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Canon Realis X600

 & M. David Stone Contributing Editor

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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 - Canon Realis X600
4.0 Excellent

The Bottom Line

The Canon Realis X600 is the least expensive projector available to date that's built around LCOS, a technology that eliminates problems common to LCD and DLP projectors.

Pros & Cons

    • LCOS technology sidesteps common problems with LCD and DLP projectors.
    • Bright image.
    • Good color.
    • Relatively big and heavy.
    • Volume is too low to be usable.

Canon Realis X600 Specs

Aspect Ratio: 4:3
Built-In Speakers: Yes
Computer Interfaces: Dual-mode (DVI-I)
Depth: 13.2 inches
Engine Type: LCoS
Height: 4.5 inches
Keystone (Optical or Digital): Digital
Measured Brightness: 2425 lumens
Measured Contrast Ratio: 160:1
Native Resolution: 1024 x 768
Rated Brightness: 3500 ANSI lumens
Rated Contrast Ratio: 1000:1
Remote Mouse Support: Yes
RGB Pass-through Connector: Yes
Supported Video Formats: 480i
Supported Video Formats: 480p
Supported Video Formats: 525i
Supported Video Formats: 525p
Supported Video Formats: 720p
Type: Business
Video Interfaces: Component
Video Interfaces: Composite
Video Interfaces: DVI
Video Interfaces: S-Video
Warranty Labor: 36 months
Warranty Parts: 36 months
Weight: 10.4 lb
Wi-Fi connectivity: No
Width: 8.9 inches
Wireless Connectivity: No
Zoom (Optical or Digital): Optical

Like most people who've seen an LCOS (liquid crystal on silicon) projector in action, I'm a big fan of the technology. But until now, even the least expensive LCOS projectors carried price tags of almost $5,000, making it hard to recommend one to a small business on a tight budget. The XGA (1,024-by-768) Canon Realis X600 doesn't fully solve the cost issue, but with a street price of $3,000, it's the most affordable LCOS projector yet.

LCOS starts off with a big advantage over other technologies. Single-chip DLP projectors suffer from a rainbow effect, with light areas breaking up into little red-green-blue rainbows when viewers shift their gaze. (I haven't been able to find any studies that show the percentage of people who see the rainbow effect, but I certainly see it, and it's safe to assume that someone in your audience will too.) LCD projectors are known for a screen-door effect, where the individual pixels are so well defined that you can see a grid of lines in the image—much as you would if you were looking through a screen door. LCOS projectors don't suffer from either of these problems, nor do they introduce any artifacts of their own. Even better, they tend to throw a bright, high-quality image, with colors that really pop off the screen.

The one catch for LCOS projectors (besides the high cost) is their size and weight. When Canon introduced the Realis SX50 about a year ago, the company boasted that, at 8.6 pounds, it was the lightest LCOS projector on the planet. It still is. The X600 weighs 10.4 pounds and measures 4.5 by 8.9 by 13.2 inches (HWD), making it too heavy and bulky to serve as a constant traveling companion. You might consider carrying it with you occasionally, and Canon ships it with a soft carrying case—complete with a shoulder strap—for that purpose. But it's best suited for a fixed installation or room-to-room portability.

There's an advantage to its large size, too: There's plenty of room for connectors. The X600 offers a DVI-I connector (for an analog or digital PC connection or DVI video), a VGA connector (for an analog PC connection or component video), a pass-through monitor connector, a USB port to give you mouse control through the projector's remote, and inputs for composite video, S-Video, and audio. And not only does it come with a VGA to DVI-I cable so you can connect to a computer, it has component video and USB cables as well—two more than you get with most projectors.

To set up the X600 you simply connect the appropriate cables, turn the computer and projector on, set the zoom for the image size you want, and hit the auto-set button, which handles everything else. More precisely, the auto-set feature focuses the projector, recognizes the data source, and changes the input setting to match, adjusts keystone (when the edges of a projected image are slanted because the projector is not directly in line with the screen) so the left and right sides of the image are parallel and the top and bottom are parallel, and even adjusts colors to compensate for the color of the surface you're using as a screen. In my tests, I made sure the auto-set worked, then readjusted the keystone settings to avoid the artifacts that digital keystone usually adds to an image.

The X600's measured brightness, at 2,425 lumens, is only 69 percent of the rated 3,500 lumens, but that's enough to make it one of the brightest projectors we've ever tested—close behind the NEC LT35, which has a measured brightness of 2,837 lumens. It's certainly bright enough to throw a reasonably large image that can stand up to the ambient light in most office settings.

