PCMag editors select and review products independently. If you buy through affiliate links, we may earn commissions, which help support our testing.

Canon PowerShot SD1000

 & Terry Sullivan Terry Sullivan has tested and reported on many different types of consumer electronics and technolog

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

Our Expert
LOOK INSIDE PC LABS HOW WE TEST
65 EXPERTS
43 YEARS
41,500+ REVIEWS
 - Canon PowerShot SD1000
4.5 Outstanding

The Bottom Line

Although there's an incredible amount of competition in the ultracompact category, the Canon PowerShots are still the cameras to beat. And at the top of the mountain sits the PowerShot SD1000.

Buy It Now

Pros & Cons

    • Fantastic picture quality.
    • Excellent performance.
    • No shutter lag.
    • Sweet styling.
    • Should have better video capabilities, including MPEG-4 encoding.
    • Wide-angle lens could be wider.
    • A bit pricey.

Canon PowerShot SD1000 Specs

35mm Equivalent (Telephoto) 105 mm
35mm Equivalent (Wide) 35
Battery Type Lithium Ion
Battery Type Rechargeable
Memory Card Format Secure Digital
Sensor Resolution 7.1
Type Compact

What kind of point-and-shoot camera has what it takes to stand out from the pack? Generally, it's one that exhibits both excellent quality and nimble performance. But that's not the whole story. Other features, such as a useful and beautiful design plus functions that are enjoyable to use, can really make the difference. In the case of Canon's new 7.1-megapixel PowerShot SD1000, you get most, if not all, of these essentials.

Judging from the specs alone, this camera won't overwhelm you. It's a 7.1-megapixel device that features a 3X optical zoom with a 5.8mm-to-17.4mm range (which is equivalent to a 35mm lens with a 35mm-to-105mm zoom) and corresponding maximum f-stops of f/2.8 to f/4.9. The SD1000 also sports the usual 2.5-inch LCD, which is more or less the standard size for cameras being produced today. There's no image stabilization on this camera, although with a 3X optical zoom lens there's not a lot of reason for it.

The camera's design, however, is exquisite. A nod to earlier PowerShots, the SD1000's look first appeared on the original Canon Elph, an APS (Advanced Photo System) film point-and-shooter, which was based on a striking design motif developed by the legendary Canon designer Yasushi Shiotani. This motif was called the "box and circle" design, which, as you can see, consists of a black circle within the rectangular silver "box."

What's great about the design is its minimalist approach. It almost subliminally accentuates the fact that any photographic device—from the simplest pinhole to the most sophisticated D-SLR—is essentially a box with a circular hole cut into it. It's truly form highlighting elemental function.

Still, this camera is more than just an objet d'art. It performs brilliantly. On my test shots and under a variety of lighting situations, the SD1000 captured my images the way I prefer them. Now that's a good thing since, like most cameras in Canon's SD series, you don't have full manual modes on this camera.

I was particularly impressed with one shooting experience, at a press conference where keynote speakers appeared onstage in low light. I wanted to capture the atmosphere in the room, so using the flash was an issue, yet I didn't want blurred images. I was very pleased with the quality of images the camera produced, operating under these restrictions. Perhaps it was the SD1000's face-detection feature that helped it expose and focus my shots correctly. As I've found with most of the recent batch of Canon PowerShot cameras, the built-in face-detection feature really does quite a good job.

My lab test pictures also displayed excellent results. There was very little noise in flash or daylight shots. I noticed just the right amount of saturation as well as very accurate color matching, with no color casts. There was very little fringing, either, and the SD1000 rendered my simulated outdoor picture of trees set against a bright blue sky well. Dynamic range was quite good, resulting in deep, dark blacks and almost pure whites. In addition, my flash shot exhibited high quality with no blown-out highlights at all. If that's not enough good news, the SD1000 turned in an average resolution of 1,750 lines, which is exceptionally sharp for a 7.1MP camera.

Demonstrating equal prowess in terms of performance, the camera's 2.5-second boot-up time was nice and swift. My recorded 2.5-second recycle time was just as speedy. Most of all, I liked having no detectable shutter lag and hardly any barrel or pincushion distortion. This guy has an excellent little lens.

Of course, there were a few areas where the PowerShot SD1000 could use some improvement. For example, I was hoping for a few more high ISO modes, and I think there's too much noise in indoor low-light shots. Video capabilities were solid at VGA quality and at 30 fps, but it would be nice to have the option of creating smaller file sizes, say with MPEG-4 encoding. Still, sound was quite good, clear and relatively free of hiss.

At a list price of $299.99, this shooter is a tad pricey, too. Even so, whether I needed indoor images (with or without flash), outdoor landscape pictures, or cityscape shots, I could count on the SD1000 to hit the mark, almost always dead-on.

Benchmark Test Results
Check out the PowerShot SD1000's test scores.

More digital camera reviews:

Final Thoughts

 - Canon PowerShot SD1000

Canon PowerShot SD1000

4.5 Outstanding

Although there's an incredible amount of competition in the ultracompact category, the Canon PowerShots are still the cameras to beat. And at the top of the mountain sits the PowerShot SD1000.

Get It Now

Buy It Now

About Our Expert

Terry Sullivan

Terry Sullivan

Terry Sullivan has tested and reported on many different types of consumer electronics and technolog

Terry Sullivan has tested and reported on many different types of consumer electronics and technology services, including cameras, action cams, smart phones, wireless speakers, streaming music services, digital-imaging apps, and video-editing software. He has also written extensively on various trends in the worlds of technology, photography, multimedia, and the visual arts, covering everything from traditional oil painting to the latest trends in virtual reality. For more than 10 years, his articles and blogs have appeared in a variety of publications and websites, including Consumer Reports, PCMag, Photo District News, Lifehacker, and Professional Artist magazine. He is also a teacher, photographer, artist, and musician, and lives on Long Island with his wife and two children. He holds a B.A. in English and Fine Arts from Fairfield University and an M.A. in Studio Art from New York University.

Read full bio