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Canon PowerShot Elph 130 IS

 & Jim Fisher Principal Writer, Cameras

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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Canon PowerShot Elph 130 IS - Canon PowerShot Elph 130 IS
2.5 Fair

The Bottom Line

The Canon PowerShot Elph 130 IS features Wi-Fi and an 8x zoom lens, but for a few dollars more you can get a much better compact camera.

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Pros & Cons

    • 8x zoom lens.
    • Sharp images.
    • Wi-Fi.
    • Slow performance.
    • Noisy images at moderate ISO settings.
    • Video limited to 720p.

Canon PowerShot Elph 130 IS Specs

35mm Equivalent (Telephoto) 224 mm
35mm Equivalent (Wide) 28
Battery Type Lithium Ion
Dimensions 2.2 by 3.8 by 0.8 inches
Display Resolution 461000
Maximum ISO 1600
Maximum Waterproof Depth 0
Memory Card Format Secure Digital
Memory Card Format Secure Digital Extended Capacity
Memory Card Format Secure Digital High Capacity
Optical Zoom 8 x
Sensor Resolution 16
Sensor Size 4.6 x 6.2 (1/2.3")
Sensor Type CCD
Stabilization Optical
Touch Screen
Type Compact
Video Resolution 720p
Viewfinder Type None
Weight 4.7

The Canon PowerShot Elph 130 IS ($199.99 direct) is one of a couple of cameras in the Elph series that pack a 16-megapixel CCD image sensor and an 8x zoom lens. It differentiates itself from the less expensive Elph 115 IS($225.00 at Amazon) by including Wi-Fi, but both cameras suffer from slow performance and noisy images at moderate ISO settings. This is something we've come to expect from less expensive cameras, but you can get our Editors' Choice compact Canon PowerShot Elph 330 HS($60.00 at Amazon) for only $30 more. That means that there's not much sense in buying the 130 IS, unless your budget is very, very tight and Wi-Fi is a must-have feature.

Design and Features
The Elph 130 IS($86.95 at Amazon) measures 2.2 by 3.8 by 0.8 inches (HWD) and weighs about 4.7 ounces. It's small, but not quite as small as the tiny Nikon Coolpix S01( at Amazon) (2.1 by 3.1 by 0.7 inches, 3.4 ounces). Canon offers the camera in silver, red, or gray finish. Like other Elph bodies, its construction is all metal.

The lens is an 8x design that covers a 28-224mm (35mm equivalent) focal range. It's identical in design to the one found in the Elph 115 IS, and like that camera the 130 IS doesn't perform well in low light. This issue is exacerbated by the relatively narrow f/3.2-6.9 aperture—if you're going to shoot zoomed in, you'll be doing so in brighter light.

There's a big toggle switch on the rear of the camera to switch from Automatic shooting to Program mode. When shooting in auto you'll only be able to control whether or not the flash fires; everything else is handled for you. More advanced shutterbugs will appreciate the ability to switch to Program, but should be aware there's no full manual, aperture priority, or shutter priority shooting available. There are physical controls to adjust the flash, change the brightness of your photos using exposure compensation, and to enable macro shooting, but they won't work when the rear switch is set to Automatic.

Pressing the Function/Set button brings up an overlay menu that allows you to control additional shooting settings. From here you can change the ISO sensitivity, adjust the white balance, and select the light metering pattern. When shooting in Auto these options are grayed out, but you will be able to access the self-timer, adjust the image quality and aspect ratio settings, and toggle between HD and SD movie recording.

The 3-inch LCD is sharp and bright. The resolution is 460k-dots, which is equal to the screen on the Elph 330 HS. It's not as sharp as the 921k-dot displays found on top-end cameras like the Nikon Coolpix P7700($209.98 at Amazon), but it's adequate for framing and image review.

In addition to the larger, sharper screen, the big difference between the Elph 130 IS and the lesser-priced Elph 115 IS is Wi-Fi. Your extra $30 grants you the ability to beam images directly to your smartphone or tablet via the free Canon CameraWindow app for iOS and Android. You can also transfer photos to your computer, print to a compatible printer or another Canon Wi-Fi camera, and add GPS data to images that you transfer to your phone.

Canon lets fans of social media post directly to Twitter, YouTube, and Facebook when the camera is connected to a hotspot. You'll need to configure these services using the included Canon Image Gateway software. That requires you to plug the Elph into your PC or Mac via USB, but you can start sharing to your phone or tablet out of the box. Canon's Wi-Fi implementation is one of the better ones we've seen. When you're away from your home network or a known Wi-Fi network, the phone and camera will talk to each other automatically, assuming the CameraWindow app is running and the Elph is set to Wi-Fi mode. And if you're at home or on a known network, you can simply post directly from the camera. It's a seamless experience that's painless to configure and fast to transfer images.

Performance and ConclusionsCanon PowerShot Elph 130 IS : Benchmark Tests
The Elph 130 IS isn't the speediest camera on the block. It requires 1.9 seconds to start and capture a photo, and languishes for a full 2.3 seconds between shots. The shutter lag is 0.2-second, which is acceptably speedy. Compare this with the Elph 330 HS. It also takes a while to start up, about 1.8 seconds, and its shutter lag is just a hair faster at 0.15-second. But its burst shooting is much faster; it shoots photos at about 2 frames per second.

