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Prometheus

 & Eric Griffith Senior Editor, Features
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For some, The Lord of the Rings was Star Wars for a new generation: a three-film epic complete with sweeping cinescapes, a magnificent story, memorable characters, and a score for the ages. So there were high hopes for the prequel, The Hobbit, a standalone J.R.R. Tolkien novel which director Peter Jackson and his cohorts also turned into a trilogy. The second film, The Desolation of Smaug, opens today.

Reviews for the first film, The Hobbit: An Unexpected Journey, were not all kind. With just a few hundred pages of source material to pull from, the movie was considered by some to be bloated and overwrought, with scenes and material that should have been cut. However, we have no doubt that people will welcome any padding this time around, because the greedy dragon Smaug is played by Benedict Cumberbatch doing full motion-capture, and that's just cool.

Creative issues aside, however, it was the new 48-frames-per-second format that turned off some critics. Traditionally, films have been shot and projected in 24 frames per second. With The Hobbit films, Jackson moved to 48 frames per second, which apparently looks more like the digital video shot for ESPN and daytime television than what we're used to seeing in a feature film. A byproduct of the digital age, indeed. (If you're not afraid to check out The Hobbit: The Desolation of Smaug in 48fps 3D, check out the list of theaters capable of projecting it.)

Besides the aesthetics, the new format caused some viewers to experience vertigo and disorientation—a phenomenon called "movie hurl"—which, to be fair, some directors would love to inspire. Horror filmmakers in particular have been moving from the terror of what the audience doesn't see to literally terrorizing viewers with the most graphic and nauseating imagery imaginable.

The fact is, plenty of movies have caused actual physical distress beyond squeamishness. Some have been simply due to photosensitive epilepsy, which can trigger seizures from bright, strobing, or cyclic light in those afflicted. Other movies, however, have provoked such profound reactions that they have been blamed for the deaths of viewers. What are these horrible films? Click on to find out.

Editor's Note: This story was first published on Dec. 14, 2012

Prometheus

In the future, surgery won't require a surgeon, just a fancy bed that will cut you open itself. Maybe that'll be great, but in Ridley Scott's pseudo-prequel to Alien, Noomi Rapace has to use the surgery med-pod for an emergency c-section to remove an extraterrestrial parasite. More than one person has personally blogged about passing out during the scene.

The Passion of the Christ

And you thought Avatar was bad. The horrific scenes of torture depicted in Mel Gibson’s biblical epic freaked out viewers enough that at least two people reportedly died from heart attacks at screenings: a Brazilian pastor and a woman from Kansas.

The Exorcist

No less an august body than the New York Times reported that 40 years ago this month, upon the opening of William Friedkin's The Exorcist, people not only lined up for several blocks but also vomited (or fainted, or just left the theater) en masse at some of the goings-on when little Regan became possessed by the devil.

Avatar

How many films can claim that a viewer actually, if allegedly, died as a result of seeing it? Avatar can. A Taiwanese man, identified only by his surname Kuo, started to feel unwell during a screening in the northern city of Hsinchu, China, and was taken to a hospital. Mr Kuo, who suffered from hypertension, was unconscious when he arrived and later died. Doctors claimed that Kuo’s brain began hemorrhaging as a result of the excitement caused from watching the film.

Pokemon

OK, so it’s not a movie. But in 1997, the flashes of light that accompanied the Pokemon TV episode "Electric Soldier Porygon" sent hundreds of Japanese kids to the hospital for epileptic seizures. The episode was never shown again.

Breaking Dawn (Part One)

The birth scene in the sparkly vampire flick reportedly caused at least nine people to begin convulsing, according to CBS. No, the convulsions weren’t caused by the acting, but by the intense flashes of red and white light projected on screen.

The Great Train Robbery (1903)

One of the most famous early American films, this 12-minute long short used a variety of novel film techniques that inspired filmmakers. The most famous shot, however, was the final one, when the outlaw leader "shoots" directly at the camera. The first projected motion picture ever shown in the U.S. took place in 1896, just seven years earlier; to many, the outlaw was shooting directly at them. Panic ensued, with bouts of fainting and other afflictions reported.

