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Canon PowerShot G1 X

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Canon PowerShot G1 X - Canon PowerShot G1 X
3.0 Average

The Bottom Line

The Canon G1 X is a compact camera with a big sensor and a fixed zoom lens. At $800, it's a tough sell, as you can get an equally-capable compact camera, D-SLR, or mirrorless interchangeable lens camera for less money.

Pros & Cons

    • Large image sensor.
    • Sharp lens.
    • Good high ISO performance.
    • Expensive.
    • Limited macro capability.
    • Small optical viewfinder.
    • Slow lens.
    • 1080p video is limited to 24 frames per second.

Canon PowerShot G1 X Specs

35-mm Equivalent (Telephoto): 112 mm
35-mm Equivalent (Wide): 28 mm
Battery Type Supported: Lithium Ion
Boot time: 2.5 seconds
Dimensions: 3.2 x 4.6 x 2.6 inches
GPS: No
Image Stabilization: Optical
Interface Ports: mini HDMI
Interface Ports: mini USB
LCD Aspect Ratio: 4:3
LCD dots: 922000
LCD size: 3 inches
Lines Per Picture Height: 2033
Maximum ISO: 16000
Media Format: Secure Digital
Media Format: Secure Digital Extended Capacity
Media Format: Secure Digital High Capacity
Megapixels: 14 MP
Optical Zoom: 4 x
Recycle time: 0.6 seconds
Sensor Size: 18.7 x 14 (1.5") mm
Sensor Type: CMOS
Shutter Lag: 0.4 seconds
Touch Screen: No
Type: Compact
Video Resolution: 1080p
Video Resolution: 720p
Viewfinder Type: Optical
Waterproof Depth (Mfr. Rated): 0 feet
Weight: 1.2 lb

The PowerShot G1 X ($799.99 list) is not the camera we thought Canon would unveil last month. What was expected was a small mirrorless camera with a large sensor and interchangeable lenses to compete with models like the Olympus E-PL3 ($699.99, 3.5 stars), Sony Alpha NEX-5N ($699.95, 4.5 stars), and Nikon J1 ($649.95, 3.5 stars), just to name a few. Defying expectations, Canon released a zooming point-and-shoot camera that is, at its most basic, a PowerShot G12 ($499.99, 2.5 stars) with a 14-megapixel image sensor that is sized just in between a Micro Four Thirds camera and an APS-C D-SLR. Other cameramakers have made large sensor digital compacts with noninterchangeable lenses, noted examples being the Leica X1 ($1,995, 3 stars), the Fuji X100 ($1,199), and the Sigma DPx1 ($800)—but none of those cameras has a zoom lens. Another Canon camera, the PowerShot S100 ($429.99, 4.5 stars) is our Editors' Choice for high-end compacts, although it is a very different beast.

Design and Features

The G1 X's big advantage over a comparable interchangeable lens camera is the size of its lens. I could slide the camera into the cargo pocket of my pants or an inside jacket pocket with ease, whereas I wouldn't be able to do the same with our Editors' Choice Sony Alpha NEX-C3  ($649.95, 4.5 stars) with its 18-55mm (27-82.5mm equivalent) lens mounted. This is because the G1 X's power zoom lens retracts when not in use, an advantage that the manual zoom lenses that are commonplace in the interchangeable lens market do not share. Some Micro Four Thirds lenses have attempted to resolve this with collapsible designs. The kit lens that Olympus includes with its PEN series of cameras is a 14-42mm (28-84mm equivalent) features a collapsing mechanism, but it still protrudes further from the camera than the G1 X's 4x (28-112mm equivalent) zoom lens when collapsed. Panasonic has developed the Lumix G X Vario PZ 14-42mm f/3.5-5.6 ($399.99) power zoom  Micro Four Thirds lens that, when paired with a compact camera like its Lumix GF3 ($499.99 body only, 3.5 stars) can deliver similar size with interchangeable lenses, but that combination serves as the exception rather than the rule.

