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Olympus Shows Off O-MD E-M1 Mark II at Photokina

In addition to a new flagship camera, Olympus announces an entry-level PEN E-PL8, lenses, and a flash.

 & Jim Fisher Principal Writer, Cameras

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COLOGNE—Olympus is appealing to the consumer and enthusiast market with its Photokina announcements. Its top-end model, the OM-D E-M1 is one of the best mirrorless cameras we've ever reviewed, and it's getting an update later this year in the form of the E-M1 Mark II.

The camera offers the fastest shooting rate of any mirrorless camera that we've seen, even surpassing the 15fps rate delivered by the short-lived Samsung NX1. The E-M1 Mark II can shoot at 18fps with continuous focus enabled, and up to 60fps with locked focus. Those numbers are for full-resolution, Raw, or JPG image capture.

Its autofocus system is newly designed and covers more of the sensor than the original E-M1. The Mark II uses 121 focus points, all of which are cross-type, and all of which support phase and contrast detection. To better track action, its coverage area is expanded to the central 75 percent of the frame from top to bottom and 80 percent from left to right.

It also has a neat feature that can help you capture a shot that you may otherwise miss. You can enable a buffering mode that captures 14 photos, again in full resolution, Raw, or JPG format. As a camera with an elecronic viewfinder, you'll need to rely on its refresh rate to track moving action. The Mark II features an EVF that refreshes at 120fps with a mere 6ms lag time.

The body is built tough, with full dust, splash, and freeze proofing. Its battery is improved, delivering more capacity and faster charging. The body also has a newly designed grip that pairs better with long glass like Olympus's 300mm f4 PRO lens. There are dual memory card slots, another feature that's oft-requested by photographers.

The image sensor resolution has been improved to 20MP, and like its predecessor is stabilized along 5 axes. It's the first Olympus camera to support 4K video capture, both in the 16:9 UHD format and the wider 2:1 Cinema 4K variety. Video bit rates are available at up to 237Mbps. Dynamic range has been improved by 1 stop, which will be evident in stills and video. And, if you need more resolution for a still image, you can use the High Res Shot mode to capture a 50MP photo, but be aware that only works in conjunction with a static subject.

Pricing and availability are not yet set.

Pros who use Olympus to pay bills will also have a new safety net available, in the form of the Pro Advantage program. For $99.99 a year, working photographers gain access to top-tier support, expedited repairs, two cleanings per year, and a loaner camera if your equipment requires more than three days to fix. It's open to photographers who own two or more upper echelon bodies (the E-M5, E-M1, PEN F, and successors are eligible), and three M.Zuiko PRO or Premium lenses.

Enthusiasts who have bought into the Micro Four Thirds mirrorelss system will want to pay attention to new lenses and flash that Olympus is showing off at Photokina. First there's a premium long zoom, the M.Zuiko Digital ED 12-100mm f4.0 IS PRO, a stabilized zoom with an 8.3x range (24-200mm full-frame equivalent). Its design is sealed against splashes and dust, making it an ideal companion to a premium body like the E-M1 Mark II, and when paired with a body with 5-axis stabilization it is rated for 6.5 stops of compensation.

M.Zuiko Digital ED 12-100mm f4.0 IS PRO

It's designed as a walkaround lens for those times when you want to pack light, but promises not to make the optical compromises that plague many long zoom designs. At its wide angle setting it can focus on subjects that almost touch the front lens element, magnifying them at 1:1.7 life-size, and it still manages a 1:2.4 magnification ratio at its closest telephoto focus distance. To aid in macro shooting the lens barrel acts as a clutch to quickly switch between manual and autofocus. The lens is priced at $1,299.99 and will ship in November. Canadian pricing is higher at $1,599.99.

M.Zuiko Digital ED 25mm f1.2 PROIt's joined by a wide aperture standard-angle prime, ideal for low-light and shallow depth of field photography. The M.Zuiko Digital ED 25mm f1.2 PRO is the first f/1.2 lens from Olympus. It's large for a prime, just a bit smaller than the 12-100mm zoom, and promises to capture images that are sharp from edge to edge, even when shot at f/1.2. It's also protected from dust and moisture, and offers a 19.5cm working distance from the front element for 1:4.5 magnification. The prime is priced at $1,199.99 and ships in October. Canadians will have to pay $1,499.99.

Rounding out the lens announcements is a new macro, aimed at serious photographers and amateur enthusiasts alike. The M.Zuiko Digital ED 30mm F3.5 Macro supports greater-than-lifesize magnification at its closest focus point, 1.25:1, but can still focus to infinity. It's a fairly compact optic, with a front element that's small enough to accommodate 46mm front filters, and is just a bit longer than a standard-angle lens, making it a fine choice for everyday photography. It ships in October and is priced at $299.99 in the US and $399.99 in Canada.

Olympus PEN E-PL8

Entry-level shooters in want of a solid, affordable mirrorless camera have looked to the EPL series, including the current E-PL7 model, for its balance of size, style, and imaging power.

The E-PL8 doesn't make a lot of changes internally—the same stabilized 16MP image sensor is used, video still tops out at 1080p, Wi-Fi is built-in, and the burst rate stays steady at a very speedy (for its class) 8.5fps. There have been some software improvements, including improved flash balance when taking selfies in dim conditions (there's still no built-in flash, but Olympus includes a small external flash in the box), and an automated selfie self-timer. But for the most part, the camera is the same in terms of imaging power.

Olympus FL-900RIts cosmetic design is refined. The LCD still flips below the body in order to face forward, but the body is now finished in your choice of black, white, or brown leatherette. The handgrip has been redesigned, it's now a small oval, and the edges of the anodized aluminum chassis are more rounded.

The PEN E-PL8 will go on sale next month. It's priced as $549.99 ($649.99 in Canada) as a body only and at $649.99 ($749.99 in Canada) when bought with the 14-42mm II R zoom lens.

Finally there's a new flash for the Olympus system. The FL-900R (above) is the most powerful strobe you can get for an Olympus camera and is sealed against dust and moisture. It has a large LCD so you can adjust settings, an LED light for video recording, and it can act as a commander for off-camera strobes. An IR filter is included to negate its light output if you want to use it solely as a commander without adding light to a scene. The flash will ship in October and sell for $579.99 in the US and $729.99 in Canada.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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