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Carl Zeiss Makro-Planar T* 2/50

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Carl Zeiss Makro-Planar T* 2/50 - Carl Zeiss Makro-Planar T* 2/50
4.0 Excellent

The Bottom Line

The Carl Zeiss Makro-Planar T* 2/50 is a sharp lens that can focus very close and boasts a fast aperture for a macro lens.

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Pros & Cons

    • Very sharp.
    • All-metal build.
    • Minimal distortion.
    • Fast aperture for a macro lens.
    • Expensive.
    • Manual focus only.

Carl Zeiss Makro-Planar T* 2/50 Specs

Type Lens

The Carl Zeiss Makro-Planar T* 2/50 ($1,283 list)($1,283.00 at Amazon) is a standard-angle lens with macro focusing capability. It is a full f-stop faster than most similar macro lenses, which open only to f/2.8, but still retains the 1:2 magnification factor that macro lenses in the 50 to 60mm focal range typically support. If you're in the market for a macro lens for your Canon or Nikon camera, don't mind manual focus, and want one that is fast enough to double as a standard lens when the light gets low, the Makro-Planar is a solid choice. If autofocus is more your speed, or if you'd simply like a longer working distance and higher magnification, consider a lens like the Sigma 150mm F2.8 EX DG OS HSM APO Macro($1,099.00 at Amazon).

The lens is bigger than most manual focus 50mm f/2 designs, which are typically quite compact. It measures 3.6 by 3 inches (HD), weighs 1.3 pounds, and uses 67mm front filters. The front element is recessed, but as you focus closer the barrel extends. It nearly doubles in length as it reaches the 9.4-inch minimum focus distance, which accounts for design. You wouldn't think that a hood would be required for a lens like this, but a metal lens hood is included nonetheless. The Carl Zeiss Planar T* 1,4/50($580.00 at Amazon) is smaller and twice as fast, but can only focus to 17.7 inches and isn't nearly as sharp.

Imatest shows that the Makro-Planar is extremely sharp even at its widest aperture, and always shows negligible distortion when paired with the full-frame Nikon D800. A score of 1,800 lines per picture height is used to mark a photo with acceptable sharpness, and the lens exceeds that at every tested aperture. At f/2 the center-weighted score is 2,918 lines, with all but the extreme edges of the frame crossing the 1,800-line mark. Sharpness increases to 3,318 lines at f/2.8, and it jumps to 3,701 lines at f/4; f/4 is also the aperture at which the entire frame is sharp, with even extreme edges crossing the 2,400-line mark. Performance is even better at f/5.6, where the lens scores 3,861 lines, and at f/8 where it hits 3,822. Not even our Editors' Choice 50mm lens, the Nikon AF-S Nikkor 50mm f/1.4G($406.95 at Amazon) shows these numbers—it hits 2,567 lines at f/2 and peaks at 3,689 lines at f/8.

The Makro-Planar T* 2/50 is one of a pair of macro lenses available from Carl Zeiss. The other is the Makro-Planar T* 2/100($750.00 at Amazon), a lens with a longer focal length and an equal aperture, but one that also limits you to 1:2 magnification and manual focus. Both lenses are incredibly sharp and feature the smooth focus and all-metal build that you come to expect from Zeiss. The 50mm version has the benefit of doubling as a fast standard-angle lens, while the 100mm is an excellent focal length for portraits. It's easy to recommend either lens, and shooters with deep pockets may opt to have both in their gear bag. If you are looking for a macro that supports autofocus, the longer Sigma 150mm F2.8 EX DG OS HSM APO Macro is an excellent choice; it's another sharp lens, and its longer focal length allows for more distance between your camera and subjects, as well as true 1:1 magnification.

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Final Thoughts

Carl Zeiss Makro-Planar T* 2/50 - Carl Zeiss Makro-Planar T* 2/50

Carl Zeiss Makro-Planar T* 2/50 Review

4.0 Excellent

The Carl Zeiss Makro-Planar T* 2/50 is a sharp lens that can focus very close and boasts a fast aperture for a macro lens.

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About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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