PCMag editors select and review products independently. If you buy through affiliate links, we may earn commissions, which help support our testing.

Impossible I-1 Instant Camera Now on Sale

PCMag talked with Impossible Project CEO Oskar Smolokowski about the company's first camera.

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

Our Expert
LOOK INSIDE PC LABS HOW WE TEST
65 EXPERTS
43 YEARS
41,500+ REVIEWS

Impossible Project has been doing the seemingly impossible—keeping old Polaroid cameras supplied with new instant film—since 2010. But in order to use the company's reformulated instant film you had to find a working Polaroid 600 or SX70 series camera. Quality varies greatly among vintage models—you can score a cheap 600 for $50 or so on eBay, but getting a clean pro-grade SX70 can put more of a dent in your wallet, to the tune of a few hundred dollars.

So it's only logical that Impossible would develop its own hardware to go along with its various film offerings. The I-1, announced in April and going on sale today, isn't the only new instant camera on the market— Fujifilm and Lomography offer models that use Fuji's Instax format—but it's the first to support the classic Polaroid format in years.

The I-1 also does things that the Fujifilm Instax Wide 300 and Lomography Lomo'Instant Wide cannot. It has built-in Bluetooth, which works in conjunction with a smartphone app to dial in manual shutter and aperture control. Of course, it will work in automatic mode without the app.

That's a big plus for demanding photographers, as older Polaroid models can be quite inconsistent when it comes to exposure. It also gives you the tools to capture double exposure images in camera, and keep the shutter open for long exposure photography including light painting. The app also includes a noise trigger, which can be used to capture a balloon popping or simply fire a shot as you clap your hands. According to Impossible CEO Oskar Smolokowski, the platform will eventually be opened up to developers.

Smolokowski was also quick to point out some of the other unique features of the camera. A LED flash, made up of eight lights, surrounds the lens. A ringlight like this is a great tool for portraiture, and using LED lighting allows for precise control of light output based on the distance between subject and lens. The lights will also show how many shots are left in a film pack (Impossible packs include eight shots) and the I-1's battery life.

Impossible I-1

Unlike older Polaroid cameras, which rely on a battery inside the disposable film pack for power, the I-1 has an internal rechargeable battery. Not needing to put a battery in each film pack reduces the cost from $23.49 to $19.99. That's not an insignificant number for photographers, though Smolokowski doesn't see Impossible shooters as volume users. Impossible sold about 1 million film packs in 2015, so moving photographers to a camera with an internal battery can help cut down on waste.

He says that he'll be happy if owners shoot a few packs a year. With only eight images available before changing film, Smolokowski says that instant photography is about capturing very special moments. He doesn't expect Impossible devotees to use instant film for those everyday shots that are typically captured with a smartphone or digital camera.

The I-1 also has an advantage over many older Polaroid models when it comes to size. It's smaller than a typical 600 series. Smolokowski likens it to an SX70 that is open and ready to shoot, which will make it more useable for travel. The lens is also wider than those found in older Polaroid models—its angle of view is 41 degrees in horizontal and vertical directions, akin to a 28mm prime on a full-frame camera. It needs to project a large image circle, so its maximum aperture is a modest f/8, and its aperture can narrow to as small as f/64.

A number of accessories will be offered for the I-1. It includes a flip-up mechanical viewfinder, but that can be removed and other accessories can be put in its place. A more powerful flash is one of the planned accessories, but there are no other details available at this time. A carrying case accessory is available at launch.

The I-1 goes on sale today, but can only be purchased directly from Impossible or at the MoMa Design Store in New York for $300. Depending on your perspective that may be a lot or a little to pay for an instant camera, but Smolokowski is quick to point out that it's not that far off from the price a working SX70 commands on the secondary market.

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

Read full bio