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Nikon Coolpix S9500

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Nikon Coolpix S9500 - Nikon Coolpix S9500
3.5 Good

The Bottom Line

Nikon's Coolpix S9500 is a fully loaded pocket camera with a huge zoom range and a sharp lens, but it doesn't quite edge out our Editors' Choice.

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Pros & Cons

    • Very sharp lens.
    • 22x zoom range.
    • Short shutter lag.
    • Wi-Fi and GPS.
    • Sharp OLED display.
    • Detail suffers at high ISO settings.
    • No manual shooting modes.
    • Off-center tripod socket.
    • In-camera battery charging.

Nikon Coolpix S9500 Specs

35mm Equivalent (Telephoto) 500 mm
35mm Equivalent (Wide) 25
Battery Type Lithium Ion
Dimensions 2.4 by 4.4 by 1.3 inches
Display Resolution 614000
Maximum ISO 3200
Memory Card Format Secure Digital
Memory Card Format Secure Digital Extended Capacity
Memory Card Format Secure Digital High Capacity
Optical Zoom 22 x
Sensor Resolution 18
Sensor Size 1/2.3" (6.2 x 4.6mm)
Sensor Type CMOS
Stabilization Optical
Type Superzoom
Video Resolution 1080p
Video Resolution 720p
Viewfinder Type None
Weight 7.3

The Nikon Coolpix S9500 ($349.95 direct)($89.95 at Amazon) is a pocket-size digital camera that manages to squeeze an 18-megapixel image sensor, a GPS radio, Wi-Fi, and a long 22x lens into a slim form factor. It's a stylish design that can snap sharp photos in automatic mode, but it doesn't offer the level of manual control that some others in this class do. If you don't like to fiddle with settings it's a solid option, but we like the 20x-zoom Canon PowerShot SX280 HS($85.12 at Amazon), a bit more. It's our Editors' Choice compact superzoom since it offers many of the same features, is a bit less expensive, and also gives you access to shutter and aperture settings.

Design and Features
The S9500, available in black, red, or silver, is impressively small, especially when you consider that its lens is a 25-500mm (35mm equivalent) f/3.4-6.3 design. It measures 2.4 by 4.4 by 1.3 inches (HWD) and weighs in at 7.3 ounces. It's not out of line for this class of camera, but it's tiny compared with the always-connected, 21x Samsung Galaxy Camera($249.99 at Amazon), an Android-powered beast that packs a huge touch screen; it comes in at 2.8 by 5.1 by 0.75 inches and weighs 11 ounces. One quibble about the S9500's design is the placement of the tripod socket; it's located at the edge of the base of the camera, not centered under the lens as you'd expect. This isn't a camera that you'll likely use frequently with a tripod, however.

You get a good number of physical controls, even though shooting modes are limited. There's a mode dial on top, along with the shutter release, zoom rocker, and Power button. The rear panel houses a control dial with push-button directions to set the flash output, exposure compensation, macro focusing mode, and the self-timer. There's also a Record button to start and stop videos, a Menu button, and image playback controls.

The mode dial gives you access to a number of scene modes and image effects. By default, the camera operates in Auto mode. There's a setting to automatically select a scene mode, and also one for manual scene selection; this is accomplished via the menu. Nikon opted to include a few scene modes separately on the dial: Night Landscape, Night Portrait, Backlighting, and Smart Portrait.

The standard program, aperture priority, shutter priority, and manual modes are not included, as they are on the SX280 HS. Depending on your level of photographic expertise, this may or may not bother you; I was attempting to capture a shot with a lot of motion on the street one morning and the camera defaulted to a very low ISO with a 1/40-second shutter speed, resulting in a shot with considerable motion blur. Activating the Sports scene mode would have fixed that, but I would have missed my shot by the time I dove into the menu system to change to that setting. A simple shutter speed control and shutter priority mode on the dial is quicker to access, and would have resulted in a useable photograph.

Nikon Coolpix S9500 : Sample Image

There's also an Effects mode, which lets you apply artistic filters to your images. These include soft focus, sepia toning, selective color, and a few others. It's not as extensive a library as the Quick Effects that are enabled by default; with these turned on you are prompted to add an art filter to your images after every shot. The filters available through this menu are much more extensive—there are more than 20. You can dismiss this screen by tapping the shutter button. Quick effects can be applied via the playback menu, but only if that feature was enabled when the photo was captured. I found the menu to be a bit of an annoyance, and it's unfortunate that it's not possible to disable the prompt, or to apply the effect to images without having it enabled during capture.

