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What a Photographer Takes to Photokina

 & Jim Fisher Principal Writer, Cameras

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Covering a trade show for a publication like PCMag requires long hours, a lot of walking, and the ability to capture compelling images and video and put them on the Web with some immediacy. I'm currently packing for a trip to Cologne, Germany to cover the huge biennial Photokina show, and since it's a camera show I thought it'd be fun to write about the gear that I'm taking to cover it.

Cameras

Most writers who cover the photo beat carry an SLR or a mirrorless camera to events. I've found that my Sony RX10—a bridge style compact with a 1-inch sensor and 24-200mm f/2.8 lens—is just about perfect for getting product shots with a shallow depth of field behind them, but I'm not taking it to Photokina.

The Panasonic FZ1000 just arrived into the labs for testing, and it looks like it was designed to go toe to toe with the RX10. The FZ1000 has a longer 25-400mm f/2.8-4 zoom lens, and it can record video in 4K. I won't be shooting in 4K resolution footage to movies for Vine, but I do plan on using it to capture some short videos around historic Cologne.

What I

I'm also packing my favorite digital camera, the Leica M (Typ 240). I've been shooting with rangefinders for years—I took an M8 with me to the last Photokina—and I'll be using the M to capture candid images on the show floor. I'm taking the Voigtlander 15mm f/4.5 and Leica Summilux-M 50mm f/1.4 ASPH. lenses with me, and a 10mm extension tube and EVF for close-up shots.

What I

I'm carrying a pair of cameras from Ricoh. The Theta is a unique 360° panoramic camera that I'll use to capture some views of the show that should give those not attending a good idea of what it's like. And the small Ricoh GR, which has a fixed prime lens with a wide-angle (28mm full-frame equivalent) field of view, APS-C image sensor, and good close-up capability for product shots.

What I

The GR and the M don't have Wi-Fi built-in, and I need to be able to tweet images from the show floor without having to break out the laptop. I'm going to use Eyefi Mobi memory cards to bridge that gap. The Mobi automatically transfers JPG images to a connected smartphone via Wi-Fi. I shoot Raw+JPG with both the M and the GR, so I'll have originals to edit later, but the JPG images are generally fine for on-the-go posts.

And I'm also squeezing a Manfrotto tabletop tripod in the mix. Even with a solid ball head it's small enough to slip into the front pocket of my bag, and it's always good to have a tripod handy, no matter the circumstance.

Tech

When I'm moving about the show floor, I'll be doing a lot of my reporting via my smartphone, an iPhone 5. It's not the latest and greatest from Apple—I've heard some rumors that there's an iPhone 6  now—but it gets the job done. I use VSCOcam to edit and tone images, and I'll be posting to the @PCMagLIVE Twitter feed.

What I

I'm also carrying a brand-new MacBook Pro 13-inch Retina notebook. I just upgraded from an older 15-inch MacBook Pro, and I'm very happy to see that this one will get much better battery life and is a full 2 pounds lighter.

There's Wi-Fi available in the press rooms at Photokina, but to stay a bit more mobile I'm carrying an international Wi-Fi hotspot, as well as a couple of USB power packs to charge devices when I'm not near an outlet.

The Bag

Amazingly, all of this fits in one bag. The Retrospective 40 from Think Tank is bigger inside than it looks on the outside—it holds a Nikon D800 and D810 with room to spare—and I love the look of the bag in blue slate. It's got an adjustable shoulder strap with some padding, and enough extra space for chargers, business cards, lens wipes, and the like.

What I

Check out our Photokina landing page for images and stories from the show, and follow us on Instagram, Vine, and Twitter for images, updates, and news live from the show floor in Cologne.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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