitars). When tested against the Super.fis, with both sets using the same signal at the exact same input level, the Loud Enoughs showed some frequencies producing output 25 dB lower. Yet when you actually listen, everything sounds clear and full with a good bass presence.

The Loud Enoughs aren't high-end, $200 earphones, so having reasonable performance expectations is essential. But I found that the lower volume didn't mean sacrificing too much low-end presence or crispness in the highs. At the highest volume level, the sound felt balanced, full, distortion-free, and not at all unsafe.

On the other hand, the deep, resonant thuds of electronic music from The Knife didn't blow me out of the water as they would on a higher-end pair of Ultimate Ears. If dominant bass is the main thing you want from $40 earphones, you'd be better off with Radius's Atomic Bass earphones; they're the portable equivalent of turning your subwoofer up to max. They're also more about deep sounds than about safety (though, as noted, it's not the low end you generally have to worry about when it comes to protecting your hearing). But even the $40 Loud Enough set delivers much-higher-quality, distortion-free low end (and overall performance) than the $30 stock iPod earbuds—that's good value for the money.

It's hard to identify a true complaint about Ultimate Ears' Loud Enough earphones. They're affordable and sound great. For those looking to protect their hearing, I highly recommend the Loud Enough earphones.

More Headphone Reviews:

Final Thoughts

 - Headphones

Ultimate Ears Loud Enough

4.0 Excellent

Ultimate Ears' Loud Enough earphones are designed to protect kids' ears (or those of wise adults) by lowering the overall volume. Amazingly, the device accomplishes this without lowering the standard of audio performance.

Get It Now

Buy It Now

About Our Expert

Tim Gideon

Tim Gideon

Contributing Editor, Audio

My Experience

I've been a contributing editor for PCMag since 2011. Before that, I was PCMag's lead audio analyst from 2006 to 2011. Even though I'm a freelancer now, PCMag has been my home for well over a decade, and audio gear reviews are still my primary focus. Prior to my career in reviewing tech, I worked as an audio engineer—my love of recording audio eventually led me to writing about audio gear.

My Areas of Expertise

  • Headphones and earphones
  • Wireless and computer speakers
  • USB mics
  • Bluetooth headsets

The Technology I Use

Probably because of their prevalence in the recording studios I worked in a long time ago, I am most comfortable on Macs—I'm writing this on the 2019 iMac I use for testing. I also have a MacBook Pro that gets plenty of similar use.

My workspace has a mini recording studio setup, and the the gear I work with there is a mix of items I've used forever (Paradigm Mini Monitors and a McIntosh stereo receiver) and newer gear I use for recording and review testing (such as the Universal Audio Apollo x16).

I'm obsessed with modern boutique analog synths—some of my favorites instruments in this realm are the Landscape Audio Stereo Field and HC-TT,  the Soma Enner, the Koma Field Kit, and the Lorre Mill Keyed Mosstone.

From my studio days, I'm comfortable using Pro Tools, and in recent years have branched out to other realms of creative software, like Adobe Premiere and After Effects.

I stream music, but I also still buy albums, digitally or on vinyl, and encourage anyone who wants fair compensation for musicians and engineers to do the same.

I also play lots of Wordle.

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