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Canon PowerShot SX260 HS

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Canon PowerShot SX260 HS - Canon PowerShot SX260 HS
4.0 Excellent

The Bottom Line

The Canon PowerShot SX260 HS delivers an impressive 20x zoom ratio and very good image quality in a compact package. Integrated GPS is a boon for geotaggers, but the camera's video prowess and high ISO performance aren't best in class.

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Pros & Cons

    • Compact.
    • Sharp, long zoom lens.
    • Integrated GPS.
    • 1080p video captured limited to 24fps.
    • Loss of detail at high ISOs.
    • Priced on the high side.

Canon PowerShot SX260 HS Specs

35-mm Equivalent (Telephoto): 500 mm
35-mm Equivalent (Wide): 25 mm
Battery Type Supported: Lithium Ion
Boot time: 1.8 seconds
Dimensions: 2.4 x 4.2 x 1.3 inches
GPS: Yes
Image Stabilization: Optical
Interface Ports: mini HDMI
Interface Ports: mini USB
LCD Aspect Ratio: 4:3
LCD dots: 460000
LCD size: 3 inches
Lines Per Picture Height: 1939
Maximum ISO: 3200
Media Format: Secure Digital
Media Format: Secure Digital Extended Capacity
Media Format: Secure Digital High Capacity
Megapixels: 12 MP
Optical Zoom: 20 x
Recycle time: 0.5 seconds
Sensor Size: 6.2 x 4.6 (1/2.3") mm
Sensor Type: CMOS
Shutter Lag: 0.2 seconds
Touch Screen: No
Type: Superzoom
Video Resolution: 1080p
Video Resolution: 720p
Viewfinder Type: None
Waterproof Depth (Mfr. Rated): 0 feet
Weight: 8.2 lb

The Canon PowerShot SX260 HS ($349.99 direct) is the successor to the very solid SX230 HS ($349.99, 4 stars). Like its predecessor, it features a 12-megapixel image sensor and a built-in GPS, but adds a longer 20x zoom lens (up from 14x), without increasing the size of the camera. A good performer, and a top choice for geotaggers, it doesn't quite surpass the Nikon Coolpix S9100 ($329.95, 4 stars) as our Editors' Choice superzoom.

Design and Features
At just 2.4 by 4.2 by 1.3 inches (HWD) and 8.2 ounces, the SX260 HS can slide into a pants pocket with ease. It's comparable in size to other compact superzooms that we've tested, including the Fujifilm Finepix F600EXR ($349.95, 3 stars), a 15x camera at 2.4 by 4 by 1.2 inches and 7.7 ounces. The SX260's 20x lens covers an impressive 25-500mm (35mm equivalent) focal length range. If you want to go any longer than that, you'll need to look at a camera with a much larger body like the 35x-zooming Canon PowerShot SX40 HS ($429.99, 4 stars), which can easily be mistaken for a small D-SLR at first glance. The SX260 offers a sturdy-feeling metal exterior and is available in black, green, or red—although the red version looks pinkish to my eye.

Controls are well thought out. The Mode dial is located on the rear of the camera, so you can adjust it while framing photos. The 4-way jog wheel makes it easy to navigate through menus and to adjust the Exposure Compensation, Flash mode, Self Timer, and to engage Macro shooting mode. There's also a dedicated Movie button, allowing you to start recording a clip without having to change the camera's shooting mode. The pop-up flash is motorized, only opening when the camera settings call for it. There is a discrete mode available which disables the flash and all sounds, so you won't accidentally make noise during, say, your child's school play.

An overlay menu system, accessed by hitting the Function button, allows you to modify common shooting settings. From here you'll be able to adjust the GPS settings, change the Metering mode, control White Balance, set the ISO, and control the power output of the flash. The camera's rear LCD is 3 inches in size and packs a 460k-dot resolution. It is quite bright and sharp, but can't match the 921k displays found on competing cameras like the Sony Cyber-shot HX7V ($299.99, 3.5 stars). The display is fixed, which can be problematic when shooting outdoors in direct sunlight—cameras with tilting displays do better there.

Performance and Conclusions

The SX260 did quite well in speed tests. Superzooms generally take a little bit longer to get going than standard compacts, as there is more time required for the larger lens to extend from the body. The SX260 HS starts up and shoots in 1.8 seconds, records a very short 0.2 second shutter lag, and can grab a photo ever 0.5 second in continuous drive mode. The Samsung WB750 ($279.99, 3.5 stars), which features a comparable 18x zoom lens, starts and shoots in 1.9 seconds, matches the 0.2 second shutter lag, and can grab a burst of 8 shots with only 0.1 second between each photo.

I used Imatest to measure the sharpness and noise of photos captured by the SX260. The camera did quite well in terms of sharpness—it scored 1,939 lines per picture height, which exceeds the 1,800 lines that denote a sharp image. This is comparable to the performance of the Fujifilm Finepix F600EXR , which netted 1,981 lines.

High ISO shooting is where the SX260 falters. It only manages to keep noise below 1.5 percent through ISO 800, and even at that setting, images start to lose detail as a result of in-camera noise reduction. This won't be a huge issue unless you're looking at photos on a high-resolution display or making prints through ISO 1600, but when you bump the ISO to its maximum setting of 3200, noise reduction kills detail—even if you're just viewing your images on a 20-inch display. The Nikon S9100 is still one of the best compact superzooms that we've tested in this metric—it keeps noise below 1.5 percent all the way through ISO 3200 making it a better choice for lower-light shooting.

The built-in GPS works quite well. It was able to lock onto a signal in Manhattan after a few minutes, which can be a challenge for any camera. Results were accurate enough—looking at the photos in the map in Photoshop Lightroom it appeared as if the position was off by twenty feet or so in most cases. The camera's video capture isn't as robust as some others—it can record QuickTime video at 1080p24 and 720p30 resolution and it can zoom and refocus while recording. The sound of the lens moving in and out is audible on the soundtrack, which is fairly typical for a camera in this class. The video shot at 24 frames per second isn't as smooth as the 720p30 footage—1080p footage at a higher frame rate would have been nice. The camera supports standard SD, SDHC, and SDXC memory cards, and includes mini HDMI and mini USB ports to connect to HDTVs for playback and PCs for image offload.

At $350, the Canon SX260 HS isn't the least expensive compact superzoom on the market, but it is capable of capturing some very nice images—especially at lower ISO settings. Its GPS works quite well, and the camera is compact but offers enough physical controls to make shooting a pleasure. If you aren't prepared to spend this much on a point-and-shoot camera, consider the Samsung WB750, which is priced a full $70 less and features a very capable 18x zoom lens. Our Editors' Choice, the 18x Nikon S9100 is also priced lower, but lacks a GPS. If you want a long zoom lens and the ability to geotag your photos, and the SX260 HS is within your budget, it should be at the top of your list.

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Final Thoughts

Canon PowerShot SX260 HS - Canon PowerShot SX260 HS

Canon PowerShot SX260 HS

4.0 Excellent

The Canon PowerShot SX260 HS delivers an impressive 20x zoom ratio and very good image quality in a compact package. Integrated GPS is a boon for geotaggers, but the camera's video prowess and high ISO performance aren't best in class.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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