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Hasselblad Enters Mirrorless Arena With X1D Camera

The Hasselblad X1D is the world's first mirrorless medium-format digital camera.

 & Jim Fisher Principal Writer, Cameras

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This year marks Hasselblad's 75th as a camera maker, and the company is celebrating by expanding its product lineup. The 50- and 100-megapixel versions of its flagship H6D were the first to drop in April. Now, just a couple months later, it's bringing an entire new system to market.

The X1D uses the same Sony-made 50MP sensor found in the H6D-50c and some other medium-format cameras, including the Pentax 645Z and Phase One IQ250. It's not a full-frame 645 design, but at 33 by 44mm it has about 1.7 times the surface area of a full-frame (24 by 36mm) image sensor.

It doesn't enjoy a size advantage over full-frame mirrorless models—at 3.9 by 5.9 by 2.8 inches (HWD) the X1D is larger than a Sony Alpha 7R II and roughly the same size as a Leica SL, but at 1.6 pounds the body is noticeably lighter than competing SLRs like the Nikon D810 (2 pounds) and Pentax 645Z (3.4 pounds).

It doesn't sacrifice build quality to get enter its weight class either. The body is handmade in Sweden, and can be used in inclement weather without concern thanks to a sealed design that protects from dust and weather. The design is slim, but there is a handgrip as well as front- and rear-control dials, a top-mounted mode dial and buttons that deliver quick access to ISO, white balance, focus, and exposure settings. An electronic viewfinder is built-in, but unlike the H6D there isn't an in-body flash. Instead you'll need to use a external strobe or a wireless trigger for studio lights.

Hasselblad X1D

An LCD dominates the rear. It's 3 inches in size with a 920k-dot resolution, 24-bit output, and support for touch input. If you've used a modern digital back, its squarish shape and interface will feel familiar. From there you can access the in-camera 802.11ac Wi-Fi, set the ISO (from 100-25600) and change other settings. There is also a built-in GPS, but Hasselblad states that a firmware update will be required to enable it after the camera launches.

The built-in EVF allows you to shoot at eye level, just as you would with an SLR. It's sharp at 2.4 million dots. One of the advantages of the EVF design is the ability to easily preview images in different aspect ratios. Even though its sensor is a 4:3 design, you can set the X1D to shoot in a square format like an old V-series Hasselblad or to crop down to a wide panoramic format. You'll lose image resolution in doing so, of course, but with 50MP to start you've got some room to do so.

Hasselblad X1D

The X1D isn't a speed demon, capturing images at a 1.7 to 2.3fps rate at its best. It does feature dual SD card slots, which will prevent images being lost in the event of a single memory card failure. It doesn't have a flash sync socket, but it does include USB 3.0 for image transfer and tethered shooting, mini HDMI, and standard audio input and output connectors. Hasseblad isn't the first name you think of when it comes to video, but 1080p capture, with autofocus, is supported.

Two lenses are launching along with the camera. Both the XCD 3,5/45mm ($2,295) and XCD 4,5/90mm ($2,695) enjoy designs more compact that typical medium-format glass. They incorporate internal shutters for flash sync at up to 1/2,000-second, and can also be used for long exposures up to 60 minutes in length. More lenses are coming, as is an adapter, so that you can use your current Hasselblad H medium format lenses with the X1D.

The X1D-50c body is priced at $8,995. That's more expensive than full-frame cameras, but in line with the least expensive medium format models. Hasselblad has not offered up a shipping date as of yet.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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