The 3-inch rear display uses OLED technology, and packs a 614k-dot resolution. It's noticeably sharper than the 460k-dot displays found on the Canon SX280 HS and the Samsung WB800F($149.95 at Amazon), and there are five brightness settings so you can increase its luminance on sunny days.

Wi-Fi and GPS are integrated, which is fairly common for cameras of this class. GPS automatically adds your geographic location to your photos. And Wi-Fi allows you to transfer images to your iOS or Android device using the free Nikon Wireless Mobile Utility app. The camera acts as a wireless hotspot; you just need to connect to it with your phone to transfer images. Your device can also be used as a remote control for the camera using the app. You'll get a Live View feed on its screen and there are controls available to adjust the zoom and fire the shutter.

Performance and Conclusions

Performance and ConclusionsNikon Coolpix S9500 : Benchmark Tests
The S9500's performance is in line with others in its class. It starts and shoots in about 1.6 seconds,  and manages a very short 0.1-second shutter lag. The only real knock is its burst shooting; it can fire off a quick burst of 5 shots at 7 frames per second, but a 5.3-second recovery time is required after that. There's a low-speed continuous shooting mode that can rattle off shots at a more reasonable 2fps for as long as you'd like. The Canon SX280 HS doesn't offer the short high-speed burst, but it can fire off shots at 3fps, and it matches the S9500 in start-up speed and shutter lag.

I used Imatest to check the sharpness of the S9500's lens. It's an impressive performer, scoring 2,823 lines per picture height on our sharpness test. This is better than the 1,800 lines required for a sharp photo, and better than the 1,770 lines that the Galaxy Camera managed. The S9500 is one of the sharpest compacts we've tested.

Nikon Coolpix S9500 : Sample Image

Image noise is another matter. It can rob photos of detail and add an unwanted graininess as the sensitivity to light, measured in ISO, increases. The S9500 keeps noise under 1.5 percent through ISO 800. Compare this with the SX280 HS, which controls noise through ISO 1600. The Imatest score isn't the only factor in how a camera performs at high ISO; we closely examined our ISO test scene on a calibrated NEC MultiSync PA271W( at Amazon) display in order to see how photos held together at high sensitivities. There is some noticeable smudging of detail at ISO 800, but images look quite good at the sizes you'll be using to share on social networks, and quality should hold up in smaller prints. Smudging is more pronounced at ISO 1600, and by the time you hit the top ISO of 3200 you've got images that are very noticeably noisy, even when viewed at smaller sizes.

Video is recorded in up to 1080p30 quality in QuickTime format. The footage is sharp with crisp colors, and the lens can zoom in and out when recording. That motion is impressively quiet, you can hear a slight whir under voices when zooming, but it's not any worse than standard background noise. The S9500 is quick to refocus when the scene changes. The only real knock on the video quality is one that's fairly common for compact cameras: The rolling shutter effect. Because CMOS sensors capture a scene progressively, line-by-line, there is a bit of delay when panning or in scenes with a fast motion. This causes an optical effect that's not too different from the rubber pencil optical illusion; objects in the bottom of the frame advanced to their new position more quickly than those at the top.

There's no external battery charger included with the S9500; instead an AC adapter and USB cable are included to plug the camera directly into the wall for in-camera charging. The USB connection isn't a standard mini B or micro B design, so you won't want to misplace this cable. The only other connector on the camera is a micro HDMI port. The memory card slot is located in the battery compartment and supports SD, SDHC, and SDXC memory cards.

The Nikon Coolpix S9500 is a solid effort as far as compact superzooms go. It has an impressive 22x lens that covers wide angles and captures telephoto scenes, and also boasts integrated GPS and Wi-Fi. It's one of the sharpest that we've tested, but its performance isn't quite good enough to earn an Editors' Choice award. It's a bit more expensive than the winner in this category, the Canon PowerShot SX280 HS, a camera that does just a little bit better in low light and gives you access to more advanced manual shooting controls. If you don't mind a larger camera, and are a frequent Instagrammer, you may also want to consider the Samsung Galaxy Camera. Its optics aren't quite up to the level of the Nikon or Canon entries, but it offers always-on 4G connectivity and full compatibility with Android apps—just be prepared to pay a bit more up front, and to see your cell phone bill to increase if you opt for a 4G data plan.

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Further Reading

Final Thoughts

Nikon Coolpix S9500 - Nikon Coolpix S9500

Nikon Coolpix S9500 Review

3.5 Good

Nikon's Coolpix S9500 is a fully loaded pocket camera with a huge zoom range and a sharp lens, but it doesn't quite edge out our Editors' Choice.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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