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Canon PowerShot G15

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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The enthusiast-focused Canon PowerShot G15 delivers excellent image quality, but lacks some features found in other top-end cameras. - Canon PowerShot G15
4.0 Excellent

The Bottom Line

The enthusiast-focused Canon PowerShot G15 delivers excellent image quality, but lacks some features found in other top-end cameras.

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Pros & Cons

    • Fast, sharp lens.
    • Optical viewfinder.
    • Good high ISO performance.
    • Responsive.
    • Excellent control layout.
    • Raw shooting support.
    • Pricey.
    • Fixed rear LCD.
    • Limited zoom range.
    • Bulky.
    • No GPS or Wi-Fi.
    • 1080p video limited to 24fps.

If you're wondering if you missed the G13 and G14, don't. The Canon PowerShot G15 ($499.99 direct) is actually the successor to the PowerShot G12SEE IT, a high-end compact camera that is now two years old. The G15 offers numerous upgrades—a 12-megapixel CMOS sensor, a faster lens, and a sharper rear display among them. It's a better camera than the G12, but it's not good enough to oust the Sony Cyber-shot DSC-RX100SEE IT as our Editors' Choice for high-end compact cameras.

Design and Features

The G15 is one of the few point-and-shoot cameras on the market with an optical viewfinder. Nikon dropped the finder from its latest Coolpix P7700, which leaves the G15 standing alone with the Canon PowerShot G1 X and the Fujifilm X10SEE IT. An optical finder makes it appealing to a certain niche of photographers, but not all viewfinders are created equal. The G15 and G1 X both have zooming finders that are rather small and dim compared to the big, bright one packed into the X10. If you're buying on that feature alone, the X10 is the clear winner.

At 3 by 4.2 by 1.6 inches (HWD) and 12.4 ounces, the G15 is larger and heavier than a smaller big-sensor camera like the Canon PowerShot S110, which features the same size 1/1.7-inch CMOS image sensor, but omits the optical finder and hot shoe. The S110 is much easier to slide into your pocket at 2.3 by 3.9 by 1.1 inches (HWD) and only 7 ounces.

The 5x zoom lens covers a 28-140mm equivalent field of view, with a variable aperture that starts at f/1.8 at the wide end and drops to a very reasonable f/2.8 on the telephoto side. It's faster on both ends than the G12, which starts at f/2.8 and dwindles to f/4.5 when zoomed in. The Sony RX100, which features a larger 1-inch image sensor, starts at f/1.8 but drops to f/4.9 when zoomed in—that camera does better at very high ISO settings, however, which nullifies the G15's advantage in lens speed.

The rear LCD is 3 inches in size and, unlike the G12 and G1 X, lacks an articulating arm. Despite being fixed, it is very sharp thanks to a 922k-dot resolution, and bright enough for use on sunny days. Physical controls on the G15 are plentiful, a fact that is sure to please demanding photographers. There's a Mode dial up top, along with a dedicated dial to adjust EV Compensation, the On/Off button, and shutter release. A control wheel is located on the front of the camera, and there's a dial that doubles as a four-way controller on the back. There are buttons to adjust ISO, macro focusing, flash options, the autofocus area, and the metering mode—other settings are adjusted via a software overlay menu. Missing are wireless connectivity options—there's no GPS or Wi-Fi built-in. These extras aren't standard issue on point-and-shoot cameras, but they are becoming more and more common. Canon's own PowerShot S110 integrates Wi-Fi, and its new full-frame EOS 6D D-SLR offers both Wi-Fi and GPS.

Performance and ConclusionsCanon PowerShot G15 : Benchmark Tests
In terms of speed, it can't catch a D-SLR, but the G15 keeps up with others in its class. It starts and shoots in 2.3 seconds, can snap a photo every 0.55 second in continuous drive mode, and notches a relatively short 0.2-second shutter lag. It doesn't have the same slow autofocus that plagued the large-sensor G1 X, which notches a 0.4-second shutter lag, fires off a photo every 0.6 second, and requires 2.5 seconds to start and shoot.

Imatest confirms that the G15 has a sharp lens—it scores 1,918 lines per picture height, better than the 1,800 lines required for a sharp image. Noise is controlled through ISO 1600, and image detail is excellent at this setting even when shooting JPG images—the G15 also supports Raw capture. Images hit 1.8 percent at ISO 3200, just over the 1.5 percent mark—which is what we use to define an image with acceptable noise. Detail isn't as good at this setting as it is at ISO 1600, but it is useable when lighting conditions call for it. The Sony RX100 does better at higher ISO settings—it keeps noise under control through ISO 6400.

The G15 records QuickTime video in 1080p24, 720p30, or 480p30 quality. The quality is excellent, with sharp detail and accurate colors. Like in other recent Canon cameras, 1080p video is limited to 24 frames per second, which is disappointing. Some point-and-shoots, like the Olympus Tough TG-1 iHSSee it at Amazon UK capture ultra-smooth 1080p60 video. The 24fps look is sometimes desirable, especially when trying to achieve a cinematic look, but the option to roll 1080p30 footage would have been nice. In addition to the standard hot shoe, there are mini HDMI, mini USB, and wired remote control ports. The G15 supports all standard SD, SHDC, and SDXC memory cards.

The G15 is a very good, but not great, compact camera. Its image quality and physical control layout are excellent—there's nothing bad to say about either. But its other strengths have caveats. There's an optical viewfinder, but it's not nearly as good as the one packed into the Fujifilm X10. Its rear LCD is extremely sharp, but it doesn't rotate like that of the Canon G1 X. The lens has a fast aperture throughout, though the camera doesn't perform as well at higher ISO settings as our Editors' Choice Sony RX100. But that large-sensor compact is priced higher at $650. If you are looking for a digital compact with an optical viewfinder, your choices are limited. Overall, I prefer the experience of shooting with the Fujifilm X10, but Canon D-SLR owners or owners of previous-generation G cameras will want to consider the G15 for its familiarity and compatibility with Speedlite flashes and other Canon accessories.

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Final Thoughts

The enthusiast-focused Canon PowerShot G15 delivers excellent image quality, but lacks some features found in other top-end cameras. - Canon PowerShot G15

Canon PowerShot G15

4.0 Excellent

The enthusiast-focused Canon PowerShot G15 delivers excellent image quality, but lacks some features found in other top-end cameras.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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