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Fujifilm's Top-End X-T1 Mirrorless Camera Is Fully Loaded

 & Jim Fisher Principal Writer, Cameras

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Fujifilm has introduced a new X-series mirrorless camera, the X-T1, which occupies the top spot in the company's mirrorless lineup. It features an SLR-like design with a centered EVF, robust weather sealing, and a 16-megapixel APS-C image sensor that utilizes the company's unique X-Trans color filter array. Wi-Fi is built in, and the rear LCD is hinged—a feature that's not always available in weather-sealed cameras.

The X-Trans sensor uses a 6-by-6 color filter array. That's more complex than the typical 4-by-4 Bayer pattern, which is found on almost every other digital camera. Fuji promises that this more complex array improves image quality at higher sensitivities and gives images a more natural, filmlike look. When we reviewed the X-E1, which also features an X-Trans sensor, we felt that images had a unique look, but it was one that was difficult to quantify. The sensor has built-in phase detect autofocus. Thanks to the EXR Processor II, Fuij promises that it can lock focus in 0.08-second, start up in 0.5-second, and shoot at up to 8fps with tracking enabled. The latest SDXC USH-II memory card format is supported.

The body is packed with physical controls. There are three dials on top : ISO, shutter speed, and exposure compensation. Most lenses include a physical aperture control ring, which makes it possible to shoot in shutter priority, aperture priority, manual with auto ISO, or full manual mode simply by adjusting the appropriate dials. There are also dial-based controls to adjust the drive mode and metering pattern. The magnesium body is sealed at 75 points against dust and moisture, and the camera is rated for use in temperatures as low as -14°F.

Fujifilm X-T1

The 3-inch rear LCD is hinged, packs a 1.04 million-dot resolution, and is protected by tempered glass. The EVF is the largest that Fujifilm has put in a mirrorless camera; it's an OLED design with a 2.4-million-dot resolution, a big 0.77x magnification, and a 5ms referesh rate. Wi-Fi is built-in; Fuji's implementation supports transfer of files to a smartphone or tablet, and remote control of the camera via iOS and Android devices.

There are currently no weather-sealed lenses in the Fujfiilm lineup, but the company plans to release three in 2014. These include the XF18-135mm F3.5-5.6R OIS WR, the XF16-55mm F2.8 R OIS WR, and the XF 50-140mm F2.8 R OIS WR. Price and availability for these have not yet been set. There's also the VG-XT1  vertical shooting grip in the works, which is also sealed against the elements.

The X-T1 is priced at $1,299.95 as a body only, but can also be had in a kit with the XF 18-55mm F2.8-4 for $1,699.95. Both the body and kit are scheduled for a February release.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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