The 160:1 contrast ratio is low compared with a typical DLP projector, but relatively high for LCOS. And with Canon's version of LCOS, at least, a low contrast ratio doesn't mean a dulled-down image. On the contrary, I'd describe the image as suitably crisp, with rich, fully saturated colors that popped off the screen. And I didn't see any problems worth mentioning on our DisplayMate test screens (www.displaymate.com).

On my DVD video tests (which I ran using an S-Video connection) I saw a slight tendency to lose detail in dark areas, but otherwise the image was of excellent quality and displayed skin tones well. I wouldn't hesitate to bring the X600 home on weekends to watch a movie or sports. That is, as long as I had an external audio system on hand. Even at full volume, I had to strain to hear the X600's sound from only a few feet away—a common, and decidedly minor, issue with business projectors.

At $3,000 street, the Canon Realis X600 doesn't qualify as cheap. But it does count as a big step forward in bringing LCOS technology down to a more mainstream price range. It's also well worth the cost if you have the budget to pay more to get a better image.

See how the Canon Realis X600 measures up to similar machines in our projector comparison chart.

More projector reviews:

Final Thoughts

 - Canon Realis X600

Canon Realis X600

4.0 Excellent

The Canon Realis X600 is the least expensive projector available to date that's built around LCOS, a technology that eliminates problems common to LCD and DLP projectors.

About Our Expert

M. David Stone

M. David Stone

Contributing Editor

My Experience

Most of my current work for PCMag is about printers and projectors, but I've covered a wide variety of other subjects—in more than 4,000 pieces, over more than 40 years—including both computer-related areas and others ranging from ape language experiments, to politics, to cosmology, to space colonies. I've written for PCMag.com from its start, and for PC Magazine before that, as a Contributor, then a Contributing Editor, then as the Lead Analyst for Printers, Scanners, and Projectors, and now, after a short hiatus, back to Contributing Editor.

I'm pretty sure I'm the only person who worked on every "Project Printer" blockbuster PCMag ever produced, often writing 15 or more reviews for the year's big printer blowout. (I snuck in a single review one year when I was writing a book, strictly so I could keep that claim alive.)

I've always worked for PCMag as a freelancer, which has freed me to take time away to write nine books, be a major contributor to four others, and write for other publications, including Wired, Computer Shopper, Projector Central, and Science Digest, where I was Computers Editor. I also wrote a computer column at one point for The Newark Star-Ledger.

Although I started my career primarily as a science (mostly physics and astronomy) and science-fiction writer (published in Analog), my non-computer-related work runs the gamut from the Project Data Book for NASA's Upper Atmosphere Research Satellite (written for GE's Astro-Space Division) to the script for a video overview of a top company in the gaming industry (that would be gambling, not video games). My books include The Underground Guide to Color Printers (Addison-Wesley), Troubleshooting Your PC (Microsoft Press), and Faster, Smarter Digital Photography (Microsoft Press).

Having covered a wide range of subjects, I've developed a serial expertise in many of them. The ones most relevant to my current work at PCMag.com are all imaging technologies.

The Technology I Use

I buy new PCs for my writing desk infrequently, because it takes a week or more to customize the settings the way I want them. At the moment, I have an HP Envy tower running Windows 10, but it's old enough to have a Windows 7 sticker on it. Its latest lease on a longer life is courtesy of a newly installed 500GB Samsung SSD 870 EVO.

Elsewhere in my house is an assortment of older and newer PCs. The older ones are dedicated to specific tasks, like the one I've been using to slowly digitize all the paper stored in my filing cabinets, while the newer ones are testbeds for printer and projector reviews.

For writing, I use Microsoft Word 2003, because I find it too annoying to take my hands off the keyboard to give mouse commands using the Ribbon. My workhorse printers are a Xerox Phaser 6280 color laser and a Dymo LabelWriter 450 Twin Turbo for labels and stamps. I also have a Canon Pixma iP8720 for printing photos, and a Canon ImageFormula DR-C225 for scanning.

My first computer was bought to replace my IBM Selectric for writing. After rejecting both the IBM PC (which had just been introduced) and the Apple II because of the keyboards, I chose a Vector Graphics Vector 3 CP/M machine with dual floppies. The first MS-DOS machine I was willing to use for writing was the IBM AT, with its much-improved keyboard compared with the original PC and its gargantuan 20MB hard drive.

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