I used Imatest to check the sharpness of photos captured by the camera. It exceeds the 1,800 lines per picture height required for a sharp image by a good margin—the Elph 130 IS scores 2,115 lines. Imatest also checks images for noise, which makes them appear grainy at higher ISO settings. It keeps noise below 1.5 percent through ISO 400. This is about a stop better than the Elph 115 HS, but close examination of photos using a calibrated NEC MultiSync PA271W display shows the two cameras are neck-and-neck when it comes to capturing detail and texture at identical ISOs. Neither can match the Elph 330 HS—its CMOS sensor keeps noise under control through ISO 1600, which means that it can capture comparable images in light levels that are only one-fourth as bright.

Video capture is a weak point. Footage is limited to 720p25 in QuickTime format, and it looks just OK. Even under studio lights the footage looks grainy. You can zoom in and out while recording; the audio is loud and clear, but you can hear the lens moving on the soundtrack. The camera does include a dedicated wall charger for its rechargeable battery. That's good news if you're the type of photographer who likes to carry a spare battery; you won't have to stop shooting while charging as you do with other recent models that require you to charge the battery inside the camera. The only interface port is a standard mini USB connector, and the usual SD, SDHC, and SDXC memory cards are supported by the Elph.

The Canon PowerShot Elph 130 IS delivers similar image quality and performance as the less expensive Elph 115 IS, but we're giving it a lower rating. Cost is a big factor in that decision—there's a $30 price difference between the two models, and while that extra money buys you a sharper rear LCD and Wi-Fi support, it doesn't do anything to improve upon image or video quality. Our Editors' Choice for mid-priced compact cameras is another Canon camera, the Elph 330 HS. It's priced at $230, about $30 more than the Elph 130 IS. Its CMOS sensor is a much better performer in dim light, and it also includes Wi-Fi support. Our recommendation is to stretch your budget and go for that model instead. If you can't spend more than $200, consider the Sony Cyber-shot DSC-WX80; its low-light image quality is just a smidge behind the 330 HS and it includes integrated Wi-Fi, but it does have a rather disappointing rear display.

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Final Thoughts

Canon PowerShot Elph 130 IS - Canon PowerShot Elph 130 IS

Canon PowerShot Elph 130 IS Review

2.5 Fair

The Canon PowerShot Elph 130 IS features Wi-Fi and an 8x zoom lens, but for a few dollars more you can get a much better compact camera.

Get It Now

Buy It Now

About Our Expert

Jim Fisher

Jim Fisher

Principal Writer, Cameras

My Experience

Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 14 years, which has given me a front row seat for the changeover from DSLRs to mirrorless cameras, the smartphone camera revolution, and the emergence of drones for aerial imaging. I have extensive experience with every major mirrorless and SLR system, and am also comfortable using point-and-shoot and action cameras. As a Part 107 Certified drone pilot, I’m licensed to fly unmanned aircraft systems (UAS) for commercial and editorial purposes, and am knowledgeable about federal rules and regulations regarding drones.

The Technology I Use

I use all of the major camera systems on a regular basis, swapping between Canon, Fujifilm, L-Mount, Micro Four Thirds, Nikon, and Sony systems. I still find time to use Leica M rangefinders and Pentax SLRs on occasion, too. I keep an iPhone 13 in my pocket for the rare occasions I'm not carrying a camera.

I'm not a brand-specific photographer. For product review photos, I swap between a Canon EOS R5 and a Sony a7R IV. I use Flashpoint and Godox TTL lights and Peak Design tripods, and I most often reach for a Think Tank or Peak Design backpack to carry equipment.

When it comes to computers, I'm an unapologetic Mac person and have been for the past 20 years. I write in Pages and use Numbers for spreadsheets. I currently swap between an Intel i9 MacBook Pro and an Apple Silicon Mac Studio for writing and use a calibrated BenQ 32.5-inch with the Studio for photo and video editing. I rely on a LaCie 6big RAID for media storage. I also keep a PC around for gaming, but please don't tell my Macs about it; they'll get jealous.

I split time between several different software apps depending on the type of editing I'm doing. For Raw image processing, Adobe Photoshop Lightroom Classic is my standard. I pair it with a LoupeDeck CT console to supplement my keyboard and trackpad, and I lean on RNI All Films 5 presets when I want to give an image a film look. I use Apple Final Cut Pro for video editing.

My first digital camera was the Canon PowerShot Elph S200, and my first DSLR was the Pentax *ist DL. I have a soft spot for antique film gear. I still use a 1950 vintage Rolleiflex Automat TLR and love trying mid-century Leica lenses on film and digital alike. I mainly use whatever's in front of me for review for digital snaps, but I pick up either my Leica M Typ 240 or Pentax K-3 III Monochrome when I want to step away from review work. In my downtime, I enjoy bird watching, reading, video games, and both good and bad movies, especially in the sci-fi and horror genres.

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