Psycho

You'd think in the 1960s, when the world was a touch more innocent, Alfred Hitchcock's classic tale of a boy and his mom would have made people sick left and right. And it did in a way: it caused a huge rash of ablutophobia, the fear of bathing, or more specifically, showering. In fact, Janet Leigh, star of that very famous shower scene, feared exactly that right up to her death. (No word on if Anne Heche prefers tubbies.

The Hobbit: An Unexpected Journey

Some early reviewers of the first LOTR prequel complained that the 48 frames per second made viewers physically ill. The complaints pretty much died down after the film finally was released, though. It's just as likely that the 3D—and 3D ticket prices—were to blame for some nausea.

127 Hours

It's no secret that the premise of this film, directed by Danny "Slumdog Millionaire" Boyle and starring James "every other movie" Franco, is the true story about a man who was trapped after a fall and survived by cutting his arm off with a pair of pliers. Paramedics were called to the actual film premieres in the United Kingdom and the United States, and there's a timeline online of all the faintings and worse at showings of the flick.

About Our Experts

Eric Griffith

Eric Griffith

Senior Editor, Features

My Experience

I've been writing about computers, the internet, and technology professionally since 1992, more than half of that time with PCMag. I arrived at the end of the print era of PC Magazine as a senior writer. I served for a time as managing editor of business coverage before settling back into the features team for the last decade and a half. I write features on all tech topics, plus I handle several special projects, including the Readers' Choice and Business Choice surveys and yearly coverage of the Best ISPs and Best Gaming ISPs, Best Products of the Year, and Best Brands (plus the Best Brands for Tech Support, Longevity, and Reliability).

I started in tech publishing right out of college, writing and editing stories about hardware and development tools. I migrated to software and hardware coverage for families, and I spent several years exclusively writing about the then-burgeoning technology called Wi-Fi. I was on the founding staff of several magazines, including Windows Sources, FamilyPC, and Access Internet Magazine. All of which are now defunct, and it's not my fault. I have freelanced for publications as diverse as Sony Style, Playboy.com, and Flux. I got my degree at Ithaca College in, of all things, television/radio. But I minored in writing so I'd have a future.

In my long-lost free time, I wrote some novels, a couple of which are not just on my hard drive: BETA TEST ("an unusually lighthearted apocalyptic tale," according to Publishers' Weekly) and a YA book called KALI: THE GHOSTING OF SEPULCHER BAY. Go get them on Kindle.

I work from my home in Ithaca, NY, and did it long before pandemics made it cool.

The Technology I Use

My first computer was a Laser 128, an Apple II-compatible clone with an integrated keyboard, matched with an eye-straining monochrome green monitor. I used it to type papers in college for other people for money...until I discovered the Mac SE in the college computer room. That changed my life. My first cellphone was a Samsung Uproar—the silver one with the built-in MP3 player from the Napster days (the pre-iPod era).

I use an iPhone 15 Pro hourly and an iPad Air infrequently (but I'm always in the market for a cheap Android tablet). I have a PlayStation 5 just to play Spider-Man, and several Windows machines, including a work-issued Lenovo ThinkPad. I talk to Alexa and Siri all day long. I do the majority of my computing on a 15-inch LG Gram laptop attached to a Thunderbolt hub to run a multi-monitor setup—I overdid it on the power needed to simply work from home.

I'm most at home in Microsoft Word after decades of writing there. More and more, I turn to services like Google Docs, using tools like Grammarly. I use Google's Chrome browser due to an addiction to several extensions I think I can't live without, but probably could. I use Excel extensively on data-intensive stories, but for chart creation, we've switched over entirely to using Infogram for interactive features that are hard to find elsewhere. I do a lot of graphics work for my stories, but limit myself to the free and amazing Paint.NET software to edit images.

I'm a firm evangelist for using the cloud for backup and syncing of files; I'm primarily using Dropbox, which has never failed me, but I also have redundant setups on Microsoft OneDrive, plus extra picture backups on Amazon Photos and iCloud. Why take chances? For entertainment, mine is a streaming-only household—my kid has never seen network TV and barely been exposed to commercials, thanks to Roku and Amazon Music. The house is peppered with smart speakers from Amazon for instant gratification and control of smart home devices like multiple Wyze cameras and Nest Protect smoke detectors. I've got accounts on all the major social networks, to my horror. I have a robot vacuum for each floor of the house. I want a 3D printer, but not sure what I'd use it for.

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