Looking at the numbers, the G1 X measures 3.2 by 4.6 by 2.6 inches (HWD) and weighs 19 ounces. The PowerShot G12 is a bit smaller all around, coming in at 3 by 4.4 by 1.9 inches in size and 12.4 ounces in weight. The G12 also features a slightly longer—and faster—lens, a 5x (28-140mm f/2.8-4.5) zoom. The G1 X's lens has to cover a much large image sensor, so its less ambitious 4x (28-112mm f/2.8-5.8) design is understandable—but the lens slows to f/5 by the mid-point of its zoom. This limits your ability to use it at any focal length but its widest in lower light sans flash, an area where fast-lens compacts like the Olympus XZ-1 ($499.99, 3.5 stars) excel.

The camera's rear LCD features an articulating design. The hinge makes it possible to use it from above and below or, for the adventurous, from the left side of the camera. It is 3 inches in size and is packed with 922k dots, barely edging out the 921k dot resolution of the display found on the Nikon Coolpix P7100 ($499.95, 4 stars). Like the P7100 and Canon G12, the G1 X features a zooming optical viewfinder. To my eye, it's just as good as the finders found on those cameras—it's a bit too small and a bit too dim for everyday use. The finder in the Fujifilm X10 ($599.95, 4 stars), another zooming compact with a larger-than-average image sensor, is much larger and brighter. The X10 feels like a camera that was designed for eye-level shooting, whereas the G1 X is one that is best used with the rear LCD.

The camera's control layout is one of its strong points—it offers enough buttons and dials to keep even the most enthusiastic enthusiast happy. An Exposure Compensation dial, with settings ranging from -3 to +3 in third-stop increments, surrounds the Mode dial on the top of the camera. The rear features dedicated buttons to record movies, adjust ISO, control flash settings, and toggle between focus modes. There is also a Shortcut button that can be reprogrammed to your liking via the camera's menu system. If you'd like to adjust a shooting setting that doesn't have a physical control, you can hit the Function button that is located at the center of the camera's rear 4-Way Command Dial. It brings up an overlay menu that gives you access to many functions, including the Drive mode, Self Timer, and White Balance. The camera does feature a hot shoe that is compatible with all Canon Speedlite flashes.

One area in which the G1 X falls a bit short is macro photography. Small sensor compacts can generally focus on objects that are only a few inches away, a feat that D-SLRs cannot match without a specialized macro lens. The G1 X does have a macro mode, but it only allows the camera to focus as close as 17.9 inches. The Fujifilm X10's 2/3-inch image sensor is a little less than half the size of the G1 X's 1.5-inch sensor measured when measured diagonally, which is one of the reasons that its lens can focus as close as 4 inches in standard macro mode or 0.4 inch in its Super Macro mode.

Another design choice that must be noted when talking about the G1 X is its autofocus assist beam. Many cameras shoot out a beam of light to increase focus speed and accuracy. These lights are generally red in color, and I've never used one that bothered people as much as the bright white beam that the G1 X emits. I had several people complain about it hurting their eyes when taking some snapshots with the G1 X—even more so than a camera flash. This wouldn't be so bad if the G1 X's autofocus was spot on, but in several instances I had it miss focus a bit, even with my subject clearly inside the outline of the focus area that the camera displays. I feel that part of this is my user error—the focus system is a bit slower than what I'm used to—it tends to hunt back and forth for a second before locking on. I probably fired the shutter as the camera was still trying to confirm final focus, but a camera in this price class should provide fast, accurate focus.

Final Thoughts

Canon PowerShot G1 X - Canon PowerShot G1 X

Canon PowerShot G1 X

3.0 Average

The Canon G1 X is a compact camera with a big sensor and a fixed zoom lens. At $800, it's a tough sell, as you can get an equally-capable compact camera, D-SLR, or mirrorless interchangeable lens camera for less money.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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